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Published by Aperture in 1982 and long unavailable, Stephen Shore’s legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore’s large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon(...)
Photography monographs
January 1900, New York
Stephen Shore : uncommon places, the complete works
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Published by Aperture in 1982 and long unavailable, Stephen Shore’s legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore’s large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon Places: The Complete Works presents a definitive collection of the original series, much of it never before published or exhibited. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated version of America via highway and camera. Approaching his subjects with cool objectivity, Shore’s images retain precise internal systems of gestures in composition and light through which the objects before his lens assume both an archetypal aura and an ambiguously personal importance. In contrast to Shore’s signature landscapes with which “Un-common Places” is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits. As a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies—Thomas Struth (whose first book was titled Unconscious Places), Andreas Gursky, and Catherine Opie among them—Uncommon Places: The Complete Works provides a timely opportunity to reexamine the diverse implications of Shore’s project and offers a fundamental primer for the last thirty years of large-format color photography.
Photography monographs
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In the next few years, emerging practices in interactive architecture are set to transform the built environment. Whereas 'smart' design was once regarded as the preserve of museum exhibit or Jumbotrom advertising screens, 'multi-mediated' interactive design has now entered every domain of public and private life. As a spatial medium, interactive design is(...)
Architecture since 1900, Europe
January 2005, Chichester
4dspace : interactive architecture
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In the next few years, emerging practices in interactive architecture are set to transform the built environment. Whereas 'smart' design was once regarded as the preserve of museum exhibit or Jumbotrom advertising screens, 'multi-mediated' interactive design has now entered every domain of public and private life. As a spatial medium, interactive design is revolutionising and reinventing our homes, as well as our work and leisure spaces. Essays and interviews by international commentators Lucy Bullivant, guest editor of the issue, Ole Bouman, Antonino Saggio, Stefano Mirti and Walter Aprile and Mike Weinstock on the cultural issues raised by the emergence of interactive architecture will be complemented with features on acclaimed practitioners Christian Moller, Tobi Schneidler, Ron Arad and Jason Bruges. Benchmark interactive projects in this issue evolving new models of interdisciplinary teamwork include The Media House, led by Metapolis, IaaC and the MIT Media Lab and projects conceived at the Interactive Institute, Ivrea, Italy. New work is also featured by KDa/Toshio Iwai; realities: united, Usman Haque, Adam Somlai-Fischer, Ben Rubin and Mark Hansen, Lars Spuybroek and the Institute of Neuro-Informatics, ETH, Zurich, Kitchen Rogers Design; IDEO, and Tom Barker, b consultants/SmartSlab.
Architecture since 1900, Europe
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En 2004, construire un abbaye au Québec relève presque du miracle pour un architecte. Pour les moines qui y vivront, la décision de construire une nouvelle abbaye s'inscrit au terme d'un long processus de discernement, pour faire face à de nouveaux défis. La présente publication rend compte de cet unique concours d'architecture, formidable exercice de conception(...)
Un monastère contemporain : variation architecturales, concours d'architecture de l'abbaye cistercienne
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En 2004, construire un abbaye au Québec relève presque du miracle pour un architecte. Pour les moines qui y vivront, la décision de construire une nouvelle abbaye s'inscrit au terme d'un long processus de discernement, pour faire face à de nouveaux défis. La présente publication rend compte de cet unique concours d'architecture, formidable exercice de conception auquel ont répondu près de 60 équipes d'architectes québécois : son contexte, ses objectifs, ses intervenants mais surtout ses artisans et leur immense talent...
Architecture du Québec
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to(...)
Modernism and the architecture of private life
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to rethink Victorian design and reconstruct the form, function, and meaning of the home to meet the demands of modernity. In this study, Rosner draws on a host of previously unexamined archival sources and reveals the many personal and aesthetic connections among modern British writers, interior designers, and architects, elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art.
Architectural Theory
Te Tuhirangi Contour
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Located on the Kaipara harbor in New Zealand, 30 miles north of Auckland, Te Tuhirangi Contour is one of Richard Serra's latest site-specific works. The site is a vast open grass pasture with rolling elevations and curvilinear contours. The sculpture, made of hundreds of tons of steel, is located on one continuous contour, at a length of 843 feet. The particular contour(...)
