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Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid(...)
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Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid(...)
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Ice geographies: The colonial politics of race and indigeneity in the Arctic
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Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in "Ice geographies," Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty "nature" stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks?
Ice geographies: The colonial politics of race and indigeneity in the Arctic
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Summary:
Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in "Ice geographies," Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty "nature" stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks?
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Title:
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling(...)
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In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling(...)
Title:
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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$39.95
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In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling architectural language that fuses contemporary Modernism with Nova Scotia building traditions. SkyRoom is written in a new genre that Gaudet calls magic architectural realism, blending fact with historical fiction in presenting the lives of early inhabitants and visitors to the Shobac area, including Samuel de Champlain, a Mi'kmaq mystic, an Acadian carpenter and other lively characters whose ghostly presence swirl in the untold myths of this coastal Shangri-La. More provocatively, Gaudet orchestrates imaginary conversations between Mackay-Lyons and legendary figures in architecture - Frank Lloyd Wright, Mies Van Der Rohe, Louis Kahn, Charles Moore and others - all towards providing a novel perspective on what goes into building communities and homes worth living in.
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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$39.95
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Summary:
In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling architectural language that fuses contemporary Modernism with Nova Scotia building traditions. SkyRoom is written in a new genre that Gaudet calls magic architectural realism, blending fact with historical fiction in presenting the lives of early inhabitants and visitors to the Shobac area, including Samuel de Champlain, a Mi'kmaq mystic, an Acadian carpenter and other lively characters whose ghostly presence swirl in the untold myths of this coastal Shangri-La. More provocatively, Gaudet orchestrates imaginary conversations between Mackay-Lyons and legendary figures in architecture - Frank Lloyd Wright, Mies Van Der Rohe, Louis Kahn, Charles Moore and others - all towards providing a novel perspective on what goes into building communities and homes worth living in.
Form:
books
books
Publication:
December 2021
December 2021
Subject:
Canadian Architects
Canadian Architects
Form:
books
books
Title:
Mountain: nature and culture
Mountain: nature and culture
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Majestic and inspiring, there is nothing like the sight of a mountain on the horizon. Throughout all of human history mountains have been linked to the eternal, attracting us to their dizzying heights, stunning us with their natural beauty, and often threatening us with their dangers. Through a compelling journey to both real and imaginary peaks, this book explores how(...)
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Majestic and inspiring, there is nothing like the sight of a mountain on the horizon. Throughout all of human history mountains have been linked to the eternal, attracting us to their dizzying heights, stunning us with their natural beauty, and often threatening us with their dangers. Through a compelling journey to both real and imaginary peaks, this book explores how(...)
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Mountain: nature and culture
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Majestic and inspiring, there is nothing like the sight of a mountain on the horizon. Throughout all of human history mountains have been linked to the eternal, attracting us to their dizzying heights, stunning us with their natural beauty, and often threatening us with their dangers. Through a compelling journey to both real and imaginary peaks, this book explores how the mountain has figured in our history, culture, and maginations. Veronica della Dora explores the ways mountains have functioned spiritually as a boundary between life and death, a bridge between the earth and the heavens. Interlacing science, culture, and religion, she sketches the mountain as a geological phenomenon that has profoundly influenced and been influenced by the human imagination, shaping our environmental consciousness and helping us understand our—quite small indeed—place in the world. She also explores their significance as objects of human feats, as prizes of adventure and sport, and as places of serene beauty for vacationers. Magnificently illustrated and showcasing famous peaks from all around the world, Mountain offers a fascinating dual portrait of these giants in nature and culture.
Mountain: nature and culture
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Summary:
Majestic and inspiring, there is nothing like the sight of a mountain on the horizon. Throughout all of human history mountains have been linked to the eternal, attracting us to their dizzying heights, stunning us with their natural beauty, and often threatening us with their dangers. Through a compelling journey to both real and imaginary peaks, this book explores how the mountain has figured in our history, culture, and maginations. Veronica della Dora explores the ways mountains have functioned spiritually as a boundary between life and death, a bridge between the earth and the heavens. Interlacing science, culture, and religion, she sketches the mountain as a geological phenomenon that has profoundly influenced and been influenced by the human imagination, shaping our environmental consciousness and helping us understand our—quite small indeed—place in the world. She also explores their significance as objects of human feats, as prizes of adventure and sport, and as places of serene beauty for vacationers. Magnificently illustrated and showcasing famous peaks from all around the world, Mountain offers a fascinating dual portrait of these giants in nature and culture.
Form:
books
books
Publication:
September 2016
September 2016
Subject:
Landscape Theory
Landscape Theory
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books
books
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'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as(...)
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Summary:
'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as(...)
Title:
Flâneuse: Women walk the city in Paris, New York, Tokyo, Venice, and London
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'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâ neuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities. From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.
Flâneuse: Women walk the city in Paris, New York, Tokyo, Venice, and London
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Summary:
'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâ neuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities. From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Literature and poetry
Literature and poetry
Form:
books
books
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Summary:
Candide is a peer-reviewed journal dedicated to exploring the culture of knowledge specific to architecture. It is released twice a year in English and German. Each issue of Candide is made up of five distinct sections. This frame- work responds to the diversity of architectural knowledge being produced, while challenging authors from all disciplines to test a variety of(...)
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Summary:
Candide is a peer-reviewed journal dedicated to exploring the culture of knowledge specific to architecture. It is released twice a year in English and German. Each issue of Candide is made up of five distinct sections. This frame- work responds to the diversity of architectural knowledge being produced, while challenging authors from all disciplines to test a variety of(...)
Title:
Candide: journal for architectural knowledge no.4
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Candide is a peer-reviewed journal dedicated to exploring the culture of knowledge specific to architecture. It is released twice a year in English and German. Each issue of Candide is made up of five distinct sections. This frame- work responds to the diversity of architectural knowledge being produced, while challenging authors from all disciplines to test a variety of genres in order to write about and represent architecture. "Essay" provides a forum for discussion of architectural knowledge, including both fundamental research into and speculative arguments on its nature. "Analysis" allows for in-depth examination of built form: how can the knowledge embodied in buildings be retrospectively extracted and creatively re-used? "Project" is directed at architects who see design as a theoretical tool: how can a specific design proposal become a model of thought? "Encounters" gives access to the personal knowledge of renowned, unjustly forgotten, or entirely unknown protagonists of architecture. "Fiction" reflects the editors' conviction that sometimes the imaginary may reveal more about architectural knowledge than science.
Candide: journal for architectural knowledge no.4
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Candide is a peer-reviewed journal dedicated to exploring the culture of knowledge specific to architecture. It is released twice a year in English and German. Each issue of Candide is made up of five distinct sections. This frame- work responds to the diversity of architectural knowledge being produced, while challenging authors from all disciplines to test a variety of genres in order to write about and represent architecture. "Essay" provides a forum for discussion of architectural knowledge, including both fundamental research into and speculative arguments on its nature. "Analysis" allows for in-depth examination of built form: how can the knowledge embodied in buildings be retrospectively extracted and creatively re-used? "Project" is directed at architects who see design as a theoretical tool: how can a specific design proposal become a model of thought? "Encounters" gives access to the personal knowledge of renowned, unjustly forgotten, or entirely unknown protagonists of architecture. "Fiction" reflects the editors' conviction that sometimes the imaginary may reveal more about architectural knowledge than science.
Form:
books
books
Publication:
November 2011
November 2011
Subject:
Magazines
Magazines
Form:
books
books
Title:
Camouflages
Camouflages
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Summary:
Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created(...)
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Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created(...)
Title:
Camouflages
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$52.50
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Summary:
Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created using famous artworks as moulds, passing through paradoxical miracles and fake botanical plates. The purpose is to spread 'doubt' in the mind of the observer. The stars are midges and dust on the windscreen of a car, behind the terrorist hides an ordinary actor and an imaginary Russian astronaut disappears in space as well as in all documents and official photographs.Through these images Fontcuberta, with an ironic and disillusioned eye, deals with broader subjects: the role of religion in society and politics, criticising superstition and irrational; the limitations connected with the idea of authorship, style, signature and authenticity of a work of art; a reflection upon realism conceived as 'belief', 'faith' or conviction.
Camouflages
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Summary:
Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created using famous artworks as moulds, passing through paradoxical miracles and fake botanical plates. The purpose is to spread 'doubt' in the mind of the observer. The stars are midges and dust on the windscreen of a car, behind the terrorist hides an ordinary actor and an imaginary Russian astronaut disappears in space as well as in all documents and official photographs.Through these images Fontcuberta, with an ironic and disillusioned eye, deals with broader subjects: the role of religion in society and politics, criticising superstition and irrational; the limitations connected with the idea of authorship, style, signature and authenticity of a work of art; a reflection upon realism conceived as 'belief', 'faith' or conviction.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$34.00
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Summary:
The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine,(...)
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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine,(...)
Title:
Delusive spaces: essays on culture, media and technology
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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine, mapping the different methods and metaphors that speak about technology. Returning to the present, Kluitenberg discusses the cultural use of new media in an age of post-governmental politics. Delusive Spaces concludes with the impossibility of representation. Going beyond the obvious delusions of the 'new' and the 'free', Kluitenberg theorizes artistic practices and European cultural policies, demonstrating a provocative engagement with the utopian dimension of technology. Eric Kluitenberg is a Dutch media theorist, writer and organizer. Since the late 1980s, he has been involved in numerous international projects in the field of electronic art, media culture, and information politics. Kluitenberg heads the media program at De Balie, Centre for Culture and Politics in Amsterdam. He is the editor of the Book of Imaginary Media (NAi Publishers, 2006) and the theme issue Hybrid Space of Open, journal on art and the public domain (2007).
