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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
Subject:
Architecture in Canada
Architecture in Canada
Publication:
March 2007, Montréal, Kingston, London, Ithaca
March 2007, Montréal, Kingston, London, Ithaca
Title:
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
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books
books
Publication:
March 2007, Montréal, Kingston, London, Ithaca
March 2007, Montréal, Kingston, London, Ithaca
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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$34.00
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Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authors--architects Robert Venturi, Denise Scott Brown, and Steven Izenour--famously used the Las Vegas Strip to argue the(...)
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Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authors--architects Robert Venturi, Denise Scott Brown, and Steven Izenour--famously used the Las Vegas Strip to argue the(...)
Title:
I am a monument: on learning from Las Vegas
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Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authors--architects Robert Venturi, Denise Scott Brown, and Steven Izenour--famously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be.
I am a monument: on learning from Las Vegas
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Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authors--architects Robert Venturi, Denise Scott Brown, and Steven Izenour--famously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be.
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books
books
Publication:
September 2008, Cambridge, London
September 2008, Cambridge, London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$25.99
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From the fourteenth century on, the artifacts of Western visual culture became increasingly violent. Destroyed faces, dissolved human shapes, devilish doppelgängers of the sacred: violence made real people nameless exemplars of formless, hideous horror. In Defaced, the historian Valentin Groebner provides a highly sophisticated historical, cultural, and political model(...)
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From the fourteenth century on, the artifacts of Western visual culture became increasingly violent. Destroyed faces, dissolved human shapes, devilish doppelgängers of the sacred: violence made real people nameless exemplars of formless, hideous horror. In Defaced, the historian Valentin Groebner provides a highly sophisticated historical, cultural, and political model(...)
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Defaced the visual culture of violence in the late middle ages
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From the fourteenth century on, the artifacts of Western visual culture became increasingly violent. Destroyed faces, dissolved human shapes, devilish doppelgängers of the sacred: violence made real people nameless exemplars of formless, hideous horror. In Defaced, the historian Valentin Groebner provides a highly sophisticated historical, cultural, and political model for understanding how late-medieval images and narratives of “indescribable” violence functioned.
Defaced the visual culture of violence in the late middle ages
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From the fourteenth century on, the artifacts of Western visual culture became increasingly violent. Destroyed faces, dissolved human shapes, devilish doppelgängers of the sacred: violence made real people nameless exemplars of formless, hideous horror. In Defaced, the historian Valentin Groebner provides a highly sophisticated historical, cultural, and political model for understanding how late-medieval images and narratives of “indescribable” violence functioned.
Form:
books
books
Publication:
December 2008, New York
December 2008, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$47.95
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Après l'exposition d'une analyse exhaustive sur la conception et le mode de construction traditionnelle de l'igloo, cet ouvrage rassemble les œuvres d'architectes, décorateurs et artistes du monde entier qui se sont servis de cette singulière coupole de neige pour concevoir certains de leurs projets. Une compilation fondamentale qui met en évidence les liens entre le(...)
$47.95
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Après l'exposition d'une analyse exhaustive sur la conception et le mode de construction traditionnelle de l'igloo, cet ouvrage rassemble les œuvres d'architectes, décorateurs et artistes du monde entier qui se sont servis de cette singulière coupole de neige pour concevoir certains de leurs projets. Une compilation fondamentale qui met en évidence les liens entre le(...)
Title:
Igloo
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Après l'exposition d'une analyse exhaustive sur la conception et le mode de construction traditionnelle de l'igloo, cet ouvrage rassemble les œuvres d'architectes, décorateurs et artistes du monde entier qui se sont servis de cette singulière coupole de neige pour concevoir certains de leurs projets. Une compilation fondamentale qui met en évidence les liens entre le vernaculaire et le design contemporain, établit une piste intéressante pour la recherche architectonique et se présente comme un hommage à une forme constructive millénaire en voie de disparition.
Igloo
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Après l'exposition d'une analyse exhaustive sur la conception et le mode de construction traditionnelle de l'igloo, cet ouvrage rassemble les œuvres d'architectes, décorateurs et artistes du monde entier qui se sont servis de cette singulière coupole de neige pour concevoir certains de leurs projets. Une compilation fondamentale qui met en évidence les liens entre le vernaculaire et le design contemporain, établit une piste intéressante pour la recherche architectonique et se présente comme un hommage à une forme constructive millénaire en voie de disparition.
