11168 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Marcel Parizeau fonds
Marcel Parizeau fonds
Actions:
Reference number:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
People:
Date:
1917-1955
1917-1955
Title:
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1917-1955
1917-1955
People:
Form:
exhibitions
exhibitions
Title:
Sense of the City
Sense of the City
Actions:
Description:
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Location:
Main galleries
Main galleries
Date:
26 October 2005 to 10 September 2006
26 October 2005 to 10 September 2006
Title:
Sense of the City
Actions:
Description:
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Sense of the City
Actions:
Description:
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Form:
exhibitions
exhibitions
Date:
26 October 2005 to
10 September 2006
26 October 2005 to
10 September 2006
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Keyword(s):
Panos Mantziaras, City Landscape, H. Thünen's Isolierte Staat, R. Schwarz, Von der Bebauung der Erde, Visiting Scholar
Panos Mantziaras, City Landscape, H. Thünen's Isolierte Staat, R. Schwarz, Von der Bebauung der Erde, Visiting Scholar
Date:
19 October 2001
19 October 2001
Form:
events
events
Date:
19 October 2001
19 October 2001
Form:
articles
articles
Actions:
by Łukasz Stanek compares colonial and postcolonial masterplans
Title:
Tracing the Marine Drive, Accra
by Łukasz Stanek compares colonial and postcolonial masterplans
Actions:
Tracing the Marine Drive, Accra
by Łukasz Stanek compares colonial and postcolonial masterplans
Actions:
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
People:
Date:
2004-2006
2004-2006
Title:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Level of archival description:
Series
Series
Date:
2004-2006
2004-2006
People:
Form:
articles
articles
Title:
1966: Galactic Metropolis
1966: Galactic Metropolis
Actions:
Issue:
What the future looked like
What the future looked like
Published:
16 April 2016
16 April 2016
Issue:
What the future looked like
What the future looked like
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0015:024:006
Description:
File containing photographic materials related to the following events, locations, and/or projects: - CCA garden (1 colour printout on coated paper); - 4545 rue Notre-Dame O., Caisses Populaire St. Zotique, (1 gelatin silver print); - 1 Place Ville-Marie (2 gelatin silver prints); - model of the Université de Québec à Montréal campus (1 gelatin silver print); - possibly an image from Un dictionnaire (1 black-and-white printout on coated paper); - unidentified projects (2 black-and-white printouts on coated paper); - model of Place Bonaventure (2 gelatin silver print); - unidentified street scenes (23 gelatin silver prints); - unidentified garden (1 gelatin silver print); - unidentified aerial (1 gelatin silver print); - crowd scene (1 gelatin silver print); - Marriott Château Champlain (1 gelatin silver print); - Judith Jasmin Pavilion, UQAM, (1 gelatin silver print).
DR2012:0015:024:006
Description:
File containing photographic materials related to the following events, locations, and/or projects: - CCA garden (1 colour printout on coated paper); - 4545 rue Notre-Dame O., Caisses Populaire St. Zotique, (1 gelatin silver print); - 1 Place Ville-Marie (2 gelatin silver prints); - model of the Université de Québec à Montréal campus (1 gelatin silver print); - possibly an image from Un dictionnaire (1 black-and-white printout on coated paper); - unidentified projects (2 black-and-white printouts on coated paper); - model of Place Bonaventure (2 gelatin silver print); - unidentified street scenes (23 gelatin silver prints); - unidentified garden (1 gelatin silver print); - unidentified aerial (1 gelatin silver print); - crowd scene (1 gelatin silver print); - Marriott Château Champlain (1 gelatin silver print); - Judith Jasmin Pavilion, UQAM, (1 gelatin silver print).
People:
Date:
1966, 1973-1980
1966, 1973-1980
Title:
Photographs of various projects by Melvin Charney
Actions:
DR2012:0015:024:006
Description:
File containing photographic materials related to the following events, locations, and/or projects: - CCA garden (1 colour printout on coated paper); - 4545 rue Notre-Dame O., Caisses Populaire St. Zotique, (1 gelatin silver print); - 1 Place Ville-Marie (2 gelatin silver prints); - model of the Université de Québec à Montréal campus (1 gelatin silver print); - possibly an image from Un dictionnaire (1 black-and-white printout on coated paper); - unidentified projects (2 black-and-white printouts on coated paper); - model of Place Bonaventure (2 gelatin silver print); - unidentified street scenes (23 gelatin silver prints); - unidentified garden (1 gelatin silver print); - unidentified aerial (1 gelatin silver print); - crowd scene (1 gelatin silver print); - Marriott Château Champlain (1 gelatin silver print); - Judith Jasmin Pavilion, UQAM, (1 gelatin silver print).
Photographs of various projects by Melvin Charney
Actions:
DR2012:0015:024:006
Description:
File containing photographic materials related to the following events, locations, and/or projects: - CCA garden (1 colour printout on coated paper); - 4545 rue Notre-Dame O., Caisses Populaire St. Zotique, (1 gelatin silver print); - 1 Place Ville-Marie (2 gelatin silver prints); - model of the Université de Québec à Montréal campus (1 gelatin silver print); - possibly an image from Un dictionnaire (1 black-and-white printout on coated paper); - unidentified projects (2 black-and-white printouts on coated paper); - model of Place Bonaventure (2 gelatin silver print); - unidentified street scenes (23 gelatin silver prints); - unidentified garden (1 gelatin silver print); - unidentified aerial (1 gelatin silver print); - crowd scene (1 gelatin silver print); - Marriott Château Champlain (1 gelatin silver print); - Judith Jasmin Pavilion, UQAM, (1 gelatin silver print).
Form:
photographs
photographs
Date:
1966, 1973-1980
1966, 1973-1980
People:
Form:
articles
articles
Form:
articles
articles
Actions:
Text by Philippe Genois-Lefrançois
Published:
22 December 2017
22 December 2017
Title:
Coen Beeker’s Approach to Participation in Ouagadougou
Text by Philippe Genois-Lefrançois
Actions:
Coen Beeker’s Approach to Participation in Ouagadougou
Text by Philippe Genois-Lefrançois
Actions:
Form:
articles
articles
Title:
Captioning Milton-Parc
Captioning Milton-Parc
Actions:
Text by Francesca Russello Ammon. Photographs by Clara Gutsche and David Miller
Keyword(s):
Francesca Russello Ammon, Milton-Parc, Clara Gutsche, David Miller, Milton-Park, captions, Mellon, photography, Montreal
Francesca Russello Ammon, Milton-Parc, Clara Gutsche, David Miller, Milton-Park, captions, Mellon, photography, Montreal
Published:
20 October 2017
20 October 2017
Title:
Captioning Milton-Parc
Text by Francesca Russello Ammon. Photographs by Clara Gutsche and David Miller
Actions:
Captioning Milton-Parc
Text by Francesca Russello Ammon. Photographs by Clara Gutsche and David Miller
Actions:
