8496 Results
Form:
events
events
Actions:
Date:
11 November 2021 to 19 November 2021, 6:30pm
11 November 2021 to 19 November 2021, 6:30pm
Form:
events
events
Date:
11 November 2021 to
19 November 2021
6:30pm
11 November 2021 to
19 November 2021
6:30pm
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
People:
Date:
February 1978
February 1978
Title:
Sketchbook 17: A. Nobre - BB - Bouça - Berlim Fr.
Actions:
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
Sketchbook 17: A. Nobre - BB - Bouça - Berlim Fr.
Actions:
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
Form:
drawings
drawings
Date:
February 1978
February 1978
People:
Form:
events
events
Title:
Adieu, Mel
Adieu, Mel
Actions:
Description:
In a conversation about the career of late artist-architect Melvin Charney, the CCA pays tribute to his work. Charney, who died on 17 September, 2012, was a close friend of the CCA, having developed and designed its sculpture garden. During this tribute, George Baird, Serge Carreau, Odile Decq, Alan J. Knight and Gwendolyn Owens explore his unique approach to the(...)
In a conversation about the career of late artist-architect Melvin Charney, the CCA pays tribute to his work. Charney, who died on 17 September, 2012, was a close friend of the CCA, having developed and designed its sculpture garden. During this tribute, George Baird, Serge Carreau, Odile Decq, Alan J. Knight and Gwendolyn Owens explore his unique approach to the(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
23 January 2013 , 6pm
23 January 2013 , 6pm
Title:
Adieu, Mel
Actions:
Description:
In a conversation about the career of late artist-architect Melvin Charney, the CCA pays tribute to his work. Charney, who died on 17 September, 2012, was a close friend of the CCA, having developed and designed its sculpture garden. During this tribute, George Baird, Serge Carreau, Odile Decq, Alan J. Knight and Gwendolyn Owens explore his unique approach to the(...)
Adieu, Mel
Actions:
Description:
In a conversation about the career of late artist-architect Melvin Charney, the CCA pays tribute to his work. Charney, who died on 17 September, 2012, was a close friend of the CCA, having developed and designed its sculpture garden. During this tribute, George Baird, Serge Carreau, Odile Decq, Alan J. Knight and Gwendolyn Owens explore his unique approach to the(...)
Form:
events
events
Date:
23 January 2013
6pm
23 January 2013
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Project
Project
Reference number:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
People:
Date:
circa 1972-2015
circa 1972-2015
Title:
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Level of archival description:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
People:
Subject:
architecture
architecture
Date:
1870s-1880s
1870s-1880s
Title:
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Form:
photographs
photographs
Date:
1870s-1880s
1870s-1880s
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
People:
Date:
2014-2015
2014-2015
Title:
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2014-2015
2014-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
People:
Date:
1985
1985
Title:
Mémoire présenté au Comité consultatif du Vieux-Port de Montréal
Actions:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
Mémoire présenté au Comité consultatif du Vieux-Port de Montréal
Actions:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
Level of archival description:
Projet
Projet
Date:
1985
1985
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Cedric Price fonds
Cedric Price fonds
Reference number:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
People:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Title:
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
People:
Form:
drawings
drawings
Reference number:
DR1985:0638
Description:
war memorial monument with sculptural relief
DR1985:0638
Description:
war memorial monument with sculptural relief
People:
Subject:
architecture
architecture
Date:
1937-1938
1937-1938
Title:
Perspective sketch of the Memorial to Paul Vaillant-Couturier
Actions:
DR1985:0638
Description:
war memorial monument with sculptural relief
Perspective sketch of the Memorial to Paul Vaillant-Couturier
Actions:
DR1985:0638
Description:
war memorial monument with sculptural relief
Form:
drawings
drawings
Date:
1937-1938
1937-1938
People:
Subject:
architecture
architecture
