Join us on Thursday 1 August as Ignacio G. Galan explores the activist designs developed within this context by disabled individuals in their own spaces of residence. Through select objects from the CCA Collection Ignacio G. Galán will situate the Center of Independent Living’s transformations of the household in relation to shifting discourses and paradigms of(...)
1 August 2024, 6pm
Research Fellow Seminar: Ignacio G. Galán
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Description:
Join us on Thursday 1 August as Ignacio G. Galan explores the activist designs developed within this context by disabled individuals in their own spaces of residence. Through select objects from the CCA Collection Ignacio G. Galán will situate the Center of Independent Living’s transformations of the household in relation to shifting discourses and paradigms of(...)
textual records, born digital
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
2002-2003
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
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AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
textual records, born digital
2002-2003
Project
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
2012-2015
The Curious Mr. Pettena (2012)
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AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
Project
2012-2015
Series
Professional papers
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
circa 1950-2008
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Series
circa 1950-2008
articles
Dan Handel, Francesco Garutti, Émilie Retailleau, carpet, hotel, megastructure, hospitality, Assaf Evron
13 September 2021
A deliberate bombardment of the senses
Dan Handel interviewed by Francesco Garutti and Émilie Retailleau on the strategies behind the deployment of carpets in the deep spaces of hospitality
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articles
1 November 2020
Natural Disasters: The birth of Homo Dolarensis
Dino Buzzi’s coming of age tale about architecture, cash caves, and modern land development
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textual records
AP206.S2.058
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.059. This file includes the following papers: "Waste Disposal" "The Sandu House in Sector 27, Chandigarh" "Designing the Audio Visual Training Centre or Govt. College of Art," 1983 "Chandigarh - Its Concept and Architecture" "Energy and Pollution" "Stagecraft," 1984
1982-1985
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.058
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.059. This file includes the following papers: "Waste Disposal" "The Sandu House in Sector 27, Chandigarh" "Designing the Audio Visual Training Centre or Govt. College of Art," 1983 "Chandigarh - Its Concept and Architecture" "Energy and Pollution" "Stagecraft," 1984
textual records
1982-1985
Project
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
1987-1996
King James Place, Toronto, Ontario (1987-1991)
Actions:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
Project
1987-1996
drawings, textual records, graphic materials, photographs
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
1956-2016
Kenneth Frampton certificates, diplomas, and posters
Actions:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
drawings, textual records, graphic materials, photographs
1956-2016
photographs
Quantity:
3 file
Miscellaneous Images
ARCH242868
Description:
Miscellaneous Images: Misc. Photos to be Returned (Cesar Pelli & Associates sketch of 10 Columbus Circle, Richard Meier model for Berlin Office Building, J.P. Kleihues detail of Museum of Pre- and Early- History, Frankfurt Miscellaneous Artists (including Jasper Johns, Jackson Pollock, Sarah Rothe, and architecture and film stills) Kipnis (clippings of various articles by Herbert Muschamp)
Miscellaneous Images
Actions:
ARCH242868
Description:
Miscellaneous Images: Misc. Photos to be Returned (Cesar Pelli & Associates sketch of 10 Columbus Circle, Richard Meier model for Berlin Office Building, J.P. Kleihues detail of Museum of Pre- and Early- History, Frankfurt Miscellaneous Artists (including Jasper Johns, Jackson Pollock, Sarah Rothe, and architecture and film stills) Kipnis (clippings of various articles by Herbert Muschamp)
photographs
Quantity:
3 file