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Sky Hopinka's ''Perfidia'' moves within the textured landscape of memory, both personal and collective, to address the founding colonial violence of the United States and its lasting impact. In a series of cantos, the book-length poem surfaces a first-person narrative amidst the stream of history and its accounting through the voices of ancestors and kin. Shifting(...)
Perfida
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Sky Hopinka's ''Perfidia'' moves within the textured landscape of memory, both personal and collective, to address the founding colonial violence of the United States and its lasting impact. In a series of cantos, the book-length poem surfaces a first-person narrative amidst the stream of history and its accounting through the voices of ancestors and kin. Shifting registers between the embodied and the spiritual, ''Perfidia's'' subjective syntax destabilizes entrenched colonial perspectives and concomitant descriptions of land, sky, sea, myth, place, and personhood.
Literature and poetry
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Over 80,000 people have been jailed indefinitely, without charge or trial—this is the invisible reality of immigration detention in Canada. Undocumented: The Architecture of Migrant Detention documents the banality and violence of the architecture in contrast to the stories of daily resistance among immigration detainees. This graphic novel explores the growing industry(...)
Undocumented: the architecture of migrant detention
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Over 80,000 people have been jailed indefinitely, without charge or trial—this is the invisible reality of immigration detention in Canada. Undocumented: The Architecture of Migrant Detention documents the banality and violence of the architecture in contrast to the stories of daily resistance among immigration detainees. This graphic novel explores the growing industry of immigration detention in Canada, and questions the role of architectural design in such spaces. Undocumented is written by Tings Chak, a multidisciplinary artist and architect based in Toronto.
Illustration
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape(...)
Hard as rock, old as stone: Of humans and war
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape and forge, chisel and build, creating as they destroy, rendering beauty and violence alike. What is the relationship of those twin impulses? In these pages, artist Alessandaro Sanna uses the shaping force of his hands to explore the seemingly endless, perversely steadfast human capacity for destruction. Unflinchingly tracing humanity’s long history of war, from the havoc of armies on horseback, to the violence of the conquistadores, to the carnage of the First World War, to the ghastly terror of the atomic bomb, and the cruel, shockingly intentional attack on the Twin Towers, Sanna records our compulsion to destroy. The hands mold clay, streak color across a sky, define a world, give beauty to the eye; and yet fires burn, an acrid smell arises, smoke blots out the sun. For what and why?
Illustration
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Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental ''On Photography'' with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in ''Three Guineas'': How in your opinion are we to prevent war? “For a long time some people believed that if the horror could be made vivid enough, most(...)
Regarding the pain of others, n.e.
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Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental ''On Photography'' with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in ''Three Guineas'': How in your opinion are we to prevent war? “For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war.” One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the suffering of others far away? First published more than twenty years after her now-classic book ''On Photography'', which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
Theory of Photography
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and(...)
September 2009, Montréal
Risk colour book: Gustavo Artigas
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and accidents. Through recording, repetition and the staging of action, Artigas exposes the fragility of the body, subjected to a cunningly latent violence.
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The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine(...)
e-flux journal: The wretched of the screen
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The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine of labor extraction and passionate commitment, structural and literal violence, enchantment and fun, and of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses.
Critical Theory
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of(...)
Texte Zur Kunst 126: mourning
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This issue is dedicated to the politics of memory and forms of ritualized mourning in art and culture. Rather than focusing on an analysis of an ostensibly universal emotion or general state of affairs, the contributions look into the concrete and diverse practices of engagement with loss and grief as a continual challenge to society. Issue #126 addresses questions of loss and mourning in the context of racist and right-wing violence. At the same time, it draws attention to the transformative powers of grief.
Magazines
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In this collection of 100 manifestos from the last 100 years, Alex Danchev presents the contradictory and echoing spirits of such diverse movements as Vorticism, Feminism, Dogme, Surrealism, Communism and Cannibalism, taking in along the way cinema, architecture, fashion and cookery. Written by a wide range of artists including Wassily Kandinsky, Wyndham Lewis,(...)
100 Artists' Manifestos: from the Futurists to the Stuckists
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In this collection of 100 manifestos from the last 100 years, Alex Danchev presents the contradictory and echoing spirits of such diverse movements as Vorticism, Feminism, Dogme, Surrealism, Communism and Cannibalism, taking in along the way cinema, architecture, fashion and cookery. Written by a wide range of artists including Wassily Kandinsky, Wyndham Lewis, Claes Oldenburg, Derek Jarman, Gilbert and George, Rem Koolhaas, Werner Herzog, Takashi Murakami and Billy Childish, the revolutionary spirit is clear in each manifesto, as they promote and critique every aspect of Art from fun and fearlessness to violence and freedom.
Art Theory
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This new selection brings together Benjamin's major works, including "One-Way Street", his dreamlike, aphoristic observations of urban life in Weimar Germany; "Unpacking My Library", a delightful meditation on book-collecting; the confessional "Hashish in Marseille"; and, "The Work of Art in the Age of Mechanical Reproduction", his seminal essay on how technology changes(...)
Walter Benjamin : One way street and other writings
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This new selection brings together Benjamin's major works, including "One-Way Street", his dreamlike, aphoristic observations of urban life in Weimar Germany; "Unpacking My Library", a delightful meditation on book-collecting; the confessional "Hashish in Marseille"; and, "The Work of Art in the Age of Mechanical Reproduction", his seminal essay on how technology changes the way we appreciate art. Also including writings on subjects ranging from Proust to Kafka, violence to surrealism, this is the essential volume on one of the most prescient critical voices of the modern age.
Critical Theory
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In this original vision of Canada, thinker John Ralston Saul argues that Canada is a Métis nation, heavily influenced and shaped by Aboriginal ideas: Egalitarianism, a proper balance between individual and group, and a penchant for negotiation over violence are all Aboriginal values that Canada absorbed. An obstacle to our progress, Saul argues, is that Canada has an(...)
A fair country : telling truths about Canada
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In this original vision of Canada, thinker John Ralston Saul argues that Canada is a Métis nation, heavily influenced and shaped by Aboriginal ideas: Egalitarianism, a proper balance between individual and group, and a penchant for negotiation over violence are all Aboriginal values that Canada absorbed. An obstacle to our progress, Saul argues, is that Canada has an increasingly ineffective elite, a colonial non-intellectual business elite that doesn't believe in Canada. It is critical that we recognize these aspects of the country in order to rethink it's future.
Architecture in Canada