118909 Results
Level of archival description:
Project
Project
Title:
Castel
Castel
Reference number:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
People:
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
Title:
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Level of archival description:
File 109
File 109
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
People:
Level of archival description:
Project
Project
Title:
Applausi [Applause] (1968)
Applausi [Applause] (1968)
Actions:
Reference number:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
People:
Date:
circa 1968-2015
circa 1968-2015
Title:
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Level of archival description:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
People:
Form:
articles
articles
Title:
The Modernizing Beat
The Modernizing Beat
Actions:
Dele Adeyemo rereads the production of space of a modernizing Ghana through highlife
Title:
The Modernizing Beat
Dele Adeyemo rereads the production of space of a modernizing Ghana through highlife
Actions:
The Modernizing Beat
Dele Adeyemo rereads the production of space of a modernizing Ghana through highlife
Actions:
Form:
works of art
works of art
Actions:
Reference number:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
People:
Subject:
architecture, landscape architecture, engineering
architecture, landscape architecture, engineering
Date:
published 1884
published 1884
Title:
OEUVRE / DE / C. ROHAULT DE FLEURY / ARCHITECTE
Actions:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
OEUVRE / DE / C. ROHAULT DE FLEURY / ARCHITECTE
Actions:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
Form:
works of art
works of art
Date:
published 1884
published 1884
People:
Subject:
architecture, landscape architecture, engineering
architecture, landscape architecture, engineering
Level of archival description:
Project
Project
Reference number:
CI006.S1.1929.PR1
Description:
Series documents the architectural project of Mart Stam for the Hellerforf Housing Estate, a housing project of 1600 dwellings in Frankfurt, Germany, in 1929-1931. The material in this series was produced between 1913 and 1932, and predominantly between 1928-1932. The series contains drawings, including design development drawings and presentation drawings, and photographs of the building by Ilse Bing, including photographs in an album and a photomontage of housing projects by Stam such as the Hellerforf Housing Estate.
CI006.S1.1929.PR1
Description:
Series documents the architectural project of Mart Stam for the Hellerforf Housing Estate, a housing project of 1600 dwellings in Frankfurt, Germany, in 1929-1931. The material in this series was produced between 1913 and 1932, and predominantly between 1928-1932. The series contains drawings, including design development drawings and presentation drawings, and photographs of the building by Ilse Bing, including photographs in an album and a photomontage of housing projects by Stam such as the Hellerforf Housing Estate.
People:
Date:
1913-1932
1913-1932
Title:
Hellerhorf Housing Estate, Frankfurt, Germany (1929-1931)
Actions:
CI006.S1.1929.PR1
Description:
Series documents the architectural project of Mart Stam for the Hellerforf Housing Estate, a housing project of 1600 dwellings in Frankfurt, Germany, in 1929-1931. The material in this series was produced between 1913 and 1932, and predominantly between 1928-1932. The series contains drawings, including design development drawings and presentation drawings, and photographs of the building by Ilse Bing, including photographs in an album and a photomontage of housing projects by Stam such as the Hellerforf Housing Estate.
Hellerhorf Housing Estate, Frankfurt, Germany (1929-1931)
Actions:
CI006.S1.1929.PR1
Description:
Series documents the architectural project of Mart Stam for the Hellerforf Housing Estate, a housing project of 1600 dwellings in Frankfurt, Germany, in 1929-1931. The material in this series was produced between 1913 and 1932, and predominantly between 1928-1932. The series contains drawings, including design development drawings and presentation drawings, and photographs of the building by Ilse Bing, including photographs in an album and a photomontage of housing projects by Stam such as the Hellerforf Housing Estate.
Level of archival description:
project
project
Date:
1913-1932
1913-1932
People:
Level of archival description:
Project
Project
Title:
Tasmania Beach Party, Hobart
Tasmania Beach Party, Hobart
Actions:
Reference number:
AP144.S2.D11
Description:
File documents an experimental project undertaken as part of the AASA Convention of Creativity hosted in Hobart, Australia. Three diagrammatic plans document how people worked on the beach site during a three hour period. Annotated versions of these drawings were published in "The First Installment in the Cedric Price Series." 'Architectural Design'. vol. 40, (October 1970), 511. Material in this file was produced in 1968. File contains schematic drawings.
AP144.S2.D11
Description:
File documents an experimental project undertaken as part of the AASA Convention of Creativity hosted in Hobart, Australia. Three diagrammatic plans document how people worked on the beach site during a three hour period. Annotated versions of these drawings were published in "The First Installment in the Cedric Price Series." 'Architectural Design'. vol. 40, (October 1970), 511. Material in this file was produced in 1968. File contains schematic drawings.
