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Through a collection of essays and case studies, ''Water Works'' shows over sixty careful responses to flooding, draught, pollution, extraction and other issues around freshwater. Divided into seven themes: Purity, Wild, Scale, Representation, Violence, Infrastructure and Commerce, ''Water Works'' allows us to learn from places and makers that build on the intricate(...)
Water works: Eco-social design
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Through a collection of essays and case studies, ''Water Works'' shows over sixty careful responses to flooding, draught, pollution, extraction and other issues around freshwater. Divided into seven themes: Purity, Wild, Scale, Representation, Violence, Infrastructure and Commerce, ''Water Works'' allows us to learn from places and makers that build on the intricate relationships between people and other life forms, materials and (infra)structures. Critically blending knowledge derived from craft, art, science and ecology, these works ask: what are sensible ways to embrace and connect with water? Through wading, floating, testing and tasting, how can we generate more desirable ecosocial relations? In facing large-scale engineering, climate change, privatization and other forms of water violence, these works are an invitation to design together with water as a site and medium for ecosocial renewal.
Green Architecture
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Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, ''Dispute Plan to Prevent Future Luxury Constitution'' charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.
E-Flux journal: Dispute plan to prevent future luxury constitution
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Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, ''Dispute Plan to Prevent Future Luxury Constitution'' charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.
Critical Theory
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Un essai biographique brûlant d’actualité sur l’icône des luttes antiracistes, féministes, communistes et anticarcérales aux États-Unis. Militante féministe, antiraciste, communiste et anticarcérale à la pensée incandescente, Angela Davis (née en 1944 en Alabama, épicentre de la ségrégation aux États-Unis) place le collectif et son expérience personnelle de la(...)
Davis
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Un essai biographique brûlant d’actualité sur l’icône des luttes antiracistes, féministes, communistes et anticarcérales aux États-Unis. Militante féministe, antiraciste, communiste et anticarcérale à la pensée incandescente, Angela Davis (née en 1944 en Alabama, épicentre de la ségrégation aux États-Unis) place le collectif et son expérience personnelle de la ségrégation au centre de son engagement pour l’émancipation. Loin d’être figée dans la pureté militante qu’elle a incarnée, elle remet chaque jour sur le métier de la radicalité son ouvrage philosophique. Son examen minutieux et systématique des modes d’oppression (racisme, violences policières, sexisme, colonisation, guerres impérialistes, néolibéralisme, complexe carcéro-industriel) s’inscrit dans le temps long, celui de la mémoire des luttes, mais aussi dans le tracé contemporain de nouveaux chemins d’émancipation. Son œuvre met en lumière la violence des dominants, obligeant la société américaine à regarder sa propre violence en face.
Social
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Dans Le Pouvoir des mots, Judith Butler analyse les récents débats, souvent passionnés, sur la violence verbale dirigée contre les minorités, sur la pornographie et sur l’interdiction faite aux homosexuels membres de l’armée américaine de se déclarer tels. Il s’agit pour elle de montrer le danger qu’il y a à confier à l’État le soin de définir le champ du dicible et de(...)
Le pouvoir des mots : discours de haine et politique du performatif
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Dans Le Pouvoir des mots, Judith Butler analyse les récents débats, souvent passionnés, sur la violence verbale dirigée contre les minorités, sur la pornographie et sur l’interdiction faite aux homosexuels membres de l’armée américaine de se déclarer tels. Il s’agit pour elle de montrer le danger qu’il y a à confier à l’État le soin de définir le champ du dicible et de l’indicible. Dans un dialogue critique avec J. L. Austin, le fondateur de la théorie du discours performatif, mais aussi avec Sigmund Freud, Michel Foucault, Pierre Bourdieu, Jacques Derrida et Catharine MacKinnon, elle s’efforce d’établir l’ambivalence de la violence verbale (du hate speech) et des discours homophobes, sexistes ou racistes : s’ils peuvent briser les personnes auxquelles ils sont adressés, ils peuvent aussi être retournés et ouvrir l’espace d’une lutte politique et d’une subversion des identités.
Critical Theory
books
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237 pages ; 21 cm.
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, 2017., ©2017
books
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, 2017., ©2017
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material,(...)
Rubble: the afterlife of destruction
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material, historical, and affective ruptures embodied in debris. His exploration of the significance of rubble encompasses lost cities, derelict train stations, overgrown Jesuit missions and Spanish forts, stranded steamships, mass graves, and razed forests. Examining the effects of these and other forms of debris on the people living on nearby ranches and farms, and in towns, Gordillo emphasizes that for the rural poor, the rubble left in the wake of capitalist and imperialist endeavors is not romanticized ruin but the material manifestation of the violence and dislocation that created it.
Architecture ecologies
Huong Ngo: Ungrafting
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material(...)
Contemporary Art Monographs
October 2024
Huong Ngo: Ungrafting
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting—a procedure that involves cutting and splicing different species into a single plant—serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.
Contemporary Art Monographs
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War has entered the cities. Since September 11, 2001 at the latest, it has become apparent that this is the case not only in Jerusalem and the Middle East, but also in Western metropolises. This book presents a thorough investigation of the current situation in Jerusalem from a trilateral perspective: Israeli, Palestinian, and international experts air their views. The(...)
Arch Southwest Asia & North Africa
June 2006, Basel, Boston, Berlin
City of collision : Jerusalem and the principles of conflict urbanism
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War has entered the cities. Since September 11, 2001 at the latest, it has become apparent that this is the case not only in Jerusalem and the Middle East, but also in Western metropolises. This book presents a thorough investigation of the current situation in Jerusalem from a trilateral perspective: Israeli, Palestinian, and international experts air their views. The discussion centers on the production and use of urban space under the conditions created by the conflict, including, for example, the so-called security fence, urban enclaves, exclaves, the approach to monuments and no-man’s-land, and the instrumentalization of infrastructures, which leads to the crass juxtaposition of highly developed and impoverished urban spaces. The conflict, however, does not bring with it destruction and violence alone, but also exhibits ambivalent effects and, along with them, new cultural and urban realities. Jerusalem has become a prototype in the age of new urban violence.
Arch Southwest Asia & North Africa
Adieu, Palmyre
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Voici Palmyre racontée et montrée par deux voyageurs passionnés qui l’ont visitée à de nombreuses reprises. Ce site inouï, détruit en 2015 par la violence de Daech, est reconstitué par les photographies de Ferrante Ferranti qui en donnent une vision exhaustive (temples, agora et théâtre, colonnades et arches, camp de Dioclétien, tombeaux), faisant ainsi oeuvre de mémoire.
History until 1900, Classicism
May 2016
Adieu, Palmyre
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Voici Palmyre racontée et montrée par deux voyageurs passionnés qui l’ont visitée à de nombreuses reprises. Ce site inouï, détruit en 2015 par la violence de Daech, est reconstitué par les photographies de Ferrante Ferranti qui en donnent une vision exhaustive (temples, agora et théâtre, colonnades et arches, camp de Dioclétien, tombeaux), faisant ainsi oeuvre de mémoire.
History until 1900, Classicism
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Des portraits de membres de trois communautés d'Amérique du Nord (Amérindiens, Africains-Américains et Mennonites), réalisés en utilisant les codes de la photographie anthropométrique en usage dans le système colonial à la fin du XIXe siècle, qu'elle altère afin de les déconstruire. La photographe questionne la violence sociétale héritée de la hiérarchisation des races et(...)
We were never meant to survive / Nous n'étions pas censées survivre
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Des portraits de membres de trois communautés d'Amérique du Nord (Amérindiens, Africains-Américains et Mennonites), réalisés en utilisant les codes de la photographie anthropométrique en usage dans le système colonial à la fin du XIXe siècle, qu'elle altère afin de les déconstruire. La photographe questionne la violence sociétale héritée de la hiérarchisation des races et du passé américain.
Photography monographs