Project
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
circa 1996-2012
Cais de embarque para european architects [Docking pier for European Architects] Salonica, Greece (1996)
Actions:
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
Project
circa 1996-2012
Project
AP018.S1.1963.PR01
Description:
This project series documents the Place du Canada office building in Montreal from 1963-1967. The office identified the project number as 63M4. This project was commissioned by Canadian Pacific Investments and consisted of a 27-storey skyscraper with a penthouse and 5 levels of parking, located at the corners of St. Antoine and Windsor (modern day Peel) Streets. The building totaled 581,500 square feet and was built onto the historic Château Champlain hotel at its base where the two buildings shared a podium. It also included a plaza level with landscaped outdoor areas. The project is recorded through drawings, textual records and a presentation photo board dating from around 1966-1967. The drawings are all sets of reprographic copies of architectural, structural, electrical and mechanical drawings, while the textual records consist of specifications.
1966
Place du Canada Office Building, Montreal (1963-1967)
Actions:
AP018.S1.1963.PR01
Description:
This project series documents the Place du Canada office building in Montreal from 1963-1967. The office identified the project number as 63M4. This project was commissioned by Canadian Pacific Investments and consisted of a 27-storey skyscraper with a penthouse and 5 levels of parking, located at the corners of St. Antoine and Windsor (modern day Peel) Streets. The building totaled 581,500 square feet and was built onto the historic Château Champlain hotel at its base where the two buildings shared a podium. It also included a plaza level with landscaped outdoor areas. The project is recorded through drawings, textual records and a presentation photo board dating from around 1966-1967. The drawings are all sets of reprographic copies of architectural, structural, electrical and mechanical drawings, while the textual records consist of specifications.
Project
1966
Project
AP018.S1.1981.PR15
Description:
This project series documents changes to the CN Telecommunications Building made by Air Canada in Toronto from 1981-1984. The office identified the project number as 8115. The project consisted of electrical, mechanical and architectural changes made to the 6th, 7th, and 8th floors of the CN telecommunications building at 151 Front Street West. This was to allow for Air Canada's computer equipment centre, requiring 20,000 square feet of space, and support offices for 184 employees. The project is recorded through drawings and textual records dating from 1980-1984. Most of the drawings are reprographic copies showing details. The textual records include correspondence, conference and site reports, a definitive study to determine the project scope, financial records, change orders, supplementary instruction, contract data, tender documents and specifications.
1980-1984
Air Canada Computer Installation, Toronto (1981-1984)
Actions:
AP018.S1.1981.PR15
Description:
This project series documents changes to the CN Telecommunications Building made by Air Canada in Toronto from 1981-1984. The office identified the project number as 8115. The project consisted of electrical, mechanical and architectural changes made to the 6th, 7th, and 8th floors of the CN telecommunications building at 151 Front Street West. This was to allow for Air Canada's computer equipment centre, requiring 20,000 square feet of space, and support offices for 184 employees. The project is recorded through drawings and textual records dating from 1980-1984. Most of the drawings are reprographic copies showing details. The textual records include correspondence, conference and site reports, a definitive study to determine the project scope, financial records, change orders, supplementary instruction, contract data, tender documents and specifications.
Project
1980-1984
Project
AP066.S3.D10
Description:
Le dossier documente la soumission pour le concours sur invitation du Musée régional de Rimouski tenu en 1992, d'avril à juin. Le dossier contient des dessins, des reprographies, des négatifs, des documents photographiques, des documents textuels et des maquettes. Objectifs du concours: "La corporation recherche un concept architectural contemporain qui sache répondre aux besoins actuels de l'institution tout en respectant l'édifice qui l'abrite, une ancienne église paroissiale construite en 1823-1824 (complètement remodelée en 1972)." Extrait de l'appel de candidature de la Corporation du musée régional de Rimouski, (66-C010-005T).
1992
Concours du Musée régional de Rimouski
Actions:
AP066.S3.D10
Description:
Le dossier documente la soumission pour le concours sur invitation du Musée régional de Rimouski tenu en 1992, d'avril à juin. Le dossier contient des dessins, des reprographies, des négatifs, des documents photographiques, des documents textuels et des maquettes. Objectifs du concours: "La corporation recherche un concept architectural contemporain qui sache répondre aux besoins actuels de l'institution tout en respectant l'édifice qui l'abrite, une ancienne église paroissiale construite en 1823-1824 (complètement remodelée en 1972)." Extrait de l'appel de candidature de la Corporation du musée régional de Rimouski, (66-C010-005T).
Dossier 10
1992
Project
AP075.S1.2010.PR01
Description:
Project series documents Cornelia Hahn Oberlander's for an unrealized green roof proposal for Roy Thomson Hall, a concert hall in Toronto, Ontario. The concert hall was originally known as the New Massey Hall and was designed by Arthur Erickson in the early 1980s. Oberlander worked on this project in 2011 with architectural firm Keith Loffler McAlpine Architects. The project consisted in the revitalisation of the building for its 30th birthday and as a tribute to Arthur Erickson. The project included the addition of the green roof, which was initially part of Erickson's design. The green roof was planned to cover the four flat corners of the square base of the building. The project series only contains a few sketches, including landscape plans, and rendering for the roof garden. The project is also documented through correspondence with architects, and project proposals.
2009-2011
Roy Thomson Hall, Toronto, Ontario (circa 2010)
Actions:
AP075.S1.2010.PR01
Description:
Project series documents Cornelia Hahn Oberlander's for an unrealized green roof proposal for Roy Thomson Hall, a concert hall in Toronto, Ontario. The concert hall was originally known as the New Massey Hall and was designed by Arthur Erickson in the early 1980s. Oberlander worked on this project in 2011 with architectural firm Keith Loffler McAlpine Architects. The project consisted in the revitalisation of the building for its 30th birthday and as a tribute to Arthur Erickson. The project included the addition of the green roof, which was initially part of Erickson's design. The green roof was planned to cover the four flat corners of the square base of the building. The project series only contains a few sketches, including landscape plans, and rendering for the roof garden. The project is also documented through correspondence with architects, and project proposals.
Project
2009-2011
Project
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
1998-2000
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Project
1998-2000
17 March 2000
Elevations, plans and a section for three lamps, probably for Electric House, Battersea Borough
DR1988:0384
Description:
- This reprographic copy shows three lighting fixtures: one lamp and two pendant light fixtures suspended from the ceiling by bronze chains. The designs are probably for Electric House; the CCA collection contains similar designs for showroom light fixtures for Electric House, DR1988:0386 and DR1988:0396, which, like this print, are signed by the Borough Surveyor. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
interior design
printed late 1926 or 1927
Elevations, plans and a section for three lamps, probably for Electric House, Battersea Borough
Actions:
DR1988:0384
Description:
- This reprographic copy shows three lighting fixtures: one lamp and two pendant light fixtures suspended from the ceiling by bronze chains. The designs are probably for Electric House; the CCA collection contains similar designs for showroom light fixtures for Electric House, DR1988:0386 and DR1988:0396, which, like this print, are signed by the Borough Surveyor. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
interior design
Conceived as part of the one-year investigation Catching Up with Life, A Section of Now aims to re-establish a dialogue between architecture and society that would allow for architecture to begin to contend with and address our changed and changing social norms. The publication serves as a meditation on new behaviours, rituals, and values and their spatial implications(...)
10 March 2022, 7:30pm to 8:30pm
A Section of Now, book launch with Giovanna Borasi
Actions:
Description:
Conceived as part of the one-year investigation Catching Up with Life, A Section of Now aims to re-establish a dialogue between architecture and society that would allow for architecture to begin to contend with and address our changed and changing social norms. The publication serves as a meditation on new behaviours, rituals, and values and their spatial implications(...)
research
TD Bank Group-CCA Collection Research Grant Recipients Maria Elisa Navarro Morales (McGill University); Imen Ben Jemia (Université de Montréal); Lori Riva (McGill University); Maureen Mahoney (Carleton University); Nadia Kurd (McGill University) Julie Boivin (University of Toronto); Horea Avram (McGill University); Thomas Strickland (McGill University); Fan Lin(...)
February 2009 to November 2009
Doctoral Students Program 2009
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients Maria Elisa Navarro Morales (McGill University); Imen Ben Jemia (Université de Montréal); Lori Riva (McGill University); Maureen Mahoney (Carleton University); Nadia Kurd (McGill University) Julie Boivin (University of Toronto); Horea Avram (McGill University); Thomas Strickland (McGill University); Fan Lin(...)
research
February 2009 to
November 2009