DR1988:0406
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
printed December 1931
Elevations, plans, and section for the George J. Cox House, Leatherhead
Actions:
DR1988:0406
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
DR1988:0407
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
printed December 1931
Elevations, plans, and section for the George J. Cox House, Leatherhead
Actions:
DR1988:0407
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
DR1988:0408
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
printed December 1931
Elevations, plans, and section for the George J. Cox House, Leatherhead
Actions:
DR1988:0408
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
DR1988:0409
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
printed December 1931
Elevations, plans, and section for the George J. Cox House, Leatherhead
Actions:
DR1988:0409
Description:
- The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture
Sub-series
AP032.S1.SS2.D3.SD25
Description:
This sub-series consists of reprographic copies of architectural, structural, mechanical, and electrical drawings from 1963 for Merideth Memorial Hall at Drake University in Des Moines, Iowa.
1963
Merideth Memorial Hall, Drake University
Actions:
AP032.S1.SS2.D3.SD25
Description:
This sub-series consists of reprographic copies of architectural, structural, mechanical, and electrical drawings from 1963 for Merideth Memorial Hall at Drake University in Des Moines, Iowa.
Sub-file 25
1963
Project
Tumbleweeds Catcher (1972)
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
circa 1972-2017
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Project
circa 1972-2017
Project
AP018.S1.1966.PR04
Description:
This project series documents the Central Plaza building at York University in North York, Ontario from 1966-1967. The office identified the project number as 6653. This project consisted of a two-storey building with a basement that was connected to a library, Lecture Hall No. 2 and No. 3, and the humanities building that was under construction at the same time. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1967. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
1967
York University, Central Plaza Building, York, Ontario (1966-1967)
Actions:
AP018.S1.1966.PR04
Description:
This project series documents the Central Plaza building at York University in North York, Ontario from 1966-1967. The office identified the project number as 6653. This project consisted of a two-storey building with a basement that was connected to a library, Lecture Hall No. 2 and No. 3, and the humanities building that was under construction at the same time. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1967. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Project
1967
articles
Journeys and translation
Visiting Scholar, Mary Louise Lobsinger, Aldo Rossi, Critical Architectural Discourse, 1970s
9 March 2006
Project
Non-Plan
AP144.S2.D12
Description:
File documents the conceptual planning proposal, Non-Plan, a joint experimental research project conducted by Reyner Banham, Paul Barker, Peter Hall, and Cedric Price, for regional sites in England. The Non-Plan project was first published as an article entitled "Non-plan: an experiment in freedom" in 'New Society' (Banham, et. al., 1969; 1974). Material from this file, which includes sketches, a map and a chart, was also published in Price, Cedric, "Non-Plan," 'Architectural Design' (May 1969); Price, Cedric, with Peter Murray, "The First Instalment in the Cedric Price Series," 'Architectural Design,' vol. 40 (October 1970); and 'Cedric Price-Works II' (London: Architectural Press, 1984). Some material in this file was produced in 1968. File contains conceptual drawings, photographic material, reprographic copies, and textual records.
1968
Non-Plan
Actions:
AP144.S2.D12
Description:
File documents the conceptual planning proposal, Non-Plan, a joint experimental research project conducted by Reyner Banham, Paul Barker, Peter Hall, and Cedric Price, for regional sites in England. The Non-Plan project was first published as an article entitled "Non-plan: an experiment in freedom" in 'New Society' (Banham, et. al., 1969; 1974). Material from this file, which includes sketches, a map and a chart, was also published in Price, Cedric, "Non-Plan," 'Architectural Design' (May 1969); Price, Cedric, with Peter Murray, "The First Instalment in the Cedric Price Series," 'Architectural Design,' vol. 40 (October 1970); and 'Cedric Price-Works II' (London: Architectural Press, 1984). Some material in this file was produced in 1968. File contains conceptual drawings, photographic material, reprographic copies, and textual records.
File 12
1968