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Catalogue of the exhibition at the Art gallery of greater Victoria, Victoria, British-Columbia on november 2006-marsh 2007.
September 2009
Fantastic frameworks: architectural utopias + designs for life
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Catalogue of the exhibition at the Art gallery of greater Victoria, Victoria, British-Columbia on november 2006-marsh 2007.
books
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337 pages : illustrations (chiefly color), plans, portraits ; 29 cm
Leipzig : Spector Books, 2024.
Raising the curtain : operatic modernism and the Soviet nations / Oxana Gourinovitch.
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337 pages : illustrations (chiefly color), plans, portraits ; 29 cm
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Leipzig : Spector Books, 2024.
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In "Climate propagandas", Jonas Staal reveals the propaganda narratives—and the divergent realities they evoke—that shape the climate crisis in the public imaginary. It is often said that the climate crisis is a planetary one, but the devastating impact of climate crisis is distributed unequally and its related ideological positions are as vast as they are irreconcilable.(...)
Climate propagandas: Stories of extinction and regeneration
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In "Climate propagandas", Jonas Staal reveals the propaganda narratives—and the divergent realities they evoke—that shape the climate crisis in the public imaginary. It is often said that the climate crisis is a planetary one, but the devastating impact of climate crisis is distributed unequally and its related ideological positions are as vast as they are irreconcilable. A liberal might argue the crisis is the result of individual consumer behavior, whereas a libertarian sees an opportunity for geoengineering markets. A conspiracist might not believe the climate is at risk, whereas an ecofascist sees a chance to double down on the argument about who has the superior racial right to survive extinction.
Environment and environmental theory
Chardin and Rembrandt
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Long overlooked in Proust’s posthumously published writings, Chardin and Rembrandt, written when he was only twenty-four years old, not only reemphasizes the importance of visual art to his development, but contains the seeds of his later work. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay is much more than a straightforward(...)
Chardin and Rembrandt
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Long overlooked in Proust’s posthumously published writings, Chardin and Rembrandt, written when he was only twenty-four years old, not only reemphasizes the importance of visual art to his development, but contains the seeds of his later work. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay is much more than a straightforward piece of art criticism. It is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects.
Art Theory
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Errant’s 4th issue tackles the imaginary nature of the nation state, and looks into alternative forms of solidarity, community and belonging that are disconnected from or even antagonistic to this form of governance and in which a migrant or otherwise marginalised position can be seen as one of power and resistance. ''States of statelessness'' delves into the diverse(...)
Errant Journal #4: States of statelessness
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Errant’s 4th issue tackles the imaginary nature of the nation state, and looks into alternative forms of solidarity, community and belonging that are disconnected from or even antagonistic to this form of governance and in which a migrant or otherwise marginalised position can be seen as one of power and resistance. ''States of statelessness'' delves into the diverse manners in which people respond to their precarious relations to nation and nationality in practical, poetic and community-based ways. But more than that, this issue is a celebration of the ways in which people are able to stand their ground, to exist in fluidity, and a commemoration of those before us that have shown that other ‘states’ are possible.
Magazines
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German photographer Olaf Holzapfel became fascinated, during a residency in Tokyo, with a "city within the city" - yellow bumps and grooves on the ground that form a guidance system for blind people walking with canes. Holzapfel contrasts photographs from the Nakano Sakaue rail station with other images of Tokyo for a photo-essay that art historian Andreas Spiegl(...)
Olaf holzapfel, Nakano Sakaue,
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German photographer Olaf Holzapfel became fascinated, during a residency in Tokyo, with a "city within the city" - yellow bumps and grooves on the ground that form a guidance system for blind people walking with canes. Holzapfel contrasts photographs from the Nakano Sakaue rail station with other images of Tokyo for a photo-essay that art historian Andreas Spiegl characterizes as a "geography that ... describes perception as a territory - the view of the visible and the imaginary." This embossed hardcover blends rich color photographs, dominated by the (in)visible yellow lines that traverse Tokyo, with black-and-white images of what were originally garishly colored scenes, reinforcing the contrast between the seen and the unseen worlds of Tokyo.
Photography monographs
Piranesi as designer
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Renowned as one of the finest printmakers of the eighteenth century, Giovanni Battista Piranesi is best known for his etched views of Rome and its antiquities, as well as for his highly influential suite of drawings entitled Carceri, or Imaginary Prisons. Trained as an architect, Piranesi revolutionized architecture and design through his combination of decorative(...)
Architecture Monographs
October 2010
Piranesi as designer
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Renowned as one of the finest printmakers of the eighteenth century, Giovanni Battista Piranesi is best known for his etched views of Rome and its antiquities, as well as for his highly influential suite of drawings entitled Carceri, or Imaginary Prisons. Trained as an architect, Piranesi revolutionized architecture and design through his combination of decorative elements and ornamental motifs from the Egyptian, Etruscan, Greek, and Roman styles; yet his work as the designer of interiors and furnishings has been largely uncelebrated. Published in conjunction with a major exhibition at the Smithsonian s Cooper-Hewitt, National Design Museum, Piranesi as Designer explores the far-reaching impact of Piranesi s modernist style on three centuries of architecture and design.
Architecture Monographs
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xiv, 242 pages : illustrations (some colour) ; 25 cm
Bristol, UK ; Chicago, USA : Intellect, 2023., ©2023
Architecture, film, and the in-between : spatio-cinematic betwixt / edited by Vahid Vahdat and James F. Kerestes.
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xiv, 242 pages : illustrations (some colour) ; 25 cm
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Bristol, UK ; Chicago, USA : Intellect, 2023., ©2023
books
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vi, 311 pages : illustrations ; 25 cm
London : Bloomsbury Academic, 2020.
Political theory and architecture / edited by Duncan Bell & Bernardo Zacka.
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vi, 311 pages : illustrations ; 25 cm
books
London : Bloomsbury Academic, 2020.
The Master and Margarita
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Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient(...)
The Master and Margarita
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Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with historical, imaginary, frightful, and wonderful characters. Written during the darkest days of Stalin's reign, and finally published in 1966 and 1967, ''The Master and Margarita'' became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere. This newly revised translation, by the award-winning team of Pevear and Volokhonsky, is made from the complete and unabridged Russian text.
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