Delusive spaces: essays on culture, media and technology
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$34.00
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Summary:
The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine, mapping the different methods and metaphors that speak about technology. Returning to the present, Kluitenberg discusses the cultural use of new media in an age of post-governmental politics. Delusive Spaces concludes with the impossibility of representation. Going beyond the obvious delusions of the 'new' and the 'free', Kluitenberg theorizes artistic practices and European cultural policies, demonstrating a provocative engagement with the utopian dimension of technology. Eric Kluitenberg is a Dutch media theorist, writer and organizer. Since the late 1980s, he has been involved in numerous international projects in the field of electronic art, media culture, and information politics. Kluitenberg heads the media program at De Balie, Centre for Culture and Politics in Amsterdam. He is the editor of the Book of Imaginary Media (NAi Publishers, 2006) and the theme issue Hybrid Space of Open, journal on art and the public domain (2007).
Form:
books
books
Publication:
April 2008, Rotterdam
April 2008, Rotterdam
Subject:
Epistemology
Epistemology
Form:
books
books
Title:
Cartographic cinema
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
Title:
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Form:
books
books
Publication:
December 2006, Minneapolis, London
December 2006, Minneapolis, London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
The largest art
The largest art
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In "The largest art", Brent Ryan argues that urban design encompasses more than architecture, and he provides a foundational theory of urban design beyond the architectural scale. In a "declaration of independence" for urban design, Ryan describes urban design as the largest of the building arts, with qualities of its own. Ryan distinguishes urban design from its sister(...)
$59.95
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Summary:
In "The largest art", Brent Ryan argues that urban design encompasses more than architecture, and he provides a foundational theory of urban design beyond the architectural scale. In a "declaration of independence" for urban design, Ryan describes urban design as the largest of the building arts, with qualities of its own. Ryan distinguishes urban design from its sister(...)
Title:
The largest art
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$59.95
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Summary:
In "The largest art", Brent Ryan argues that urban design encompasses more than architecture, and he provides a foundational theory of urban design beyond the architectural scale. In a "declaration of independence" for urban design, Ryan describes urban design as the largest of the building arts, with qualities of its own. Ryan distinguishes urban design from its sister arts by its pluralism: plural scale, ranging from an alleyway to a region; plural time, because it is deeply enmeshed in both history and the present; plural property, with many owners; plural agents, with many makers; and plural form, with a distributed quality that allows it to coexist with diverse elements of the city. Ryan looks at three well-known urban design projects through the lens of pluralism: a Brancusi sculptural ensemble in Romania, a Bronx housing project, and a formally and spatially diverse grouping of projects in Ljubljana, Slovenia. He revisits the thought of three plural urbanists working between 1960 and 1980: David Crane, Edmund Bacon, and Kevin Lynch. And he tells three design stories for the future, imaginary scenarios of plural urbanism in locations around the world.
The largest art
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$59.95
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Summary:
In "The largest art", Brent Ryan argues that urban design encompasses more than architecture, and he provides a foundational theory of urban design beyond the architectural scale. In a "declaration of independence" for urban design, Ryan describes urban design as the largest of the building arts, with qualities of its own. Ryan distinguishes urban design from its sister arts by its pluralism: plural scale, ranging from an alleyway to a region; plural time, because it is deeply enmeshed in both history and the present; plural property, with many owners; plural agents, with many makers; and plural form, with a distributed quality that allows it to coexist with diverse elements of the city. Ryan looks at three well-known urban design projects through the lens of pluralism: a Brancusi sculptural ensemble in Romania, a Bronx housing project, and a formally and spatially diverse grouping of projects in Ljubljana, Slovenia. He revisits the thought of three plural urbanists working between 1960 and 1980: David Crane, Edmund Bacon, and Kevin Lynch. And he tells three design stories for the future, imaginary scenarios of plural urbanism in locations around the world.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Urban Theory
Urban Theory
Form:
books
books
Price:
$49.95
(available to order)
Summary:
Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using(...)
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Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using(...)
Title:
The politics of parametricism digital technologies in architecture
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Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using digital software based on parametric scripting platforms which claim to be able to process complex physical and social modelling alike. As more and more digital tools are developed into an apparently infinite repertoire of socio-technical functions, critical questions concerning these cultural and technological shifts are often eclipsed by the seductive aesthetic and the alluring futuristic imaginary that parametric design tools and their architectural products and discourses represent. The Politics of Parametricism addresses these issues, offering a collection of new essays written by leading international thinkers in the fields of digital design, architecture, theory and technology. Exploring the social, political, ethical and philosophical issues at stake in the history, practice and processes of parametric architecture and urbanism, each chapter provides different vantage points to interrogate the challenges and opportunities presented by this latest mode of technological production.
The politics of parametricism digital technologies in architecture
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$49.95
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Summary:
Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using digital software based on parametric scripting platforms which claim to be able to process complex physical and social modelling alike. As more and more digital tools are developed into an apparently infinite repertoire of socio-technical functions, critical questions concerning these cultural and technological shifts are often eclipsed by the seductive aesthetic and the alluring futuristic imaginary that parametric design tools and their architectural products and discourses represent. The Politics of Parametricism addresses these issues, offering a collection of new essays written by leading international thinkers in the fields of digital design, architecture, theory and technology. Exploring the social, political, ethical and philosophical issues at stake in the history, practice and processes of parametric architecture and urbanism, each chapter provides different vantage points to interrogate the challenges and opportunities presented by this latest mode of technological production.
Form:
books
books
Publication:
December 2015
December 2015
Subject:
Digital Architecture
Digital Architecture
