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Description:
276 pages : illustrations (some color), maps ; 33 cm
Description:
276 pages : illustrations (some color), maps ; 33 cm
Subject:
- Rose windows.,
- Christian art and symbolism.,
- Glass painting and staining, Medieval.,
- Christian art and symbolism Medieval, 500-1500 Themes, motives.,
- Roses (Vitraux),
- Art chrétien 500-1500 (Moyen Âge) Thèmes, motifs.,
- Vitraux médiévaux.,
- rose windows.,
- Christian art and symbolism Medieval Themes, motives
(See more)
Publication:
London : Thames & Hudson, 2005.
London : Thames & Hudson, 2005.
Title:
The rose window : splendour and symbol / Painton Cowen.
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Description:
276 pages : illustrations (some color), maps ; 33 cm
The rose window : splendour and symbol / Painton Cowen.
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Description:
276 pages : illustrations (some color), maps ; 33 cm
Form:
books
books
Publication:
London : Thames & Hudson, 2005.
London : Thames & Hudson, 2005.
Subject:
- Rose windows.,
- Christian art and symbolism.,
- Glass painting and staining, Medieval.,
- Christian art and symbolism Medieval, 500-1500 Themes, motives.,
- Roses (Vitraux),
- Art chrétien 500-1500 (Moyen Âge) Thèmes, motifs.,
- Vitraux médiévaux.,
- rose windows.,
- Christian art and symbolism Medieval Themes, motives
(See more)
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books
books
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$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 2000, Cambridge
April 2000, Cambridge
Title:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
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Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Price:
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Form:
books
books
Publication:
April 2000, Cambridge
April 2000, Cambridge
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Actions:
Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Title:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Form:
books
books
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
audio
audio
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Secession, 2026.
[Place of publication not identified] : Secession, 2026.
Title:
Artists: Onyeka Igwe in conversation with Jeanette Pacher.
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Description:
1 online resource.
Artists: Onyeka Igwe in conversation with Jeanette Pacher.
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Description:
1 online resource.
Form:
audio
audio
Publication:
[Place of publication not identified] : Secession, 2026.
[Place of publication not identified] : Secession, 2026.
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books
books
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Description:
261 pages : illustrations (some color) ; 29 cm
Description:
261 pages : illustrations (some color) ; 29 cm
Author:
Subject:
Publication:
New York : Rizzoli, 1993.
New York : Rizzoli, 1993.
Title:
Ettore Sottsass : a critical biography / Barbara Radice ; [English language translation by Rodney Stringer].
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Description:
261 pages : illustrations (some color) ; 29 cm
Ettore Sottsass : a critical biography / Barbara Radice ; [English language translation by Rodney Stringer].
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Description:
261 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
New York : Rizzoli, 1993.
New York : Rizzoli, 1993.
Subject:
Form:
books
books
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Subject:
- Architectural Details Spain Madrid 2000-2010.,
- Storefronts Spain Madrid 2000-2010.,
- Show-windows Spain Madrid 2000-2010.,
- Metal Grilles (barrier elements) Spain Madrid 2000-2010.,
- Shop signs Spain Madrid 2000-2010.,
- Door pulls Spain Madrid 2000-2010.,
- Intercom systems Madrid 2000-2010.,
- Spanish Industrial designers.
(See more)
Publication:
[Madrid] : Aldeasa, 2003.
[Madrid] : Aldeasa, 2003.
Title:
Hasta fin de existencias = While stocks last / Leandro Lattes.
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Hasta fin de existencias = While stocks last / Leandro Lattes.
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Description:
[228] pages : chiefly color illustrations ; 11 x 21 cm
Form:
books
books
Publication:
[Madrid] : Aldeasa, 2003.
[Madrid] : Aldeasa, 2003.
Subject:
- Architectural Details Spain Madrid 2000-2010.,
- Storefronts Spain Madrid 2000-2010.,
- Show-windows Spain Madrid 2000-2010.,
- Metal Grilles (barrier elements) Spain Madrid 2000-2010.,
- Shop signs Spain Madrid 2000-2010.,
- Door pulls Spain Madrid 2000-2010.,
- Intercom systems Madrid 2000-2010.,
- Spanish Industrial designers.
(See more)
Form:
books
books
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Description:
127 pages : color illustrations ; 30 cm
Description:
127 pages : color illustrations ; 30 cm
Author:
Subject:
- Gursky, Andreas, 1955- Exhibitions.,
- Gursky, Andreas, 1955-,
- Gursky, Andreas Photographie Geschichte 1999-2007 Ausstellung Basel <2007>,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Photographie Gursky, Andreas Geschichte 1999-2007 Ausstellung Basel <2007>,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
(See more)
Publication:
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Title:
Andreas Gursky / mit Beiträgen von Bernhard Mendes Bürgi, Beate Söntgen, Nina Zimmer.
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Description:
127 pages : color illustrations ; 30 cm
Andreas Gursky / mit Beiträgen von Bernhard Mendes Bürgi, Beate Söntgen, Nina Zimmer.
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Description:
127 pages : color illustrations ; 30 cm
Form:
books
books
Publication:
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Ostfildern : Hatje Cantz ; Basel : Kunstmuseum Basel, ©2007.
Subject:
- Gursky, Andreas, 1955- Exhibitions.,
- Gursky, Andreas, 1955-,
- Gursky, Andreas Photographie Geschichte 1999-2007 Ausstellung Basel <2007>,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Photographie Gursky, Andreas Geschichte 1999-2007 Ausstellung Basel <2007>,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
(See more)
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books
books
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Description:
148 pages : illustrations ; 23 cm.
Description:
148 pages : illustrations ; 23 cm.
Subject:
- Excavations (Archaeology) Turkey Ephesus (Extinct city),
- City planning Turkey Ephesus (Extinct city),
- Excavations (Archaeology) Turkey Bergama.,
- City planning Turkey Bergama.,
- City planning Turkey.,
- Urban renewal Turkey.,
- Urbanisme Turquie Asie Mineure.,
- Rénovation urbaine Turquie Asie Mineure.,
- Fouilles (Archéologie) Turquie Éphèse (Ville ancienne),
- Fouilles (Archéologie) Turquie Bergama.,
- 15.34 classical archaeology.,
- 21.73 urban development (architecture),
- Urban renewal,
- Classical antiquities,
- Civilization,
- Buildings.,
- City planning.,
- Excavations (Archaeology),
- Romeinse oudheid.,
- Stedenbouw.,
- Antiquités romaines.,
- Urbanisme.,
- Ephesus (Extinct city) History.,
- Ephesus (Extinct city) Buildings, structures, etc.,
- Bergama (Turkey) History.,
- Bergama (Turkey) Buildings, structures, etc.,
- Turkey Antiquities, Roman.,
- Turkey Civilization.,
- Ephesus (Extinct city),
- Perga (Extinct city),
- Bergama (Turkey),
- Asie Mineure Antiquités romaines.,
- Asie Mineure Civilisation.,
- Éphèse (Ville ancienne),
- Perge (Ville ancienne),
- Bergama (Turquie),
- Éphèse (Ville ancienne) Histoire.,
- Éphèse (Ville ancienne) Constructions.,
- Bergama (Turquie) Histoire.,
- Bergama (Turquie) Constructions.,
- Turkey Perga (Extinct city),
- Turkey,
- Turkey Bergama.,
- Turkey Ephesus (Extinct city),
- Asie Mineure.,
- Roman urban history Minor Asia,
- History.
(See more)
Publication:
Pessac : Ausonius, 2004.
Pessac : Ausonius, 2004.
Title:
Eṕhèse et Pergame : urbanisme et commanditaires en Asie mineure romaine / Helmut Halfmann.
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Description:
148 pages : illustrations ; 23 cm.
Eṕhèse et Pergame : urbanisme et commanditaires en Asie mineure romaine / Helmut Halfmann.
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Description:
148 pages : illustrations ; 23 cm.
Form:
books
books
Publication:
Pessac : Ausonius, 2004.
Pessac : Ausonius, 2004.
Subject:
- Excavations (Archaeology) Turkey Ephesus (Extinct city),
- City planning Turkey Ephesus (Extinct city),
- Excavations (Archaeology) Turkey Bergama.,
- City planning Turkey Bergama.,
- City planning Turkey.,
- Urban renewal Turkey.,
- Urbanisme Turquie Asie Mineure.,
- Rénovation urbaine Turquie Asie Mineure.,
- Fouilles (Archéologie) Turquie Éphèse (Ville ancienne),
- Fouilles (Archéologie) Turquie Bergama.,
- 15.34 classical archaeology.,
- 21.73 urban development (architecture),
- Urban renewal,
- Classical antiquities,
- Civilization,
- Buildings.,
- City planning.,
- Excavations (Archaeology),
- Romeinse oudheid.,
- Stedenbouw.,
- Antiquités romaines.,
- Urbanisme.,
- Ephesus (Extinct city) History.,
- Ephesus (Extinct city) Buildings, structures, etc.,
- Bergama (Turkey) History.,
- Bergama (Turkey) Buildings, structures, etc.,
- Turkey Antiquities, Roman.,
- Turkey Civilization.,
- Ephesus (Extinct city),
- Perga (Extinct city),
- Bergama (Turkey),
- Asie Mineure Antiquités romaines.,
- Asie Mineure Civilisation.,
- Éphèse (Ville ancienne),
- Perge (Ville ancienne),
- Bergama (Turquie),
- Éphèse (Ville ancienne) Histoire.,
- Éphèse (Ville ancienne) Constructions.,
- Bergama (Turquie) Histoire.,
- Bergama (Turquie) Constructions.,
- Turkey Perga (Extinct city),
- Turkey,
- Turkey Bergama.,
- Turkey Ephesus (Extinct city),
- Asie Mineure.,
- Roman urban history Minor Asia,
- History.
(See more)
Form:
audio
audio
Title:
Jean Cooney.
Jean Cooney.
Actions:
Description:
1 online resource.
Subject:
Publication:
[Place of publication not identified] : Art and Obsolescence, 2023.
[Place of publication not identified] : Art and Obsolescence, 2023.
Form:
audio
audio
Publication:
[Place of publication not identified] : Art and Obsolescence, 2023.
[Place of publication not identified] : Art and Obsolescence, 2023.
Form:
books
books
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Description:
xx, 677 pages : illustrations, maps ; 25 cm
- Library main 232291 | N5262.M3 G6 2003 | Available
- Library main 232292 | N5262.M3 G6 2003 | sheet | Available
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Description:
xx, 677 pages : illustrations, maps ; 25 cm
Author:
Subject:
- Marigny, Abel François Poisson, marquis de, 1727-1781 Art collections.,
- Marigny, Abel François Poisson, marquis de, 1727-1781 Homes and haunts.,
- Marigny, Abel François Poisson, marquis de, 1727-1781.,
- Marigny, Abel François Poisson de 1727-1781,
- Marigny, Abel François Poisson ((de)),
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Private collections France.,
- Art Collections privées France.,
- Art Private collections.,
- Homes.,
- Sammlung,
- Kunstcollecties.,
- Particuliere verzamelingen.,
- Inventarissen.,
- France.,
- 1781-1781,
- Quelle,
- Inventories.
(See more)
Publication:
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Title:
The houses and collections of the Marquis de Marigny / Alden R. Gordon ; edited by Carolyne Ayçaguer-Ron ; assisted by Maria L. Gilbert, Elizabeth A. Spatz, Patricia A. Teter.
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Description:
xx, 677 pages : illustrations, maps ; 25 cm
The houses and collections of the Marquis de Marigny / Alden R. Gordon ; edited by Carolyne Ayçaguer-Ron ; assisted by Maria L. Gilbert, Elizabeth A. Spatz, Patricia A. Teter.
Actions:
Holdings:
- Library main 232291 | N5262.M3 G6 2003 | Available
- Library main 232292 | N5262.M3 G6 2003 | sheet | Available
(See more)
Description:
xx, 677 pages : illustrations, maps ; 25 cm
Form:
books
books
Publication:
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Los Angeles, CA : Provenance Index of the Getty Research Institute, 2003.
Subject:
- Marigny, Abel François Poisson, marquis de, 1727-1781 Art collections.,
- Marigny, Abel François Poisson, marquis de, 1727-1781 Homes and haunts.,
- Marigny, Abel François Poisson, marquis de, 1727-1781.,
- Marigny, Abel François Poisson de 1727-1781,
- Marigny, Abel François Poisson ((de)),
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Private collections France.,
- Art Collections privées France.,
- Art Private collections.,
- Homes.,
- Sammlung,
- Kunstcollecties.,
- Particuliere verzamelingen.,
- Inventarissen.,
- France.,
- 1781-1781,
- Quelle,
- Inventories.
(See more)
