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Description:
353 pages
Description:
353 pages
Title:
George Nelson : the design of modern design / Stanley Abercrombie ; foreword by Ettore Sottsass, Jr. ; appendixes compiled by Judith Nasatir.
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Description:
353 pages
George Nelson : the design of modern design / Stanley Abercrombie ; foreword by Ettore Sottsass, Jr. ; appendixes compiled by Judith Nasatir.
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Description:
353 pages
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books
books
Publication:
Cambridge, Mass. : MIT Press, ©1994.
Cambridge, Mass. : MIT Press, ©1994.
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books
books
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Description:
xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
Description:
xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
Subject:
- Borromini, Francesco, 1599-1667 Criticism and interpretation.,
- Borromini, Francesco, 1599-1667.,
- Civilization.,
- Architektur,
- Philosophie,
- Architectuurtheorieën.,
- Vorm.,
- Architects Italy 17th century.,
- Rome (Italy) Civilization 17th century.,
- Rome (Italie) Civilisation 17e siècle.,
- Italy Rome.,
- Italian architects.,
- Architecture (object genre) Italy 1630-1670.,
- Churches Italy 1630-1670.,
- Philosophy Italy 1630-1670.,
- Architectural theory Italy 1630-1670.,
- Barromini, Francesco.,
- Criticism, interpretation, etc.
(See more)
Publication:
Lewiston, N.Y. : E. Mellen Press, ©2002.
Lewiston, N.Y. : E. Mellen Press, ©2002.
Title:
The relation between architectural forms and philosophical structures in the work of Francesco Borromini in seventeenth-century Rome / John Hendrix.
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xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
The relation between architectural forms and philosophical structures in the work of Francesco Borromini in seventeenth-century Rome / John Hendrix.
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xiii, 259 pages, 40 pages of plates : illustrations ; 24 cm.
Form:
books
books
Publication:
Lewiston, N.Y. : E. Mellen Press, ©2002.
Lewiston, N.Y. : E. Mellen Press, ©2002.
Subject:
- Borromini, Francesco, 1599-1667 Criticism and interpretation.,
- Borromini, Francesco, 1599-1667.,
- Civilization.,
- Architektur,
- Philosophie,
- Architectuurtheorieën.,
- Vorm.,
- Architects Italy 17th century.,
- Rome (Italy) Civilization 17th century.,
- Rome (Italie) Civilisation 17e siècle.,
- Italy Rome.,
- Italian architects.,
- Architecture (object genre) Italy 1630-1670.,
- Churches Italy 1630-1670.,
- Philosophy Italy 1630-1670.,
- Architectural theory Italy 1630-1670.,
- Barromini, Francesco.,
- Criticism, interpretation, etc.
(See more)
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books
books
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Description:
xiv, 241 pages : illustrations (some color) ; 24 cm
Description:
xiv, 241 pages : illustrations (some color) ; 24 cm
Subject:
- Art and technology.,
- Art and society.,
- Technology Social aspects.,
- Virtual reality in art Social aspects.,
- Computer art Social aspects.,
- Virtual reality Social aspects.,
- Aesthetics.,
- Realism.,
- Popular culture.,
- Social change.,
- Popular Culture,
- Art et technologie.,
- Art et société.,
- Réalité virtuelle dans l'art Aspect social.,
- Réalité virtuelle Aspect social.,
- Réalisme.,
- Culture populaire.,
- popular culture.,
- Kongress,
- Digitale Fotografie,
- Fotografie,
- Ästhetik,
- Esthetica.,
- Virtuell verklighet.,
- Digital konst.,
- Konst och teknik.,
- Digitala medier.,
- Aufsatzsammlung.,
- Kongress Glasgow 2003.
(See more)
Publication:
London ; New York : I.B. Tauris, 2007.
London ; New York : I.B. Tauris, 2007.
Title:
The state of the real : aesthetics in the digital age / edited by Damian Sutton, Susan Brind, Ray McKenzie.
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xiv, 241 pages : illustrations (some color) ; 24 cm
The state of the real : aesthetics in the digital age / edited by Damian Sutton, Susan Brind, Ray McKenzie.
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Description:
xiv, 241 pages : illustrations (some color) ; 24 cm
Form:
books
books
Publication:
London ; New York : I.B. Tauris, 2007.
London ; New York : I.B. Tauris, 2007.
Subject:
- Art and technology.,
- Art and society.,
- Technology Social aspects.,
- Virtual reality in art Social aspects.,
- Computer art Social aspects.,
- Virtual reality Social aspects.,
- Aesthetics.,
- Realism.,
- Popular culture.,
- Social change.,
- Popular Culture,
- Art et technologie.,
- Art et société.,
- Réalité virtuelle dans l'art Aspect social.,
- Réalité virtuelle Aspect social.,
- Réalisme.,
- Culture populaire.,
- popular culture.,
- Kongress,
- Digitale Fotografie,
- Fotografie,
- Ästhetik,
- Esthetica.,
- Virtuell verklighet.,
- Digital konst.,
- Konst och teknik.,
- Digitala medier.,
- Aufsatzsammlung.,
- Kongress Glasgow 2003.
(See more)
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books
books
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$41.99
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Summary:
Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most(...)
$41.99
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Summary:
Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most(...)
Publication:
January 2023
January 2023
Title:
A theory of assembly: From museums to memes
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Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most powerful and pervasive cultural forms in the digital era is assembly. Whether as subtle photographic sequences, satirical Venn diagrams, or networked archives, projects based in assembly do not so much narrate or represent the world as rearrange it. This work of rearranging can take place at any scale, from a simple pairing of images, undertaken by one person, to the entire history of internet memes, undertaken by millions. With examples ranging from GIFs and paintings to museum exhibitions and social movement hashtags, Parry shows how, in the internet age, assembly has come to equal narrative and representation in its reach and influence, particularly as a response to ecological and social violence. He also emphasizes the ambivalence of assembly—the way it can be both emancipatory and antidemocratic.
A theory of assembly: From museums to memes
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$41.99
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Summary:
Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most powerful and pervasive cultural forms in the digital era is assembly. Whether as subtle photographic sequences, satirical Venn diagrams, or networked archives, projects based in assembly do not so much narrate or represent the world as rearrange it. This work of rearranging can take place at any scale, from a simple pairing of images, undertaken by one person, to the entire history of internet memes, undertaken by millions. With examples ranging from GIFs and paintings to museum exhibitions and social movement hashtags, Parry shows how, in the internet age, assembly has come to equal narrative and representation in its reach and influence, particularly as a response to ecological and social violence. He also emphasizes the ambivalence of assembly—the way it can be both emancipatory and antidemocratic.
Form:
books
books
Publication:
January 2023
January 2023
Form:
books
books
Price:
$40.50
(available to order)
Summary:
Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing,(...)
$40.50
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Summary:
Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing,(...)
Title:
Code and clay, data and dirt: five thousand years of urban media
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$40.50
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Code and clay, data and dirt: five thousand years of urban media
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Price:
$40.50
(available to order)
Summary:
Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Form:
books
books
Publication:
November 2017
November 2017
Subject:
Urban Theory
Urban Theory
Form:
books
books
Title:
The contemporary condition : the delayed present, media-induced tempor(e)alities & techno-traumatic
The contemporary condition : the delayed present, media-induced tempor(e)alities & techno-traumatic
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$18.95
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Summary:
In the media theatre of contemporary culture, a drama unfolds: While the human sense of 'the present' is challenged by the immediacy of analog signal transmission and the delays of digital data processing, a different (non-)sense of time unfolds within technologies themselves. At that moment, human-related phenomenological analysis clashes with the media-archaeological(...)
$18.95
(available to order)
Summary:
In the media theatre of contemporary culture, a drama unfolds: While the human sense of 'the present' is challenged by the immediacy of analog signal transmission and the delays of digital data processing, a different (non-)sense of time unfolds within technologies themselves. At that moment, human-related phenomenological analysis clashes with the media-archaeological(...)
Title:
The contemporary condition : the delayed present, media-induced tempor(e)alities & techno-traumatic
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$18.95
(available to order)
Summary:
In the media theatre of contemporary culture, a drama unfolds: While the human sense of 'the present' is challenged by the immediacy of analog signal transmission and the delays of digital data processing, a different (non-)sense of time unfolds within technologies themselves. At that moment, human-related phenomenological analysis clashes with the media-archaeological close reading of the technological event, in an impossible effort to let the temporeal articulate itself.
The contemporary condition : the delayed present, media-induced tempor(e)alities & techno-traumatic
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Price:
$18.95
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Summary:
In the media theatre of contemporary culture, a drama unfolds: While the human sense of 'the present' is challenged by the immediacy of analog signal transmission and the delays of digital data processing, a different (non-)sense of time unfolds within technologies themselves. At that moment, human-related phenomenological analysis clashes with the media-archaeological close reading of the technological event, in an impossible effort to let the temporeal articulate itself.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Art Theory
Art Theory
Form:
audio
audio
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Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : The Funambulist, 2017.
[Place of publication not identified] : The Funambulist, 2017.
Title:
Politics of Blackness, Memorialization of Slavery, and Racial Denials in France.
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Description:
1 online resource.
Politics of Blackness, Memorialization of Slavery, and Racial Denials in France.
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Description:
1 online resource.
Form:
audio
audio
Publication:
[Place of publication not identified] : The Funambulist, 2017.
[Place of publication not identified] : The Funambulist, 2017.
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books
books
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Description:
xii, 273 pages : illustrations (some color), map ; 26 cm
Description:
xii, 273 pages : illustrations (some color), map ; 26 cm
Subject:
- Barthes, Roland. Chambre claire.,
- Evans, Walker, 1903-1975.,
- Van Der Zee, James, 1886-1983.,
- Barthes, Roland, 1915-1980.,
- Sebald, W. G. (Winfried Georg), 1944-2001.,
- Hofmannsthal, Hugo von, 1874-1929.,
- Barthes, Roland (1915-1980). Chambre claire.,
- Evans, Walker, (1903-1975),
- Van Der Zee, James, (1886-1983),
- Chambre claire (Barthes, Roland),
- Photographs Psychological aspects.,
- Photography Social aspects.,
- Photography in literature.,
- September 11 Terrorist Attacks, 2001.,
- Photographie Aspect social.,
- Photographie dans la littérature.,
- Attentats du 11 septembre 2001, États-Unis.,
- Fotografie,
- Kontakt,
- Psychologie,
- Gesellschaft,
- Photographie Dans la littérature.,
- 11 septembre 2001, Attentats du (États-Unis),
- Fotografi psykologiska aspekter.,
- Fotografi sociala aspekter.,
- Fotografi i litteraturen.,
- 11 september-attackerna 2001 i konsten.
(See more)
Publication:
Chicago ; London : University of Chicago Press, 2012.
Chicago ; London : University of Chicago Press, 2012.
Title:
Touching photographs / Margaret Olin.
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Description:
xii, 273 pages : illustrations (some color), map ; 26 cm
Touching photographs / Margaret Olin.
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Description:
xii, 273 pages : illustrations (some color), map ; 26 cm
Form:
books
books
Publication:
Chicago ; London : University of Chicago Press, 2012.
Chicago ; London : University of Chicago Press, 2012.
Subject:
- Barthes, Roland. Chambre claire.,
- Evans, Walker, 1903-1975.,
- Van Der Zee, James, 1886-1983.,
- Barthes, Roland, 1915-1980.,
- Sebald, W. G. (Winfried Georg), 1944-2001.,
- Hofmannsthal, Hugo von, 1874-1929.,
- Barthes, Roland (1915-1980). Chambre claire.,
- Evans, Walker, (1903-1975),
- Van Der Zee, James, (1886-1983),
- Chambre claire (Barthes, Roland),
- Photographs Psychological aspects.,
- Photography Social aspects.,
- Photography in literature.,
- September 11 Terrorist Attacks, 2001.,
- Photographie Aspect social.,
- Photographie dans la littérature.,
- Attentats du 11 septembre 2001, États-Unis.,
- Fotografie,
- Kontakt,
- Psychologie,
- Gesellschaft,
- Photographie Dans la littérature.,
- 11 septembre 2001, Attentats du (États-Unis),
- Fotografi psykologiska aspekter.,
- Fotografi sociala aspekter.,
- Fotografi i litteraturen.,
- 11 september-attackerna 2001 i konsten.
(See more)
Form:
books
books
Title:
The science of art : optical themes in western art from Brunelleschi to Seurat / Martin Kemp.
The science of art : optical themes in western art from Brunelleschi to Seurat / Martin Kemp.
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Description:
viii, 375 pages : illustrations (some color) ; 30 cm
Description:
viii, 375 pages : illustrations (some color) ; 30 cm
Subject:
- Brunelleschi, Filippo 1377-1446,
- Literaturgruppe Perspektive,
- Painting Technique.,
- Composition (Art),
- Perspective.,
- Color in art.,
- Nature (Aesthetics),
- Art and science.,
- Couleur dans l'art.,
- Nature (Esthétique),
- Peinture Technique.,
- composition (artistic arrangement),
- Farbenlehre,
- Kunst,
- Malerei,
- Maltechnik,
- Optik,
- Wissenschaftsentwicklung,
- Beeldende kunsten.,
- Perspectief.,
- Kleuren.,
- Barwy a malarstwo (szt.plast.),
- Perspektive.,
- Paintings Techniques,
- Europe
(See more)
Publication:
New Haven : Yale University Press, 1990.
New Haven : Yale University Press, 1990.
Title:
The science of art : optical themes in western art from Brunelleschi to Seurat / Martin Kemp.
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Description:
viii, 375 pages : illustrations (some color) ; 30 cm
The science of art : optical themes in western art from Brunelleschi to Seurat / Martin Kemp.
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Description:
viii, 375 pages : illustrations (some color) ; 30 cm
Form:
books
books
Publication:
New Haven : Yale University Press, 1990.
New Haven : Yale University Press, 1990.
Subject:
- Brunelleschi, Filippo 1377-1446,
- Literaturgruppe Perspektive,
- Painting Technique.,
- Composition (Art),
- Perspective.,
- Color in art.,
- Nature (Aesthetics),
- Art and science.,
- Couleur dans l'art.,
- Nature (Esthétique),
- Peinture Technique.,
- composition (artistic arrangement),
- Farbenlehre,
- Kunst,
- Malerei,
- Maltechnik,
- Optik,
- Wissenschaftsentwicklung,
- Beeldende kunsten.,
- Perspectief.,
- Kleuren.,
- Barwy a malarstwo (szt.plast.),
- Perspektive.,
- Paintings Techniques,
- Europe
(See more)
Form:
books
books
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$47.50
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Summary:
The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this(...)
$47.50
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Summary:
The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this(...)
Title:
Architecture in the age of printing : orality, writing, typography, and printed images in the history of architectural theory
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The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
Architecture in the age of printing : orality, writing, typography, and printed images in the history of architectural theory
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Price:
$47.50
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Summary:
The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
Form:
books
books
Publication:
September 2001, Cambridge, Mass.
September 2001, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