People:
Date:
[1968]
[1968]
Title:
Tasmania Beach Party, Hobart
Actions:
AP144.S2.D11
Description:
File documents an experimental project undertaken as part of the AASA Convention of Creativity hosted in Hobart, Australia. Three diagrammatic plans document how people worked on the beach site during a three hour period. Annotated versions of these drawings were published in "The First Installment in the Cedric Price Series." 'Architectural Design'. vol. 40, (October 1970), 511. Material in this file was produced in 1968. File contains schematic drawings.
Tasmania Beach Party, Hobart
Actions:
AP144.S2.D11
Description:
File documents an experimental project undertaken as part of the AASA Convention of Creativity hosted in Hobart, Australia. Three diagrammatic plans document how people worked on the beach site during a three hour period. Annotated versions of these drawings were published in "The First Installment in the Cedric Price Series." 'Architectural Design'. vol. 40, (October 1970), 511. Material in this file was produced in 1968. File contains schematic drawings.
Level of archival description:
File 11
File 11
Date:
[1968]
[1968]
People:
Level of archival description:
Series
Series
Title:
Exhibitions and Publications
Exhibitions and Publications
Actions:
Reference number:
AP142.S2
Description:
The series documents twelve exhibitions and publications, almost all from the 1990s, and contains predominantly textual records, often including sketches and drawings by Aldo Rossi and others, as well as correspondence, lists of exhibited works, administrative records, and notes. The series also contains presentation drawings and a few working drawings and includes exhibition plans as well as drawings representing some of Rossi's architectural projects. Arrangement within the series is roughly chronological.
AP142.S2
Description:
The series documents twelve exhibitions and publications, almost all from the 1990s, and contains predominantly textual records, often including sketches and drawings by Aldo Rossi and others, as well as correspondence, lists of exhibited works, administrative records, and notes. The series also contains presentation drawings and a few working drawings and includes exhibition plans as well as drawings representing some of Rossi's architectural projects. Arrangement within the series is roughly chronological.
People:
Date:
[1988]-1997
[1988]-1997
Title:
Exhibitions and Publications
Actions:
AP142.S2
Description:
The series documents twelve exhibitions and publications, almost all from the 1990s, and contains predominantly textual records, often including sketches and drawings by Aldo Rossi and others, as well as correspondence, lists of exhibited works, administrative records, and notes. The series also contains presentation drawings and a few working drawings and includes exhibition plans as well as drawings representing some of Rossi's architectural projects. Arrangement within the series is roughly chronological.
Exhibitions and Publications
Actions:
AP142.S2
Description:
The series documents twelve exhibitions and publications, almost all from the 1990s, and contains predominantly textual records, often including sketches and drawings by Aldo Rossi and others, as well as correspondence, lists of exhibited works, administrative records, and notes. The series also contains presentation drawings and a few working drawings and includes exhibition plans as well as drawings representing some of Rossi's architectural projects. Arrangement within the series is roughly chronological.
Level of archival description:
Series 2
Series 2
Date:
[1988]-1997
[1988]-1997
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2002.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape for green roofs for a condominium development at 1174 West 7th Avenue in Vancouver, British Columbia. Oberlander worked on this project in 2002 with architectural Nick Milkovich Architects. Oberlander was in charged of the design of planters and the selection of plant material for the roof decks of each of the building units. The project series contains a roof landscape plan, correspondence with architects and consultants, research material for the project and specifications.
AP075.S1.2002.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape for green roofs for a condominium development at 1174 West 7th Avenue in Vancouver, British Columbia. Oberlander worked on this project in 2002 with architectural Nick Milkovich Architects. Oberlander was in charged of the design of planters and the selection of plant material for the roof decks of each of the building units. The project series contains a roof landscape plan, correspondence with architects and consultants, research material for the project and specifications.
People:
Date:
2002
2002
Title:
1174 West 7th Avenue, Vancouver, British Columbia (2002)
Actions:
AP075.S1.2002.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape for green roofs for a condominium development at 1174 West 7th Avenue in Vancouver, British Columbia. Oberlander worked on this project in 2002 with architectural Nick Milkovich Architects. Oberlander was in charged of the design of planters and the selection of plant material for the roof decks of each of the building units. The project series contains a roof landscape plan, correspondence with architects and consultants, research material for the project and specifications.
1174 West 7th Avenue, Vancouver, British Columbia (2002)
Actions:
AP075.S1.2002.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape for green roofs for a condominium development at 1174 West 7th Avenue in Vancouver, British Columbia. Oberlander worked on this project in 2002 with architectural Nick Milkovich Architects. Oberlander was in charged of the design of planters and the selection of plant material for the roof decks of each of the building units. The project series contains a roof landscape plan, correspondence with architects and consultants, research material for the project and specifications.
Level of archival description:
Project
Project
Date:
2002
2002
People:
Level of archival description:
Sub-series
Sub-series
Title:
Papers and Correspondence
Papers and Correspondence
Reference number:
AP032.S1.SS4
Description:
This sub-series documents aspects of Goldsmith’s personal and professional activities from 1953 – 1995. It includes photographs depicting Goldsmith’s architectural work from the early-1950s to early-1960s with James Ferris as well as a series of informal photographs of Goldsmith which cover the late-1950s to the early-1990s. The sub-series also contains research and travel records, correspondence, and personal and business documents dating from the 1960s to the 1990s.
AP032.S1.SS4
Description:
This sub-series documents aspects of Goldsmith’s personal and professional activities from 1953 – 1995. It includes photographs depicting Goldsmith’s architectural work from the early-1950s to early-1960s with James Ferris as well as a series of informal photographs of Goldsmith which cover the late-1950s to the early-1990s. The sub-series also contains research and travel records, correspondence, and personal and business documents dating from the 1960s to the 1990s.
People:
Date:
1953-1995
1953-1995
Title:
Papers and Correspondence
Actions:
AP032.S1.SS4
Description:
This sub-series documents aspects of Goldsmith’s personal and professional activities from 1953 – 1995. It includes photographs depicting Goldsmith’s architectural work from the early-1950s to early-1960s with James Ferris as well as a series of informal photographs of Goldsmith which cover the late-1950s to the early-1990s. The sub-series also contains research and travel records, correspondence, and personal and business documents dating from the 1960s to the 1990s.
Papers and Correspondence
Actions:
AP032.S1.SS4
Description:
This sub-series documents aspects of Goldsmith’s personal and professional activities from 1953 – 1995. It includes photographs depicting Goldsmith’s architectural work from the early-1950s to early-1960s with James Ferris as well as a series of informal photographs of Goldsmith which cover the late-1950s to the early-1990s. The sub-series also contains research and travel records, correspondence, and personal and business documents dating from the 1960s to the 1990s.
Level of archival description:
Sub-series 4
Sub-series 4
Date:
1953-1995
1953-1995
People:
Level of archival description:
Project
Project
Title:
Città analoga
Città analoga
Reference number:
AP142.S1.D42
Description:
File documents the "Città analoga", analogous compositions juxtaposing different projects of Aldo Rossi. The entrance gate for the Architectural Exhibition at the Biennale di Venezia, the Teatro del Mondo, the hotel project for Cannaregio west, the funerary chapel at Giussano and the Civic Center Tower in Pesaro are different projects involved in these analogous cities. Material in this file was produced in 1981. File contains one conceptual drawing, design development drawings and presentation drawings.
AP142.S1.D42
Description:
File documents the "Città analoga", analogous compositions juxtaposing different projects of Aldo Rossi. The entrance gate for the Architectural Exhibition at the Biennale di Venezia, the Teatro del Mondo, the hotel project for Cannaregio west, the funerary chapel at Giussano and the Civic Center Tower in Pesaro are different projects involved in these analogous cities. Material in this file was produced in 1981. File contains one conceptual drawing, design development drawings and presentation drawings.
People:
Date:
1981
1981
Title:
Città analoga
Actions:
AP142.S1.D42
Description:
File documents the "Città analoga", analogous compositions juxtaposing different projects of Aldo Rossi. The entrance gate for the Architectural Exhibition at the Biennale di Venezia, the Teatro del Mondo, the hotel project for Cannaregio west, the funerary chapel at Giussano and the Civic Center Tower in Pesaro are different projects involved in these analogous cities. Material in this file was produced in 1981. File contains one conceptual drawing, design development drawings and presentation drawings.
Città analoga
Actions:
AP142.S1.D42
Description:
File documents the "Città analoga", analogous compositions juxtaposing different projects of Aldo Rossi. The entrance gate for the Architectural Exhibition at the Biennale di Venezia, the Teatro del Mondo, the hotel project for Cannaregio west, the funerary chapel at Giussano and the Civic Center Tower in Pesaro are different projects involved in these analogous cities. Material in this file was produced in 1981. File contains one conceptual drawing, design development drawings and presentation drawings.
Level of archival description:
File 42
File 42
Date:
1981
1981
People:
