DR1988:0363
Description:
- This drawing shows a design for wainscoting on a wall with a fireplace. The panels above the fireplace contain decorative designs, possibly for plasterwork, while two small panels to either side of the fireplace contain sketches suggesting that they would be decorated. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
interior design
printed in the 1920s or 1930s
Elevation for an interior wall with wainscoting
Actions:
DR1988:0363
Description:
- This drawing shows a design for wainscoting on a wall with a fireplace. The panels above the fireplace contain decorative designs, possibly for plasterwork, while two small panels to either side of the fireplace contain sketches suggesting that they would be decorated. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
interior design
Sub-series
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
1949-1965
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Sous-série 2
1949-1965
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
Octagonal gallery
15 May 2012 to 9 September 2012
Très Grande Bibliothèque (Very Big Library)
Actions:
Description:
A super-library combining five national collections in one building, Paris’s National Library of France was the final Grands travaux of President François Mitterrand. Initially commissioned to house all French production of words, images, and sounds since 1945, its architectural competition captured the confusion and variety of architectural thinking in 1989. OMA’s(...)
Octagonal gallery
photographs
AP140.S2.SS7.D1.P6
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
circa 1950-1992
Various portraits and views of James Stirling
Actions:
AP140.S2.SS7.D1.P6
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
photographs
circa 1950-1992
photographs
AP140.S2.SS7.D1.P23
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
circa 1950-1992
Various portraits and views of James Stirling
Actions:
AP140.S2.SS7.D1.P23
Description:
views of James Stirling and James Gowan at Leicester University Engineering Building in the early 1960s; views of various participants at the 2nd Iran International Congress of Architecture conference held in 1974 in Persepolis, Iran, including Félix Candela, Buckminster Fuller, Hans Hollein, José Luis Sert, James Stirling, O.M. Ungers and Bruno Zevi; views of interior of office; views of James Stirling with Queen Mother; of exhibition opening of 'I musei di James Stirling, Michael Wilford and Associates' at the Galleria Comunale d'Arte Moderna in Bologna, dated 1990; various portraits of James Stirling and of MIchael Wilford; views of James Stirling and Michael Wilford's visit to Cornell University
photographs
circa 1950-1992
textual records
PDE publication files
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
PDE publication files
Actions:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
textual records
Project
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
1971-2017
Vestirsi Di Siede [Wearable Chairs] (1971)
Actions:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Project
1971-2017
Sub-series
Photographs and films
AP140.S2.SS7
Description:
Sub-series documents, throught photographic materials and audio-visual materials, some of James Stirling's early architectural interests and travel, various projects and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Sub-series also documents the James Stirling Memorial lecture. Material in this sub-series was produced between ca. 1948 and 1992.
circa 1948-1992
Photographs and films
Actions:
AP140.S2.SS7
Description:
Sub-series documents, throught photographic materials and audio-visual materials, some of James Stirling's early architectural interests and travel, various projects and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Sub-series also documents the James Stirling Memorial lecture. Material in this sub-series was produced between ca. 1948 and 1992.
Sub-series 7
circa 1948-1992
Project
Reed Library Addition and Renovation, State University of New York College at Fredonia (1986)
AP154.S1.1986.PR01
Description:
Project series AP154.S1.1986.PR01, Reed Library Addition and Renovation, State University of New York College at Fredonia (1986), is related to an executed project for a four-story addition to a single-story library building designed by I.M. Pei & Partners. The series consists of a spiral-bould volume produced after phase I of the project was completed. The volume contains colour photographic prints by the architectural photographer Paul Warchol, an Esto model shot and reproductions of drawings.
1993
Reed Library Addition and Renovation, State University of New York College at Fredonia (1986)
Actions:
AP154.S1.1986.PR01
Description:
Project series AP154.S1.1986.PR01, Reed Library Addition and Renovation, State University of New York College at Fredonia (1986), is related to an executed project for a four-story addition to a single-story library building designed by I.M. Pei & Partners. The series consists of a spiral-bould volume produced after phase I of the project was completed. The volume contains colour photographic prints by the architectural photographer Paul Warchol, an Esto model shot and reproductions of drawings.
Project
1993
Series
Exhibitions
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
1962-2004
Exhibitions
Actions:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
Series
1962-2004