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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Title:
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
An unfinished ... encyclopedia of ... scale figures without ... architecture / edited by Michael Meredith, Hilary Sample & MOS.
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xxxvi, 1219 pages, 24 unnumbered pages of plates : illustrations (some color) ; 29 cm
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books
books
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Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
Cambridge, Mass. ; London, England : The MIT Press, [2018], ©2018
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books
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Max Bill : espaces
Max Bill : espaces
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Max Bill, né en 1908 à Winterthur (Suisse) et mort à Berlin en 1994, fut un éminent architecte, peintre, sculpteur et théoricien de l'art. Le maître suisse a été un chercheur acharné de l'Espace, dans toutes ses déclinaisons possibles. L'Espace, ici, est entendu comme milieu anthropique ; comme un lieu construit par l'homme pour y héberger ses propres événements(...)
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Max Bill, né en 1908 à Winterthur (Suisse) et mort à Berlin en 1994, fut un éminent architecte, peintre, sculpteur et théoricien de l'art. Le maître suisse a été un chercheur acharné de l'Espace, dans toutes ses déclinaisons possibles. L'Espace, ici, est entendu comme milieu anthropique ; comme un lieu construit par l'homme pour y héberger ses propres événements(...)
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Max Bill : espaces
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Max Bill, né en 1908 à Winterthur (Suisse) et mort à Berlin en 1994, fut un éminent architecte, peintre, sculpteur et théoricien de l'art. Le maître suisse a été un chercheur acharné de l'Espace, dans toutes ses déclinaisons possibles. L'Espace, ici, est entendu comme milieu anthropique ; comme un lieu construit par l'homme pour y héberger ses propres événements quotidiens, mais aussi comme un lieu de la pensée et des aspirations humaines.Tous ses projets, des toiles aux architectures, sont des quêtes sur de nouvelles conformations spatiales et sur leurs corrélations avec l'homme. C'est sur la base de ces prémisses, que se meut la rédaction de ce texte qui présente les projets, ou les événements, non de façon chronologique mais dans un ordre qui tend à démontrer - au fur et à mesure - les concepts qui sont à la base des recherches composites de Max Bill.
Max Bill : espaces
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Max Bill, né en 1908 à Winterthur (Suisse) et mort à Berlin en 1994, fut un éminent architecte, peintre, sculpteur et théoricien de l'art. Le maître suisse a été un chercheur acharné de l'Espace, dans toutes ses déclinaisons possibles. L'Espace, ici, est entendu comme milieu anthropique ; comme un lieu construit par l'homme pour y héberger ses propres événements quotidiens, mais aussi comme un lieu de la pensée et des aspirations humaines.Tous ses projets, des toiles aux architectures, sont des quêtes sur de nouvelles conformations spatiales et sur leurs corrélations avec l'homme. C'est sur la base de ces prémisses, que se meut la rédaction de ce texte qui présente les projets, ou les événements, non de façon chronologique mais dans un ordre qui tend à démontrer - au fur et à mesure - les concepts qui sont à la base des recherches composites de Max Bill.
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books
books
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November 2017
November 2017
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$90.00
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A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed,(...)
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Summary:
A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed,(...)
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Max Bill
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A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume—the most thorough Bill overview ever published in English, and the only monograph in print—presents Bill’s oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography—from large-format posters to small inserts in periodicals—as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself.
Max Bill
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A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume—the most thorough Bill overview ever published in English, and the only monograph in print—presents Bill’s oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography—from large-format posters to small inserts in periodicals—as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself.
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books
books
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February 2016
February 2016
Subject:
Design Monographs
Design Monographs
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books
books
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2 volumes (358 leaves) : illustrations (some color), plans ; 30 cm
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2 volumes (358 leaves) : illustrations (some color), plans ; 30 cm
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[2008]
[2008]
Title:
Fios cortantes : projeto e produto, arquitetura e design no Rio de Janeiro (1950-70) / Ana Luiza de Souza Nobre.
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2 volumes (358 leaves) : illustrations (some color), plans ; 30 cm
Fios cortantes : projeto e produto, arquitetura e design no Rio de Janeiro (1950-70) / Ana Luiza de Souza Nobre.
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2 volumes (358 leaves) : illustrations (some color), plans ; 30 cm
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books
books
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[2008]
[2008]
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570 pages, 8 unnumbered leaves of plates : illustrations ; 23 cm.
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570 pages, 8 unnumbered leaves of plates : illustrations ; 23 cm.
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New York : Published by Simon and Schuster, [1981]
New York : Published by Simon and Schuster, [1981]
Title:
Photography in print : writings from 1816 to the present / edited by Vicki Goldberg.
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570 pages, 8 unnumbered leaves of plates : illustrations ; 23 cm.
Photography in print : writings from 1816 to the present / edited by Vicki Goldberg.
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570 pages, 8 unnumbered leaves of plates : illustrations ; 23 cm.
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books
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New York : Published by Simon and Schuster, [1981]
New York : Published by Simon and Schuster, [1981]
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463 pages : illustrations ; 23 cm
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463 pages : illustrations ; 23 cm
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Dysart, Iowa : Bobolink Books, 2009.
Dysart, Iowa : Bobolink Books, 2009.
Title:
Camoupedia : a compendium of research on art, architecture and camouflage / Roy R. Behrens.
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463 pages : illustrations ; 23 cm
Camoupedia : a compendium of research on art, architecture and camouflage / Roy R. Behrens.
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463 pages : illustrations ; 23 cm
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books
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Dysart, Iowa : Bobolink Books, 2009.
Dysart, Iowa : Bobolink Books, 2009.
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151, 143 S. Ill., graph. Darst. 21 cm
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151, 143 S. Ill., graph. Darst. 21 cm
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Köln König 2000
Köln König 2000
Title:
Museumsarchitektur Texte und Projekte von Künstlern Kunsthaus Bregenz. Georg Baselitz ... [Red. Edelbert Köb ; Herbert Abrell]
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151, 143 S. Ill., graph. Darst. 21 cm
Museumsarchitektur Texte und Projekte von Künstlern Kunsthaus Bregenz. Georg Baselitz ... [Red. Edelbert Köb ; Herbert Abrell]
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151, 143 S. Ill., graph. Darst. 21 cm
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Köln König 2000
Köln König 2000
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$54.95
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Summary:
Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
Title:
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
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books
books
Publication:
April 2008, Zürich
April 2008, Zürich
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$76.95
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Summary:
Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including(...)
$76.95
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Summary:
Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including(...)
Title:
Max Bill: no beginning, no end
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Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including painting, sculpture, architecture, typography, and design. In the 1950s, he collaborated with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design, where he carried on the Bauhaus legacy as both artist and teacher and made a decisive and lasting contribution to twentieth-century cultural life.
Max Bill: no beginning, no end
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$76.95
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Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including painting, sculpture, architecture, typography, and design. In the 1950s, he collaborated with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design, where he carried on the Bauhaus legacy as both artist and teacher and made a decisive and lasting contribution to twentieth-century cultural life.
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books
books
Publication:
August 2018
August 2018
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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Description:
95 pages : chiefly color illustrations ; 24 cm
Description:
95 pages : chiefly color illustrations ; 24 cm
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Zürich, Switzerland : Museum für Gestaltung Zürich, Plakatsammlung ; Baden, Switzerland : Lars Müller Publishers, 2001.
Zürich, Switzerland : Museum für Gestaltung Zürich, Plakatsammlung ; Baden, Switzerland : Lars Müller Publishers, 2001.
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Posters for exhibitions 1980-2000 / mit einem essay von = essay by Stuart Bailey ; [Konzept und Redaktion = concept and editing, Christina Reble].
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95 pages : chiefly color illustrations ; 24 cm
Posters for exhibitions 1980-2000 / mit einem essay von = essay by Stuart Bailey ; [Konzept und Redaktion = concept and editing, Christina Reble].
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95 pages : chiefly color illustrations ; 24 cm
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books
books
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Zürich, Switzerland : Museum für Gestaltung Zürich, Plakatsammlung ; Baden, Switzerland : Lars Müller Publishers, 2001.
Zürich, Switzerland : Museum für Gestaltung Zürich, Plakatsammlung ; Baden, Switzerland : Lars Müller Publishers, 2001.
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