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Ron Thom came of age in the mid-20th century, just as the modern movement and an impending building boom were about to reshape the country. Talented in music and art as well as design, he rejected sleek austerity in favor of modern architecture that is warm, intimate, and beautiful. He worked from coast to coast, and his most renowned buildings-Massey College, Trent(...)
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Ron Thom came of age in the mid-20th century, just as the modern movement and an impending building boom were about to reshape the country. Talented in music and art as well as design, he rejected sleek austerity in favor of modern architecture that is warm, intimate, and beautiful. He worked from coast to coast, and his most renowned buildings-Massey College, Trent(...)
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Ron Thom, architect. The life of a creative modernist
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Ron Thom came of age in the mid-20th century, just as the modern movement and an impending building boom were about to reshape the country. Talented in music and art as well as design, he rejected sleek austerity in favor of modern architecture that is warm, intimate, and beautiful. He worked from coast to coast, and his most renowned buildings-Massey College, Trent University, the Shaw Festival Theatre, and landmark houses-continue to inspire generations of architects, as well as the legions of people who work, study, visit, and live in them. In this new biography, Ron Thom emerges as a complex figure, gifted with creative genius but pursued by demons. More than just the life story of one man, this book is a portrait of the society that shaped him. His world included Jack Shadbolt, Arthur Erickson, the Massey family, Barbara and Murray Frum, and many other luminaries of 20th-century Canada.
Ron Thom, architect. The life of a creative modernist
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Ron Thom came of age in the mid-20th century, just as the modern movement and an impending building boom were about to reshape the country. Talented in music and art as well as design, he rejected sleek austerity in favor of modern architecture that is warm, intimate, and beautiful. He worked from coast to coast, and his most renowned buildings-Massey College, Trent University, the Shaw Festival Theatre, and landmark houses-continue to inspire generations of architects, as well as the legions of people who work, study, visit, and live in them. In this new biography, Ron Thom emerges as a complex figure, gifted with creative genius but pursued by demons. More than just the life story of one man, this book is a portrait of the society that shaped him. His world included Jack Shadbolt, Arthur Erickson, the Massey family, Barbara and Murray Frum, and many other luminaries of 20th-century Canada.
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books
books
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September 2022
September 2022
Subject:
Canadian Architects
Canadian Architects
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books
books
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$69.00
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he(...)
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he(...)
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Thomas Hoepker: The way it was, Road trips USA
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he made, published in five issues of the magazine across dozens of pages, revealed Hoepker’s complex, skeptical and sometimes melancholy view of the American everyday, in big cities, small towns and all in between. At the age of 84 and after a successful career as a photojournalist and president of Magnum Photos—he once again set out on a road trip throughout the US. This publication juxtaposes Hoepker’s color photographs from this trip with his original black-and-white images, taking us on a journey both through his changing sense of America and through time.
Thomas Hoepker: The way it was, Road trips USA
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he made, published in five issues of the magazine across dozens of pages, revealed Hoepker’s complex, skeptical and sometimes melancholy view of the American everyday, in big cities, small towns and all in between. At the age of 84 and after a successful career as a photojournalist and president of Magnum Photos—he once again set out on a road trip throughout the US. This publication juxtaposes Hoepker’s color photographs from this trip with his original black-and-white images, taking us on a journey both through his changing sense of America and through time.
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books
books
Publication:
June 2022
June 2022
Subject:
Photography monographs
Photography monographs
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books
books
Title:
A forest in the city
A forest in the city
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''A forest in the city'' looks at the urban forest, starting with a bird’s-eye view of the tree canopy, then swooping down to street level, digging deep into the ground, then moving up through a tree’s trunk, back into the leaves and branches. Trees make our cities more beautiful and provide shade but they also fight climate change and pollution, benefit our health and(...)
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''A forest in the city'' looks at the urban forest, starting with a bird’s-eye view of the tree canopy, then swooping down to street level, digging deep into the ground, then moving up through a tree’s trunk, back into the leaves and branches. Trees make our cities more beautiful and provide shade but they also fight climate change and pollution, benefit our health and(...)
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A forest in the city
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''A forest in the city'' looks at the urban forest, starting with a bird’s-eye view of the tree canopy, then swooping down to street level, digging deep into the ground, then moving up through a tree’s trunk, back into the leaves and branches. Trees make our cities more beautiful and provide shade but they also fight climate change and pollution, benefit our health and connections to one another, provide food and shelter for wildlife, and much more. Yet city trees face an abundance of problems, such as the abundance of concrete, poor soil and challenging light conditions. So how can we create a healthy environment for city trees? Urban foresters are trying to create better growing conditions, plant diverse species, and maintain trees as they age. These strategies, and more, reveal that the urban forest is a complex system—''A forest in the city'' shows readers we are a part of it. Includes a list of activities to help the urban forest and a glossary.
A forest in the city
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''A forest in the city'' looks at the urban forest, starting with a bird’s-eye view of the tree canopy, then swooping down to street level, digging deep into the ground, then moving up through a tree’s trunk, back into the leaves and branches. Trees make our cities more beautiful and provide shade but they also fight climate change and pollution, benefit our health and connections to one another, provide food and shelter for wildlife, and much more. Yet city trees face an abundance of problems, such as the abundance of concrete, poor soil and challenging light conditions. So how can we create a healthy environment for city trees? Urban foresters are trying to create better growing conditions, plant diverse species, and maintain trees as they age. These strategies, and more, reveal that the urban forest is a complex system—''A forest in the city'' shows readers we are a part of it. Includes a list of activities to help the urban forest and a glossary.
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books
books
Publication:
April 2020
April 2020
Subject:
Children's Books
Children's Books
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books
books
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$75.00
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an(...)
$75.00
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an(...)
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Bauhaus 1919-1933: workshops for modernity
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an extraordinary conversation on the nature of art in the industrial age. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany, this book examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany.
Bauhaus 1919-1933: workshops for modernity
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$75.00
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an extraordinary conversation on the nature of art in the industrial age. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany, this book examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany.
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books
books
Publication:
November 2009
November 2009
Subject:
Modernism
Modernism
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books
books
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$106.00
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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this(...)
$106.00
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Summary:
Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this(...)
Title:
Interior gardens: designing and constructing green spaces in private and public buildings
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$106.00
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Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award-winning ecological offi ce buildings in the USA and the Netherlands, an old-age home in Sweden, and an indoor park in Canada. Show More Show Less
Interior gardens: designing and constructing green spaces in private and public buildings
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$106.00
(available to order)
Summary:
Gardens inside buildings represent a sustainable vehicle for a host of ecological and economic advantages. Factors such as improving the indoor climate and the workplace situation and hence increasing quality of life are the critical parameters of this very special design task. This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award-winning ecological offi ce buildings in the USA and the Netherlands, an old-age home in Sweden, and an indoor park in Canada. Show More Show Less
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books
books
Publication:
December 2011
December 2011
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books
books
Title:
Women building history
Women building history
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure,(...)
$56.95
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure,(...)
Title:
Women building history
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$56.95
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman's politics. The Woman's Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
Women building history
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$56.95
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Summary:
This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman's politics. The Woman's Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
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books
books
Publication:
September 2010
September 2010
Form:
books
books
Title:
A museum of one's own
A museum of one's own
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
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A museum of one's own
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
A museum of one's own
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Summary:
When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$35.95
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In this volume, Mario Carpo points to one key practice of modernity: the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity: in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the(...)
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Summary:
In this volume, Mario Carpo points to one key practice of modernity: the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity: in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the(...)
Title:
The alphabet and the algorithm
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In this volume, Mario Carpo points to one key practice of modernity: the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity: in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the nineteenth and twentieth centuries, the mass production of identical copies from mechanical master models, matrixes, imprints, or molds. The modern power of the identical, Carpo argues, came to an end with the rise of digital technologies. Everything digital is variable. Carpo compares new forms of postindustrial digital craftsmanship to hand-making and the cultures and technologies of variations that existed before the coming of machine-made, identical copies. Carpo reviews the unfolding of digitally based design and construction from the early 1990s to the present, and suggests a new agenda for architecture in an age of variable objects and of generic and participatory authorship.
The alphabet and the algorithm
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$35.95
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Summary:
In this volume, Mario Carpo points to one key practice of modernity: the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity: in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the nineteenth and twentieth centuries, the mass production of identical copies from mechanical master models, matrixes, imprints, or molds. The modern power of the identical, Carpo argues, came to an end with the rise of digital technologies. Everything digital is variable. Carpo compares new forms of postindustrial digital craftsmanship to hand-making and the cultures and technologies of variations that existed before the coming of machine-made, identical copies. Carpo reviews the unfolding of digitally based design and construction from the early 1990s to the present, and suggests a new agenda for architecture in an age of variable objects and of generic and participatory authorship.
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books
books
Publication:
March 2011
March 2011
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books
books
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$24.95
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Summary:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
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Summary:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases,(...)
Title:
I read where I am : exploring new information cultures
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When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
I read where I am : exploring new information cultures
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$24.95
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Summary:
When Guy Debord identified the image consumerism of “the society of the spectacle” in the 1960s, he could not have forecast that language would threaten to eclipse the image in the medium of personal technology, creating a world of ubiquitous legibility. Today, we read anytime and anywhere, on screens of all sizes; we read not only newspaper articles, but also databases, online archives, search engine results and navigational structures. We read while out on the street, at home or in the office, with a complete library to hand - but less and less we read a book at home on the couch. In other words, we are, or are becoming, a different kind of reader. I Read Where I Am contains texts about the future of reading and the status of the word in the digital age from designers, philosophers, journalists and politicians, looking at both sides of the argument for printed and digital reading matter.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Epistemology
Epistemology
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books
books
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$27.50
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Summary:
The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
$27.50
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Summary:
The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
Title:
Museums matter: in praise of the encyclopedic museum
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$27.50
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Museums matter: in praise of the encyclopedic museum
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$27.50
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Summary:
The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
