Sterling Ruby
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
Sterling Ruby
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$66.00
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
Contemporary Art Monographs
Nick Cave: Until
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"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation(...)
Contemporary Art Monographs
May 2017
Nick Cave: Until
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"Until" takes readers inside Nick Cave's newest work. This illustrated book takes us inside of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities police departments, and death. An installation diary and numerous images reveal how an idea becomes reality. "Until" also incorporates special appearances by dancers, singer/ songwriters, and poets, as well as community forums, and opportunities for public debate and engagement.
Contemporary Art Monographs
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its(...)
October 2017
Delirious
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means. Disturbing and challenging, these works upended traditional notions of aesthetic harmony.
Kara Walker: Book of hours
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Over the course of 2020-2021, during the pandemic, Kara Walker has produced series of drawings in the style of a medieval 'Book of Hours'. Enigmatic images appear to traverse a range of time periods, from scenes of biblical and mythological origins, to images of historical violence, to others that suggest more recent political strife. The highly personal nature of these(...)
Kara Walker: Book of hours
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Over the course of 2020-2021, during the pandemic, Kara Walker has produced series of drawings in the style of a medieval 'Book of Hours'. Enigmatic images appear to traverse a range of time periods, from scenes of biblical and mythological origins, to images of historical violence, to others that suggest more recent political strife. The highly personal nature of these images capture Walker's own response to the intersection of past and present as a way to understand our contemporary political moment. The book comes with a poster.
Contemporary Art Monographs
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This is the final volume of drawings and photographs from Dansig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the(...)
Russian criminal tattoo encyclopedia volume 3
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This is the final volume of drawings and photographs from Dansig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the importance of being able to establish facts about convicts by reading images on their bodies. The motifs depicted represent the uncensored lives of the criminal classes, ranging from violence and pornography to politics and alcohol.
Graphic Design and Typography
I hate the Lake District
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"I Hate the Lake District" offers a different vision of the rural environment from those found in much contemporary nature writing. Based on the author's trips around North West England, the book engages with nuclear power and nuclear war, slavery, imperialism, ghosts, love, God, cockroaches, and the sheer violence and contingency of “nature” itself—of which the human(...)
I hate the Lake District
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"I Hate the Lake District" offers a different vision of the rural environment from those found in much contemporary nature writing. Based on the author's trips around North West England, the book engages with nuclear power and nuclear war, slavery, imperialism, ghosts, love, God, cockroaches, and the sheer violence and contingency of “nature” itself—of which the human presence is merely a part. Each chapter starts with an account of a visit to a place in this remote part of England, the deep north, but digresses and wanders through multifarious themes and subjects.
Journeys
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This book documents Tim Clark's photographic and performance/installation work, significant for its engagement with the limits of art, its ritualized violence enacted through intense readings of philosophical and ethical texts, and for a series of table works that served as the site for the redeployment of performance practice in relation to the book, reading and the(...)
Tim Clark: reading the limits
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This book documents Tim Clark's photographic and performance/installation work, significant for its engagement with the limits of art, its ritualized violence enacted through intense readings of philosophical and ethical texts, and for a series of table works that served as the site for the redeployment of performance practice in relation to the book, reading and the philosophical subject. Essayists raise questions about the development of conceptual art as well as performance art's status as a form of knowledge in relation to the University and its book-based culture.
Canadian art
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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in(...)
In visible presence: Soviet afterlives in family photos
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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.
Theory of Photography
Real Review 15
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the(...)
Real Review 15
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the symbolic values of “the international community” and “human rights”. We can no longer even pretend these ideas correlate to any form of reality. This issue of Real Review is dedicated to the current mood, the Phantom of Liberty.
Magazines
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe(...)
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe quelle puissance devenue à ce point hégémonique, cela est inacceptable pour la conscience morale occidentale, mais c'est pourtant un fait, et qui se mesure justement à la violence pathétique de tous les discours qui veulent l'effacer. (...) "
Critical Theory