Contemporary Art Monographs
January 1900, Göttingen
Te Tuhirangi Contour
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Located on the Kaipara harbor in New Zealand, 30 miles north of Auckland, Te Tuhirangi Contour is one of Richard Serra's latest site-specific works. The site is a vast open grass pasture with rolling elevations and curvilinear contours. The sculpture, made of hundreds of tons of steel, is located on one continuous contour, at a length of 843 feet. The particular contour was chosen for its location, differentiation, contraction and expansion in relation to the total volume of the landscape, and the elevation of the sculpture is perpendicular to the fall of the land, which generates its lean of 11 degrees. The work was first mocked-up full scale in wood to determine height and length. Serra's monumental sculpture is documented here in Dirk Reinartz's elegant black-and-white photography.
Contemporary Art Monographs
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Chaque mode de transport nouveau impose au voyageur des façons inédites de faire, de sentir, de voir, de se repérer, chacun est porteur d'une approche originale de l'espace qui façonne un paysage. Ainsi, au XIXe siècle, le chemin de fer contraint le voyageur, livré à l'ivresse du glissement, à porter au loin son regard, les abords immédiats de la voie défilant trop vite(...)
Paysages en mouvement : transports et perception de l'espace XVIIIe-XXe siècle
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Chaque mode de transport nouveau impose au voyageur des façons inédites de faire, de sentir, de voir, de se repérer, chacun est porteur d'une approche originale de l'espace qui façonne un paysage. Ainsi, au XIXe siècle, le chemin de fer contraint le voyageur, livré à l'ivresse du glissement, à porter au loin son regard, les abords immédiats de la voie défilant trop vite pour qu'il puisse les figer. Un paysage ferroviaire, fait d'amples variations, prend alors corps. La vitesse, la mécanisation et la signalisation construisent ainsi les scènes de ces paysages en mouvement.
Urban Theory
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This May 2005 Special Issue of a+u features 70 sites in Beijing & 89 in Shanghai, each accompanied by a descriptive paragraph and site photographs. In some cases, plans or elevations are included. The buildings listed in the guide include modern and contemporary architecture dating from approximately 1900 to the present.
Beijing/Shanghai architecture guide, a+ u May 2005 special issue
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This May 2005 Special Issue of a+u features 70 sites in Beijing & 89 in Shanghai, each accompanied by a descriptive paragraph and site photographs. In some cases, plans or elevations are included. The buildings listed in the guide include modern and contemporary architecture dating from approximately 1900 to the present.
Contemporary Asian Architecture
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On doit à Alain Sarfati, depuis 1972, de nombreux projets et réalisations ; en 2004 lui a été confiée la construction de la future ambassade de France à Pékin. Il est l'un des rares architectes à avoir fait de ses réflexions sur la ville le support d'un travail sur le logement (qu'il soit individuel ou collectif), ainsi que le fondement d'une architecture publique(...)
Topiques / topics : Alain Sarfati architecte
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On doit à Alain Sarfati, depuis 1972, de nombreux projets et réalisations ; en 2004 lui a été confiée la construction de la future ambassade de France à Pékin. Il est l'un des rares architectes à avoir fait de ses réflexions sur la ville le support d'un travail sur le logement (qu'il soit individuel ou collectif), ainsi que le fondement d'une architecture publique raisonnée. Pour cet architecte, la démarche commence par une attention à l'usage. Démagogie ? Assurément non. Si Sarfati entend rendre possible pour qui l'occupe l'appropriation du bâti, et redonner tout son sens au verbe habiter, l'architecture qu'il promeut ne se départit jamais d'une intention esthétique que redouble une mise en valeur symbolique. Le bâtiment tel que l'envisage Alain Sarfati n'est jamais neutre ni autonome.
Architecture Monographs
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La preuve par neuf renvoie à une opération connue de tous. Celle de ce livre s'intéresse aux réalisations récentes d'Alain Sarfati, celles des dix dernières années, de 1994 à 2004. Elle propose à travers neuf réalisations et neuf projets de retrouver les orientations qui ont toujours animé l'œuvre d'Alain Sarfati.
Alain Sarfati : la preuve par neuf
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La preuve par neuf renvoie à une opération connue de tous. Celle de ce livre s'intéresse aux réalisations récentes d'Alain Sarfati, celles des dix dernières années, de 1994 à 2004. Elle propose à travers neuf réalisations et neuf projets de retrouver les orientations qui ont toujours animé l'œuvre d'Alain Sarfati.
Architecture Monographs
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout(...)
English gardens in the twentieth century : from the archives of Country Life
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout the last century. The story begins with Arts and Crafts gardens, typified by herbaceous borders and modern planting, and it continues with the Edwardian debate between formality and "wild" gardening, inter-war grandeur, postwar practicality, and pioneering artists' gardens. Beautifully illustrated with 200 colour and duotone photographs, this is an illuminating survey of an outstanding century of British garden-making.
Gardens