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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this(...)
Interior gardens: designing and constructing green spaces in private and public buildings
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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award-winning ecological offi ce buildings in the USA and the Netherlands, an old-age home in Sweden, and an indoor park in Canada. Show More Show Less
Women building history
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure,(...)
Women building history
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman's politics. The Woman's Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
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For centuries, cities have grown and expanded onto previously saturated grounds; 'reclaiming' land from estuaries, marshes, mangroves, and seabeds. While these artificial coastlines are sites of tremendous real estate, civic, and infrastructural investments, they are also the most vulnerable to the effects of climate change. ''Terra-Sorta-Firma'' documents the global(...)
Terra-sorta-firma: reclaiming the littoral gradient
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For centuries, cities have grown and expanded onto previously saturated grounds; 'reclaiming' land from estuaries, marshes, mangroves, and seabeds. While these artificial coastlines are sites of tremendous real estate, civic, and infrastructural investments, they are also the most vulnerable to the effects of climate change. ''Terra-Sorta-Firma'' documents the global extent of reclaimed coastal lands, and provides a framework for comparison across varying geographies, cultures, and histories. It renders visible the ubiquity and precarity of urban coastal reclamation in an age of increased environmental and economic indeterminacy. The five parts of the book question urbanism’s political, economic, and physical binary relationship to wet and dry grounds in search of a new understanding of land in a state of permanent flux. This book challenges designers, developers, policymakers, engineers, and urbanists to reconsider the design and construction of land itself, and to re-imagine this most fundamental of all infrastructures along a gradient of inundation.
Green Architecture
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Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with(...)
Some magnetic force: Lionel Lemoine Fitzgerald writings
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Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with personal reflections late in life on the nature of art and his career. Michael Parke-Taylor has uncovered and chronologically organized FitzGerald’s letters, diary, lectures, and reports to show how FitzGerald understood the development of his practice, communicated the philosophy of art to his art students, confronted challenges in his career, as well as revealing his spiritual aspirations, views about the natural world, and his private desires. These writings also elucidate the material and reputational realities of artistic production in places beyond the period’s dominant Canadian art centres of Toronto, Montreal, and Ottawa.
Art Theory
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Lord of Mess My Head is a Visual Township Jaybo has strongly influenced the development of European street art. He got to know the streets of Berlin at the age of 14 when he moved there from France. Since the early 90’s he has been one of the creative engines of the street and graphic design scene in Berlin.Lord of Mess presents the broad spectrum of his new-school style(...)
Lord of mess: My head is a visual township
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Lord of Mess My Head is a Visual Township Jaybo has strongly influenced the development of European street art. He got to know the streets of Berlin at the age of 14 when he moved there from France. Since the early 90’s he has been one of the creative engines of the street and graphic design scene in Berlin.Lord of Mess presents the broad spectrum of his new-school style artwork – from very clean-cut graphic design to glaring Hip Hop illustrations and installations. This monograph features Jaybo’s font designs, logos, record covers and examples of his work as the Art Director of the lifestyle magazine Style and the Family Tunes. The characters, toys and clothes he has designed as the co-founder and chief designer of the street wear label Irie Daily are additionally showcased. The book also includes a CD with eight of Jaybo’s striking fonts that can’t be found anywhere else.
Graphic Design and Typography
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The phenomenon we know as "The Hamptons" — the epitome of high society, leisure, and affluence, the place of worldly glamour and every pleasure, natural and unnatural, that money can buy — began as a group of Puritan villages along Long Island's south shore before it was discovered at the end of the 19th century by artists and the fashionably rich. The earliest social(...)
Architecture since 1900, Europe
July 2007, New York
The Archtiecture of Leisure : Houses of the Hamptons, 1880-1930
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The phenomenon we know as "The Hamptons" — the epitome of high society, leisure, and affluence, the place of worldly glamour and every pleasure, natural and unnatural, that money can buy — began as a group of Puritan villages along Long Island's south shore before it was discovered at the end of the 19th century by artists and the fashionably rich. The earliest social Hamptonites, descendents of colonial aristocracy, mingled with the colorful characters of the art colonies. Here the rich built fashionable and expansive summer houses where they enjoyed carefree recreation, artistic endeavors, and elegant social occasions. "Houses of the Hamptons, 1880-1930", explores more than 30 houses, many designed by some of America's leading architects. Less enamored with the showy grandeur typical of Newport's golden age, the wealthy Hamptonites built summer places that were an ensemble of exceptional architectural variety and achievement. Here, American Colonial, half-timbered Tudor, and red brick Georgian vied with shingled cottages and Mediterranean fantasy.
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July 2007, New York
Architecture since 1900, Europe
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of(...)
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of watchtowers to survey the occupied territories of Northern Ireland. These high tech towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a 30-year conflict in and over Northern Ireland, euphemistically called "The Troubles." The Towers were finally demolished between 2003 and 2007 as part of the British government's "demilitarization" program for Northern Ireland. For over a year Donovan Wylie photographed these towers, working entirely from an elevated position enabled by military helicopter, observing the observers and ensuring that their actions were not forgotten.
Photography monographs
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural(...)
Architectural Theory
December 2006, Rotterdam
Crossover : architecture, urbanism, technology
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural design. What they all have in common is the emerging condition of architectural and urban knowledge in both the academic context and professional practice. Since its inception in 2003, the DSD has developed a strategy or field of inquiry for mapping new means of approaching the complexity of the contemporary urban and architectural conditions. Traditional approaches are seen to be increasingly inadequate in the face of this complexity. This is in part due to the nature of the information age. Yet, on the other hand, new technologies offer us the challenge and the potential to represent our world in unprecedenteded ways.
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December 2006, Rotterdam
Architectural Theory
Videotape: Object lessons
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Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War. In the West, its advent deepened the(...)
September 2025
Videotape: Object lessons
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Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War. In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people. By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. Yet the cultural legacy of the videotape continues to inform our relationship to technology, privacy, and to entertainment.
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This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing(...)
Theory of Photography
October 2002, New Haven / London
Print the legend : photography and the American West
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This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing technology, photographers soon set out across the overland trails, recorded the shifting fortunes of California’s goldseekers, pictured native peoples, and documented the spectacular topography of the American West. The new medium of photography made vivid a landscape few Americans had seen for themselves. Resurrecting scores of little-known images of the nineteenth-century American West, "Print the legend" offers engaging tales of ambitious photographic adventurers, missing photographs, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photographs and, consequently, to envision their nation.
Theory of Photography