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Renzo Piano has created some of the most emblematic buildings of our age, including the New York Times Building in New York City, the Centre Georges Pompidou in Paris, the Shard in London, and the Parco della Musica in Rome. Here, Renzo Piano himself—whose many international awards include the prestigious Pritzker Prize—presents in his own words the works on which he has(...)
Renzo Piano: the complete logbook
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Renzo Piano has created some of the most emblematic buildings of our age, including the New York Times Building in New York City, the Centre Georges Pompidou in Paris, the Shard in London, and the Parco della Musica in Rome. Here, Renzo Piano himself—whose many international awards include the prestigious Pritzker Prize—presents in his own words the works on which he has built his reputation over a span of fifty years. Over one hundred works are featured, accompanied by over one thousand images of Piano’s work around the world including new photographs, drawings, and sketches, both intimate and authoritative, all with commentaries by the architect that combine personal anecdote and technical description with original insights.
Architecture Monographs
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media(...)
Show & tell: collecting architecture
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no guaranteed length. The Architekturmuseum at the Technical University in Munich has one of the largest special collections of architecture in Europe. This publication presents its complex history while placing it in the context of other prominent international collections. Selected examples are used to discuss questions about collecting, research and the exhibition of architecture in the future.
Museums and Universal Exhibitions
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer a biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the(...)
Cornelia Hahn Oberlander : making the Modern landscape
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer a biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal.
Landscape Architecture, Monographs
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a(...)
Jamie L Ferguson : In the hunting field
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a significant intertwining with the biological world that shapes bodies and technology. It is not meant as an exhaustive signifier for a linear history but instead as an opportunity to survey encounters that shape these understandings and so inform our place in the world. Perhaps a reinterpretation of environmental aesthetics can provide openings for alternate shapes of future encounters…
Canadian art
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Melvin Charney (1935-2012) spent his career working on the border between art and architecture. His internationally celebrated art employed a variety of media including photography, montage, painting, sculpture, and temporary and permanent installations, relentlessly pursuing the meaning of architectural images in the age of mass communication. This volume includes a(...)
On architecture: Melvin Charney, a critical anthology
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Melvin Charney (1935-2012) spent his career working on the border between art and architecture. His internationally celebrated art employed a variety of media including photography, montage, painting, sculpture, and temporary and permanent installations, relentlessly pursuing the meaning of architectural images in the age of mass communication. This volume includes a visual archive of over three hundred illustrations, many of which served as source material and inspiration for Charney's work, and set up a dialogue between his criticism and his landmark projects. Essays from architectural scholars provide critical assessments of Charney’s body of work as well as new perspectives on many of the key issues he grappled with and that have transformed architecture since the 1960s.
Architecture Monographs
Formica forever
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Formica® is 100 years old : to celebrate this centennial, Formica Corporation has published Formica Forever. The book takes us on a walk through the life of this material : from its humble beginnings as electrical insulation; to its initial adoption by designers including Donald Deskey in the 1930s; to a golden age ushered in by the post–World War II housing boom;(...)
Formica forever
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Formica® is 100 years old : to celebrate this centennial, Formica Corporation has published Formica Forever. The book takes us on a walk through the life of this material : from its humble beginnings as electrical insulation; to its initial adoption by designers including Donald Deskey in the 1930s; to a golden age ushered in by the post–World War II housing boom; through global expansion in the second half of the twentieth century; to the laminate’s inventive uses by designers, artists and architects such as Jasper Morrison, Daniel Buren, Frank Gehry, Laurinda Spear and Zaha Hadid; and finally through to the present, which finds the Formica Group working with young designers to push the limits of this pioneering material.
Industrial Design
Performing architecture : opera houses, theatres and concert halls for the twenty-first century
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Even in this age of varied home entertainment and fast-paced mass media, creative energy is being directed towards new spaces for live performance. Illustrated with photographs, computer renderings and architectural drawings, "Performing Architecture" explores fifty of contemporary performance spaces, as well as recently refurbished, restored and transformed buildings. A(...)
Commercial interiors, Building types
November 2006, London
Performing architecture : opera houses, theatres and concert halls for the twenty-first century
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Even in this age of varied home entertainment and fast-paced mass media, creative energy is being directed towards new spaces for live performance. Illustrated with photographs, computer renderings and architectural drawings, "Performing Architecture" explores fifty of contemporary performance spaces, as well as recently refurbished, restored and transformed buildings. A brief introduction traces the post-war development of theatre and concert hall design, and sets out the circumstances today that have led to such a rich provision for performance. Buildings featured range from Frank Gehry’s Disney Opera House in Los Angeles to the Unicorn Theatre for Children in London; and from the Tenerife Opera House by Santiago Calatrava to the Guangzhou Opera House, China, by Zaha Hadid.
Commercial interiors, Building types
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''Arctic Practices: Design for a Changing World'' emerges at a critical juncture wherein the very stability of Arctic ecosystems hangs in a precarious balance induced, almost entirely, by humans. This volume assembles forty-six contributors—designers, educators, artists, photographers, filmmakers, some Indigenous, some residents, and some visitors to the Circumpolar(...)
Contemporary Architecture
October 2025
Arctic practices: design for a changing world
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''Arctic Practices: Design for a Changing World'' emerges at a critical juncture wherein the very stability of Arctic ecosystems hangs in a precarious balance induced, almost entirely, by humans. This volume assembles forty-six contributors—designers, educators, artists, photographers, filmmakers, some Indigenous, some residents, and some visitors to the Circumpolar North—to create a polyvocal assembly of Arctic practices. ''Arctic Practices'' stands as both documentation and provocation—an attempt to record current practices while simultaneously imagining new possibilities for Arctic design in an age of crisis. By bringing diverse voices and perspectives together, this publication hopes to contribute to an emerging discourse that recognizes the urgency of climate action and the necessity of anticolonial practice in Arctic contexts.
Contemporary Architecture
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that(...)
Collective threads: Anna Andreeva at the Red Rose Silk Factory
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.
Design Monographs
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it,(...)
Carly Steinbrunn: A matter of chance
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it, ultimately transforming it into a marketable product. The book is modelled according to the logic of an atlas and combines different photographic registers, including views of buildings in Silicon Valley’s technology hubs and data centres, images of scientific experiments taken in laboratories or studios, alongside a body of scientific archival materials sourced online from governmental institutions, research agencies and educational establishments.
Photography monographs