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In Bangladesh, climate change causes frequent flooding, forcing countless people to find new homes. In response, Bangladeshi architect Marina Tabassum (born 1968) and her team have developed the Khudi Bari (small house): a low-cost structure that can be assembled, disassembled, transported and reassembled in another location by the inhabitants themselves. This publication(...)
Architecture Monographs
September 2025
Khudi Barri: A Social Project by Marina Tabassum Architects from Dhaka to Weil am Rhein
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In Bangladesh, climate change causes frequent flooding, forcing countless people to find new homes. In response, Bangladeshi architect Marina Tabassum (born 1968) and her team have developed the Khudi Bari (small house): a low-cost structure that can be assembled, disassembled, transported and reassembled in another location by the inhabitants themselves. This publication contains texts, photographs and illustrations of a Khudi Bari erected on the Vitra Campus in Weil am Rhein, Germany, as an example of a concrete response to problems exacerbated by the climate crisis. Says Tabassum: "Inspiration for this mobile house is rooted in the vernacular style of dwelling that can be found in Bangladesh. These structures are created in the manner of a flatpack system and are generally built along the majestic Padma, Jamuna and Meghna rivers. The houses have a wooden frame structure and corrugated metal facades and roofs, which can be dismantled and relocated in the aftermath of riverbank erosion and reassembled by their owners once they have found a new place to build."
Architecture Monographs
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Over the past two decades China has grown to become the largest construction market in the world, attracting many architects and urban planners from the West. As a result of this migration, it often happens that cultural and linguistic barriers between onsite experts from Western backgrounds and those from local environs create misunderstandings and stall the pace of(...)
China, China ... western architects and city planners in China
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Over the past two decades China has grown to become the largest construction market in the world, attracting many architects and urban planners from the West. As a result of this migration, it often happens that cultural and linguistic barriers between onsite experts from Western backgrounds and those from local environs create misunderstandings and stall the pace of execution. The Chinese architect Xin Lu has dealt with such issues firsthand and is especially well positioned to address them: he studied in China and Germany, and is currently working on a Chinese construction project for a German architectural office. Xin Lu has created this handbook from interviews and conversations he has conducted with architects, urban planners and academics from Europe and China, as well as with Chinese clients. Written to address issues of cultural disparity in the most practical terms, this volume elucidates differences between East and West in communications protocol and conceptual and working methods employed in the process of creating designs or in business. This volume is full of valuable advice, and will assist the process of intercultural cooperation.
Contemporary Asian Architecture
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Life is a building site : not just since the German film of that name was released, the building site has been a popular metaphor for the patchwork plans of contemporary life. The phenomenon of the building site runs through our everyday lives, but it largely remains behind construction site fences. This volume looks behind the barriers and focuses on the building site as(...)
Construction site : metamorphoses in the city
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Life is a building site : not just since the German film of that name was released, the building site has been a popular metaphor for the patchwork plans of contemporary life. The phenomenon of the building site runs through our everyday lives, but it largely remains behind construction site fences. This volume looks behind the barriers and focuses on the building site as such for the first time. With authoritative information and reflection from a variety of perspectives, some quite surprising, the building site is presented as an extraordinary place in the city and as a microcosm that operates under heavy pressures of time and costs. With essays on specific building sites such as the megaproject Sihlcity in Zurich or the La Défense building site in Paris, interviews with architects and construction managers, and impressive illustrations, the book leaps into a gap in the urban landscape. The publication is rounded out by artistic, photographic interventions like those of Miklos Gaals, who is known for his photographs that turn urban scenes into toys.
Urban Theory
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Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated(...)
Art and architecture: strategies in collaboration
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Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated schemes may result that are of particular appeal and quality. In recent years, the barriers between art and architecture have come down even further; while many artists are attracted to the spatial presence of architecture and its language and scale, contemporary architects also seek the inspiration of art and include artistic concepts into their designs. Great works of art/architecture have resulted from these cooperations and this book explores them in nine chapters from 1914 up to the present, highlighting the most striking examples of these interdisciplinary activities such as the LACMA scheme by Renzo Piano/Jeff Koons in Los Angeles, the Chichu Art Museum by Tadao Ando with its installation by Walter de Maria, the British Pavilion at the Venice Biennale by David Adjaye with artist Chris Ofili or the work by Keith Sonnier in the Munich Re Building by Baumschlager Eberle.
Art Theory
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“A terrible mechanism [is] on the march, its gears multiplying.” So begins the 48th issue of Harvard Design Magazine, guest edited by Mark Lee, chair of the department of architecture at the Harvard Graduate School of Design, and Florencia Rodriguez, editorial director of -Ness Magazine. The issue takes as its theme the slippery and ambiguous figure of “America,” seen(...)
Harvard Design Magazine 48 : America
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“A terrible mechanism [is] on the march, its gears multiplying.” So begins the 48th issue of Harvard Design Magazine, guest edited by Mark Lee, chair of the department of architecture at the Harvard Graduate School of Design, and Florencia Rodriguez, editorial director of -Ness Magazine. The issue takes as its theme the slippery and ambiguous figure of “America,” seen through the lens of the built and unbuilt environment. Americanization—once the “terrible mechanism” bent on pressing capitalist values on emerging economies everywhere—is now in retreat, eclipsed by the more urgent domestic concerns of pandemic and climate change, racial injustice and domestic radicalization. The very notion of what constitutes America is ripe for redefinition. The America Issue of Harvard Design Magazine, featuring a new design and art direction by Alexis Mark, invites historians, architects, landscape architects, urban designers, theorists, curators, artists, and planners to reflect on the country’s past and present, and to imagine sustainable futures. Projects, taxonomies, dialogues, essays, and spatial interpretations explore possible Americas. They allow us to delve into issues relevant to small cities, towns, and rural areas—as well as major urban centers—and to study barriers and opportunities facing communities across the country.
Magazines
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our(...)
After work: The fight for free time
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals. Charting the trajectory of our domestic spaces over the past century, Hester and Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
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203 pages : illustrations (some color) ; 27 x 31 cm
al-Jazāʼir : al-Muʼassasah al-Waṭanīyah lil-Siḥāfah ; Bārīs : al-Markaz al-Thaqāfī al-Jazāʼirī, ©1984.
Mudun al-Jazāʼir fī al-qarn al-tāsiʻ ʻashar / taqdīm Āsiyā Jabbār ; ikhrāj tiqnī Aḥmad Qārah-Aḥmad ; kitābat al-naṣṣ al-ʻArabī Yaʻqūb al-ʻArabī = Villes dʼAlgérie au XIXe siecle : estampes / introduction et notes de Assia Djebar ; fiche technique de Ahmed Kara-Ahmed ; traduction arabe de Larbi Yacoub.
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203 pages : illustrations (some color) ; 27 x 31 cm
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al-Jazāʼir : al-Muʼassasah al-Waṭanīyah lil-Siḥāfah ; Bārīs : al-Markaz al-Thaqāfī al-Jazāʼirī, ©1984.
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Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are(...)
Here: Where the black designers are
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Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are urgent to the design profession: Where did they originate? Where have they been? Why haven't they been represented in design histories and canons? Holmes-Miller traces her development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design, Maryland Institute College of Art, and Pratt, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television, as well as the story of her later critiques of the industry in the design press, most notably in Print magazine. Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers.
Design Theory
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"Design for life: the architecture of Sim Van der Ryn" surveys the work and principles of Sim Van der Ryn, a world leader in the field of sustainable architecture. Sharing his years of experience as a teacher and using his building designs as examples, the author shows us that buildings are not objects but organisms, and cities are not machines but complex ecosystems.(...)
May 2005, Salt Lake City
Design for life : the architecture of Sim Van der Ryn
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"Design for life: the architecture of Sim Van der Ryn" surveys the work and principles of Sim Van der Ryn, a world leader in the field of sustainable architecture. Sharing his years of experience as a teacher and using his building designs as examples, the author shows us that buildings are not objects but organisms, and cities are not machines but complex ecosystems. "Design for life" illustrates how Van der Ryn came to see the shifting patterns in nature and how these patterns profoundly affect how people live and work in the structures we build. Van der Ryn explores how architecture has created physical and mental barriers that separate people from the natural world, and how to recover the soul of architecture and reconnect with our natural surroundings. Appointed California State Architect by then-Governor Jerry Brown, Van der Ryn introduced the nation's first energy-efficient government building projects. His vision heralded a Golden Age of ecologically sensitive design and resulted in the adoption of strict energy standards and disability access standards for all state buildings and parks. Van der Ryn has helped inspire architects to see the myriad ways they can apply physical and social ecology to architecture and environmental design.
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
Modernism
July 2003, Cambridge / London
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Modernism