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Architecture and construction are at a turning point. They account for more than 40% of global CO2 emissions. Rising temperatures can only be reduced if there is a radical change in the field of construction throughout the world. However, how should we design our cities, buildings and living spaces so that we can get closer to the goal of decarbonisation? The book gives(...)
Architecture and climate change: 20 interviews on the future of building
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Architecture and construction are at a turning point. They account for more than 40% of global CO2 emissions. Rising temperatures can only be reduced if there is a radical change in the field of construction throughout the world. However, how should we design our cities, buildings and living spaces so that we can get closer to the goal of decarbonisation? The book gives 20 architects and urban planners their say on the future of construction. Voices are heard from Mexico to Kenya – from Bangladesh to Switzerland. In the interviews experts give an account of their own experiences with climate-friendly construction as well as regional problems posed by rising CO2emissions. They explain pioneering projects and combine them with their personal desire and political ideals.
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"The Empty Room", in the absence of any visual materials, was a written manifesto composed of RZLBD’s poems and collection of quotes intended to portray the room and the emptiness as the essence of architecture. Now, "100 Rooms" complements our own blurry images of the empty room with a visual guide. Each spread consists of a plan and a physical model of a room, which is(...)
100 rooms: Many untold parables of the empty room
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"The Empty Room", in the absence of any visual materials, was a written manifesto composed of RZLBD’s poems and collection of quotes intended to portray the room and the emptiness as the essence of architecture. Now, "100 Rooms" complements our own blurry images of the empty room with a visual guide. Each spread consists of a plan and a physical model of a room, which is an excavation of the geometry and order inherent within the square. It holds no design intention — no scale or function — but simply one of infinite possibilities that emerge from a square. This framework suggests that the formal expression of a room comes from within. With these visual references, one can begin to imagine many approximations to the empty room. A line on paper is always less, as Kahn says, but through these measurable means, the immeasurable idea of the empty room will be formed in one’s mind.
Canadian Architects
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Casa Gilardi was the last built project of Pritzker Prize winner Luis Barragan’s prolific career. In 1976, 10 years after his retirement from the practice of architecture, Barragan accepted the commission of two young publicists passionate about his architecture. This editorial project aims to disseminate the complete story of this masterpiece from its initial sketches(...)
Gilardi house: Barragan's last witness
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Casa Gilardi was the last built project of Pritzker Prize winner Luis Barragan’s prolific career. In 1976, 10 years after his retirement from the practice of architecture, Barragan accepted the commission of two young publicists passionate about his architecture. This editorial project aims to disseminate the complete story of this masterpiece from its initial sketches to the completion of its construction and provide a critical reading of it today by publishing the existing archive of Barragan’s documents for the house: drawings, sketches, technical details, and correspondences as well as historic and contemporary photographs. This book includes critical reflections by contemporary architects and critics who have visited this private house.
Architecture Monographs
New York global: Critical writings and proposals 1970-2020. Housing, infrastructure, pedagogy
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Framed by the period of the Great Acceleration, these writings and projects represent a critical commentary on the state of architecture and urbanism and their causal role in global metamorphosis. On the eve of Plunz’s status as Emeritus at Columbia University, "New York global" bridges five decades of his pedagogical commitment to question the cannons of the design(...)
New York global: Critical writings and proposals 1970-2020. Housing, infrastructure, pedagogy
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Framed by the period of the Great Acceleration, these writings and projects represent a critical commentary on the state of architecture and urbanism and their causal role in global metamorphosis. On the eve of Plunz’s status as Emeritus at Columbia University, "New York global" bridges five decades of his pedagogical commitment to question the cannons of the design and urbanism fields and their relationship to the contemporary built environment. Global urbanization serves as a backdrop for a heightened consideration of the intermingling of housing, infrastructure, and pedagogy, as he negotiates the evolution of mainstream theory and praxis in architecture and planning. Through interviews, syllabi excerpts, essays, discussions, and projects, New York City is projected as a lens for understanding the potential for metropolises everywhere to serve as firewalls against dystopic social inequities and ecological adversity. In questioning the discourse surrounding urban research and action, Plunz engages with the primordial question of "urban" itself. This book is not a cautionary tale, but rather an assemblage of timestamped evidence toward understanding our current condition. Closely studying the very tools that have fostered today’s environmental and societal consequences, each segment contributes to understanding engagement with a post-accelerated future.
Architectural Theory
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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art(...)
Noguchi's gardens: landscape as sculpture
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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need. Although his gardens include several of the twentieth century’s most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition—bolstered by focused study where required—than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places.
Gardens
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"The mother tongue of architecture" is a collection of critical essays on abiding and compelling topics in architecture and the culture of architecture. Range of topics is diverse: an architectural phenomenology of water, relationship of architecture and landscape rethought, ancient Greece to India, the Buddha’s house to the modern house in India, the architecture and(...)
The mother tongue of architecture: Selected writing from Kazi Khaleed Ashraf
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"The mother tongue of architecture" is a collection of critical essays on abiding and compelling topics in architecture and the culture of architecture. Range of topics is diverse: an architectural phenomenology of water, relationship of architecture and landscape rethought, ancient Greece to India, the Buddha’s house to the modern house in India, the architecture and landscapes of Louis Kahn, Le Corbusier in India, the architecture of Balkrishna Doshi, and other original topics such as the destruction of buildings as a ritual necessity.
Architectural Theory
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"The Hypospace of Japanese architecture" pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenization than one of cultural invention. The realization that buildings are dynamic events—phenomena of space-in-time, not inert objects(...)
The hypospace of Japanese architecture
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"The Hypospace of Japanese architecture" pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenization than one of cultural invention. The realization that buildings are dynamic events—phenomena of space-in-time, not inert objects outside time—continues to inform Japanese architecture and suggests how we can rethink the history, theory, and practice of architecture more generally.
Contemporary Asian Architecture
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"The labyrinth of rooms" is a story about how the shape of architecture can change the way we think, and how the shape of our thoughts can change the way we see architecture. Stated otherwise, the story conceives of the human life as a series of settings that stage the coevolution of mental space and physical space. Human, the story’s protagonist, can be any one of us,(...)
The labyrinth of rooms: An architectural allegory
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"The labyrinth of rooms" is a story about how the shape of architecture can change the way we think, and how the shape of our thoughts can change the way we see architecture. Stated otherwise, the story conceives of the human life as a series of settings that stage the coevolution of mental space and physical space. Human, the story’s protagonist, can be any one of us, and their journey from the first room to the last room is the journey of a lifetime: it has its ups and downs, moments of clarity and moments of confusion, but overall it bends toward greater knowledge and wisdom.
Architectural Theory
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Cet édito est le deux-centième. Édité depuis plus de vingt ans par la Maison de l’Architecture Occitanie—Pyrénées, le journal est né de la nécessité de créer des outils pour informer et diffuser la culture architecturale, de mettre en valeur les pratiques locales. Numéro après numéro, Plan Libre a éprouvé sa capacité à grandir, à se remettre en question, à se renouveler.(...)
December 2023
200 Plan Libre : Anatomie d'un journal d'architecture
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Cet édito est le deux-centième. Édité depuis plus de vingt ans par la Maison de l’Architecture Occitanie—Pyrénées, le journal est né de la nécessité de créer des outils pour informer et diffuser la culture architecturale, de mettre en valeur les pratiques locales. Numéro après numéro, Plan Libre a éprouvé sa capacité à grandir, à se remettre en question, à se renouveler. Aujourd’hui, sa détermination et son existence marquent encore la véracité de l’hypothèse initiale : si l’architecture est de plus en plus présente et partagée, elle reste paradoxalement toujours méconnue. L’architecture a toujours besoin des tribunes qui permettent de donner du sens à l’environnement construit.
Pin-Up 35: Environments!
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New issue now available in the bookstore!
Magazines
April 2024
Pin-Up 35: Environments!
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New issue now available in the bookstore!
Magazines