118909 Results
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
People:
Date:
1984-2005
1984-2005
Title:
Projecto para um Edifício de Habitação em Campo di Marte [Housing complex, Campo di Marte], Giudecca, Venice, Italy, (1985)
Actions:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Projecto para um Edifício de Habitação em Campo di Marte [Housing complex, Campo di Marte], Giudecca, Venice, Italy, (1985)
Actions:
AP178.S1.1985.PR02.SS2
Description:
This project subseries documents the Projecto para um Edifício de Habitação em Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80 A. The office assigned the date 1985 to this project. The building was part of Siza's intervention in Giudecca. The L-shaped housing building included three floors and 32 apartments. The building respected the Venetian architectural style. Due to financial problems, construction of the building stopped in 2010. Construction eventually continued later on and the project was finished in 2016. Documenting this project are sketches, studies and plans. Photographic materials include photographs and negatives of the project site and model. Textual materials include competition documentation, project documentation, notes and technical specifications.
Level of archival description:
Project
Project
Date:
1984-2005
1984-2005
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
People:
Date:
2013-2015
2013-2015
Title:
Bank of Canada, Ottawa, Ontario (2014)
Actions:
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
Bank of Canada, Ottawa, Ontario (2014)
Actions:
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
Level of archival description:
Project
Project
Date:
2013-2015
2013-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
People:
Date:
2001-2016
2001-2016
Title:
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2001-2016
2001-2016
People:
Form:
events
events
Actions:
Description:
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Date:
4 July 2013
4 July 2013
Title:
Visiting Scholar Seminar: Jorge Manuel Simão Alvez Correia
Actions:
Description:
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Visiting Scholar Seminar: Jorge Manuel Simão Alvez Correia
Actions:
Description:
Topic: Late 19th-century photography of Arab cities: perception and reception of Islamic architectural and urban features Presentation: Hidden perceptions of the “Islamic” city in early photography
Form:
events
events
Date:
4 July 2013
4 July 2013
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
People:
Date:
1946-1996
1946-1996
Title:
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Form:
archives
Level of archival description:
Collection 71
archives
Level of archival description:
Collection 71
Date:
1946-1996
1946-1996
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
People:
Date:
1972-1980
1972-1980
Title:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Level of archival description:
Project
Project
Date:
1972-1980
1972-1980
People:
Title:
Fragment d'un brouillon d'une lettre de Pierre Jeanneret à Le Corbusier relatif à Chandigarh, Inde
Fragment d'un brouillon d'une lettre de Pierre Jeanneret à Le Corbusier relatif à Chandigarh, Inde
Actions:
Reference number:
ARCH264080
Description:
La lettre traite d'architecture et d'urbanisme. La lettre contient des références à Chandigarh, Inde.
ARCH264080
Description:
La lettre traite d'architecture et d'urbanisme. La lettre contient des références à Chandigarh, Inde.
People:
Date:
s.d.
s.d.
Title:
Fragment d'un brouillon d'une lettre de Pierre Jeanneret à Le Corbusier relatif à Chandigarh, Inde
Actions:
ARCH264080
Description:
La lettre traite d'architecture et d'urbanisme. La lettre contient des références à Chandigarh, Inde.
Fragment d'un brouillon d'une lettre de Pierre Jeanneret à Le Corbusier relatif à Chandigarh, Inde
Actions:
ARCH264080
Description:
La lettre traite d'architecture et d'urbanisme. La lettre contient des références à Chandigarh, Inde.
Date:
s.d.
s.d.
People:
Form:
films
films
Title:
Where We Grow Older
Where We Grow Older
Actions:
Description:
The documentary Where We Grow Older (CCA, 2023, 30 min) looks at how the growing ageing population is reshaping architectural and social constructs and questions the role of urban design and politics in facing these challenges. The film investigates two models of how care and housing can be reconceived in light of prolonged lives: public housing and the creation of a new(...)
The documentary Where We Grow Older (CCA, 2023, 30 min) looks at how the growing ageing population is reshaping architectural and social constructs and questions the role of urban design and politics in facing these challenges. The film investigates two models of how care and housing can be reconceived in light of prolonged lives: public housing and the creation of a new(...)
Title:
Where We Grow Older
Actions:
Description:
The documentary Where We Grow Older (CCA, 2023, 30 min) looks at how the growing ageing population is reshaping architectural and social constructs and questions the role of urban design and politics in facing these challenges. The film investigates two models of how care and housing can be reconceived in light of prolonged lives: public housing and the creation of a new(...)
Where We Grow Older
Actions:
Description:
The documentary Where We Grow Older (CCA, 2023, 30 min) looks at how the growing ageing population is reshaping architectural and social constructs and questions the role of urban design and politics in facing these challenges. The film investigates two models of how care and housing can be reconceived in light of prolonged lives: public housing and the creation of a new(...)
Form:
films
films
Date:
June 2023
June 2023
Form:
events
events
Title:
Isola and Norzi: Conshelf II
Isola and Norzi: Conshelf II
Actions:
Description:
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
13 May 2010 , 7pm
13 May 2010 , 7pm
Title:
Isola and Norzi: Conshelf II
Actions:
Description:
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Isola and Norzi: Conshelf II
Actions:
Description:
Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable. Based in New York, Italian-born Hilario Isola and Matteo Norzi have collaborated since 2003, pooling their backgrounds and interests in art(...)
Form:
events
events
Date:
13 May 2010
7pm
13 May 2010
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
drawings
drawings
Actions:
Reference number:
AP075.S1.1992.PR03.007
Description:
architectural drawings
AP075.S1.1992.PR03.007
Description:
architectural drawings
People:
Date:
1993
1993
Title:
Reference working drawings for the Chan Shun Performing Arts Centre, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR03.007
Description:
architectural drawings
Reference working drawings for the Chan Shun Performing Arts Centre, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR03.007
Description:
architectural drawings
Form:
drawings
drawings
Date:
1993
1993
People:
