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In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends(...)
Colonial lives of property: law, land, and racial regimes of ownership
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In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as upon legal narratives that equate civilized life with English concepts of property. In this way, property law legitimates and rationalizes settler colonial practices while it racializes those deemed unfit to own property. The solution to these enduring racial and economic inequities, Bhandar demonstrates, requires developing a new political imaginary of property in which freedom is connected to shared practices of use and community rather than individual possession.
Architecture ecologies
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography,(...)
The word for world: The maps of Ursula K. Leguin
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of "Always Coming Home." Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. "The Word for World" brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined.
Architectural Plans and Cartography
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This is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called ''Practiceopolis.'' The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatise the value conflicts between the(...)
Practiceopolis: Stories from the architectural profession. A graphic novel
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This is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called ''Practiceopolis.'' The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatise the value conflicts between the different cultures of practising architecture and between the architectural profession and other members of the building industry as political conflicts around the future of ''Practiceopolis.'' The book uses the metaphorical world of ''Practiceopolis'' to provoke big questions about everyday routines in the profession that practitioners may take for granted and to examine different ideologies at work among architects and other members of the construction industry. The novel ends in the tradition of dystopian worlds common in a certain strand of graphic novels.
Architectural Theory
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Free City is storyteller João Almino's third novel to focus on the city of Brasilia, the social swirl of its early years, when contractors, corporate profiteers, idealists, politicians, mystical sects, and even celebrities mingled. Putting past and present into direct conflict, the story takes the form of a blog, even incorporating comments from other bloggers, each with(...)
September 2013
Free city
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Free City is storyteller João Almino's third novel to focus on the city of Brasilia, the social swirl of its early years, when contractors, corporate profiteers, idealists, politicians, mystical sects, and even celebrities mingled. Putting past and present into direct conflict, the story takes the form of a blog, even incorporating comments from other bloggers, each with their vested interests, each with new reasons for spinning fictions of their own.
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1 online resource.
[Place of publication not identified] : The Funambulist, 2014.
A Weaponized Urbanity : Morning Drift in Militarized Downtown Oakland.
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[Place of publication not identified] : The Funambulist, 2014.
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What is truth in the postmodern age? The artistic generation of the twentieth century has grown up immersed in the delirious imagination of postmodern thought, which insists upon the ultimate uncertainty of meaning and that there is no self-evident truth. In Praise of Nonsense explores the possibilities and parameters of a postmodern imagination freed from the(...)
In praise of nonesense : aesthetics, uncertainty, and postmodern identity
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What is truth in the postmodern age? The artistic generation of the twentieth century has grown up immersed in the delirious imagination of postmodern thought, which insists upon the ultimate uncertainty of meaning and that there is no self-evident truth. In Praise of Nonsense explores the possibilities and parameters of a postmodern imagination freed from the philosophical responsibilities of fiction, fact, and replication of lived experience. Mobilizing scholars and contemporary artists, this study examines postmodern thinking through the lenses of identity and visual culture. It focuses on theories of disappearance, irony, and nonsense, where the pleasures of the imaginary give rise to artistic inspiration. When truth is unhinged, so is falsity, and all artistic thinking is called into question. Ted Hiebert takes on the ambitious project of holding postmodernism accountable for its own conclusions while also considering how those conclusions might still be given philosophical and artistic form.
Critical Theory
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial(...)
Everything Without Content 251. The large city
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial condition. An artificial nature where zero-kilometre food production, electric bikes and trail running enable everyone to live large. Without nostalgia for its industrial ruins, nor contempt for modernity, the city was the subject of a year-long studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. As a form of “applied theory”, the book presents students’ projects—an imaginary city—coupled with some real projects: Megafactory by OFFICE and Palais des Expositions by Architecten Jan de Vylder Inge Vinck & AgwA. The book features photographs of Charleroi by Stefano Graziani.
Architectural Theory
Emily Shur: Sunshine Terrace
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Through the pages of "Sunshine Terrace", it is a strange, askew domesticity that first strikes us. It is the red eyes of a garage gate, a crooked tree growing over patchwork gravel beds, abandoned shopping carts, a strange triangular decoration, like a semblance of an imaginary map that one cannot read. These are the signs to be deciphered of a deliberately emptied(...)
Emily Shur: Sunshine Terrace
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Through the pages of "Sunshine Terrace", it is a strange, askew domesticity that first strikes us. It is the red eyes of a garage gate, a crooked tree growing over patchwork gravel beds, abandoned shopping carts, a strange triangular decoration, like a semblance of an imaginary map that one cannot read. These are the signs to be deciphered of a deliberately emptied residential area, whose human presence remains elusive, but whose inevitable markers we recognize: the stucco and asphalt surfaces, the chain-link fences and bodywork, the bursts of greenery, too. Turning her lens towards her own neighborhood, perched between the expanses of Los Angeles and the San Fernando Valley, Emily Shur adopts the figure of the walking photographer, focusing her gaze on this familiar place in which she precisely frames surfaces, colors and light in a true compositional pleasure, where forms respond to each other with a discreet humor.
Photography monographs
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In the first half of the 20th century, when architecture and literature dreamed of transparency, glass was the material these dreams were made of. However, the historiography of both fields usually focuses on a few canonical works by male authors to tell the story of this shared fascination. Departing from this imbalance, this essay takes the opportunity to explore the(...)
Architectural Theory
December 2023
Glass scenographies. Notes on spaces of one’s own
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In the first half of the 20th century, when architecture and literature dreamed of transparency, glass was the material these dreams were made of. However, the historiography of both fields usually focuses on a few canonical works by male authors to tell the story of this shared fascination. Departing from this imbalance, this essay takes the opportunity to explore the glass culture of modernity through the lens of female projects whose stories often take place simultaneously on different continents. While the former silent film actress Evelyn Word Leigh builds a glass house for herself in Nyack, New York, artists and writers based in Europe – like Claude Cahun, Anaïs Nin, and Hilda ‘H.D.’ Doolittle – flesh out imaginary glass domes as construction sites of artistic subjectivities. Whether homes or domes, these creative women used glass environments to question and renegotiate their assigned places in Western societies, challenging the boundaries of female agency.
Architectural Theory
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Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play(...)
Digital Architecture
October 2007, Basel, Berlin, Boston
Space time play:computer games, architecture and urbanism: The next level
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Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play presents the following themes: the superimposition of computer games on real spaces and convergences of real and imaginary playspaces; computer and video games as practical planning instruments. With articles by Espen Aarseth, Ernest Adams, Richard A. Bartle, Ian Bogost, Gerhard M. Buurman, Edward Castranova, Kees Christiaanse, Drew Davidson, James Der Derian, Noah Falstein, Stephen Graham, Ludger Hovestadt, Henry Jenkins, Heather Kelley, James Korris, Julian Kücklich, Frank Lantz, Lev Manovich, Jane McGonigal, William J. Mitchell, Kas Oosterhuis, Katie Salen, Mark Wigley, and others.
Digital Architecture