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books
books
Publication:
December 2008, Paris
December 2008, Paris
Subject:
Green Architecture
Green Architecture
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books
books
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$20.95
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities.(...)
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities.(...)
Title:
Urban meltdown: cities, climate change and politics as usual
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities. Author and Ottawa city councilor Clive Doucet provides a razor-sharp insider's perspective, stating his central theme: "It's not about planning. It's about politics." Climate change is proceeding so quickly not for lack of knowledge, but because politicians who deviate from the car-based sprawl model cannot get elected. Urban Meltdown describes how we got here, why we got here, and what can be done about it, as evidenced by the author's observations that: Economic growth has no built-in environmental accountability. Until the political thinking about growth and the progress model itself is changed, our environmental concerns will never be properly addressed. We need a new governance paradigm at all three levels. The cautionary tale of how the 1960s tried to take us down a different route failed, not for lack of leadership but because the system didn't permit it. Urban Meltdown reveals, castigates, and inspires. This is an important book for anyone who cares about thinking differently, acting differently, and making a difference. Clive Doucet is an urban activist, well-known journalist, best-selling author, and the first poet ever elected to Ottawa City Council.
Urban meltdown: cities, climate change and politics as usual
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities. Author and Ottawa city councilor Clive Doucet provides a razor-sharp insider's perspective, stating his central theme: "It's not about planning. It's about politics." Climate change is proceeding so quickly not for lack of knowledge, but because politicians who deviate from the car-based sprawl model cannot get elected. Urban Meltdown describes how we got here, why we got here, and what can be done about it, as evidenced by the author's observations that: Economic growth has no built-in environmental accountability. Until the political thinking about growth and the progress model itself is changed, our environmental concerns will never be properly addressed. We need a new governance paradigm at all three levels. The cautionary tale of how the 1960s tried to take us down a different route failed, not for lack of leadership but because the system didn't permit it. Urban Meltdown reveals, castigates, and inspires. This is an important book for anyone who cares about thinking differently, acting differently, and making a difference. Clive Doucet is an urban activist, well-known journalist, best-selling author, and the first poet ever elected to Ottawa City Council.
Form:
books
books
Publication:
October 2007, Gabriola Island
October 2007, Gabriola Island
Subject:
Green Architecture
Green Architecture
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books
books
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$12.95
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Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au(...)
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Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
October 2008, Hong Kong, Köln, Tokyo, Paris, Londres
October 2008, Hong Kong, Köln, Tokyo, Paris, Londres
Title:
Frey
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Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au Musée d Art Moderne de New York, comme une illustration rare du mouvement en Amérique. Peu après Frey découvrit le désert californien, où il s'établit et réalisa la plus grande partie de son oeuvre. Cherchant tout au long de sa vie de nouvelles manières de construire, et travaillant également sur les matériaux préfabriqués, il publia régulièrement les résultats de ses recherches. Son talent visionnaire et ses demeures élégantes et clairement structurées ont fait de lui le fondateur du « modernisme du désert ».
Frey
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Lorsque Albert Frey (1903-1998) a quitté sa Suisse natale pour les Etats-Unis, en 1930, ce fut en emportant l'influence de son mentor, Le Corbusier. L'innovatrice Aluminaire House, développée avec A. L. Kocher, fut exposée en 1932 par Henry-Russell Hitchcock et Philip Johnson lors de la légendaire exposition « Le style international : l architecture depuis 1922 », au Musée d Art Moderne de New York, comme une illustration rare du mouvement en Amérique. Peu après Frey découvrit le désert californien, où il s'établit et réalisa la plus grande partie de son oeuvre. Cherchant tout au long de sa vie de nouvelles manières de construire, et travaillant également sur les matériaux préfabriqués, il publia régulièrement les résultats de ses recherches. Son talent visionnaire et ses demeures élégantes et clairement structurées ont fait de lui le fondateur du « modernisme du désert ».
Form:
books
books
Publication:
October 2008, Hong Kong, Köln, Tokyo, Paris, Londres
October 2008, Hong Kong, Köln, Tokyo, Paris, Londres
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$12.99
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Cette monographie de Félix Candela (1919-1997) se consacre à l architecture mexicaine moderne et à son influence internationale. A travers d'audacieuses expériences utilisant des matériaux tels que le béton armé, diverses méthodes d'optimisation des coûts de construction, Candela est parvenu à réaliser non seulement des constructions de grande qualité, mais une(...)
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Cette monographie de Félix Candela (1919-1997) se consacre à l architecture mexicaine moderne et à son influence internationale. A travers d'audacieuses expériences utilisant des matériaux tels que le béton armé, diverses méthodes d'optimisation des coûts de construction, Candela est parvenu à réaliser non seulement des constructions de grande qualité, mais une(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
October 2008, Hong Kong, Köln, London, Los Angeles, Madrid
October 2008, Hong Kong, Köln, London, Los Angeles, Madrid
Title:
Candela
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Cette monographie de Félix Candela (1919-1997) se consacre à l architecture mexicaine moderne et à son influence internationale. A travers d'audacieuses expériences utilisant des matériaux tels que le béton armé, diverses méthodes d'optimisation des coûts de construction, Candela est parvenu à réaliser non seulement des constructions de grande qualité, mais une architecture réussie et prestigieuse. Ses impressionnantes réalisations géométriques incluent non seulement des immeubles industriels mais aussi des églises, des restaurants, des bâtiments universitaires ou des complexes sportifs. C'est la résolution des problèmes de manière poétique, parfois bizarre, mais illustrant comment l'ingénierie peut mener à l'architecture expressionniste, que ce livre invite à découvrir.
Candela
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Cette monographie de Félix Candela (1919-1997) se consacre à l architecture mexicaine moderne et à son influence internationale. A travers d'audacieuses expériences utilisant des matériaux tels que le béton armé, diverses méthodes d'optimisation des coûts de construction, Candela est parvenu à réaliser non seulement des constructions de grande qualité, mais une architecture réussie et prestigieuse. Ses impressionnantes réalisations géométriques incluent non seulement des immeubles industriels mais aussi des églises, des restaurants, des bâtiments universitaires ou des complexes sportifs. C'est la résolution des problèmes de manière poétique, parfois bizarre, mais illustrant comment l'ingénierie peut mener à l'architecture expressionniste, que ce livre invite à découvrir.
Form:
books
books
Publication:
October 2008, Hong Kong, Köln, London, Los Angeles, Madrid
October 2008, Hong Kong, Köln, London, Los Angeles, Madrid
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$68.95
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its(...)
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its(...)
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New realities: being syncretic
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its relationship to progress and change within the context of perception and its transformation. It comprises a wide range of outstanding expertise and insights of artists, architects, performers, musicians, writers, scientists, and scholars. Among the authors from at least 20 countries are most prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The publication includes full papers and a DVD, edited by Ruth Schnell, with short video extracts of the event and accompanying visual reference.
New realities: being syncretic
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its relationship to progress and change within the context of perception and its transformation. It comprises a wide range of outstanding expertise and insights of artists, architects, performers, musicians, writers, scientists, and scholars. Among the authors from at least 20 countries are most prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The publication includes full papers and a DVD, edited by Ruth Schnell, with short video extracts of the event and accompanying visual reference.
Form:
books
books
Publication:
November 2008, New York
November 2008, New York
Subject:
Architectural Theory
Architectural Theory
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books
books
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$39.95
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"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other(...)
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"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other(...)
Title:
Why do architects wear black?
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"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other architects!" That was in 2001, and it is why this small book came to be. I have asked the question at an international level and whenever it seems appropriate ever since. The sometimes amusing and other times programmatic or hair-splitting answers I have received over the last seven years are listed chronologically in this little black volume. Read, and please, don’t ask me why architects wear black!"
Why do architects wear black?
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"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other architects!" That was in 2001, and it is why this small book came to be. I have asked the question at an international level and whenever it seems appropriate ever since. The sometimes amusing and other times programmatic or hair-splitting answers I have received over the last seven years are listed chronologically in this little black volume. Read, and please, don’t ask me why architects wear black!"
Form:
books
books
Publication:
October 2008, New York
October 2008, New York
Subject:
Architectural Theory
Architectural Theory
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books
books
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$39.90
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With the publication of the Dymaxion House in 1929, Buckminster Fuller became an overnight sensation in the world of American architecture. It was an uncompromising design and spectacularly novel. The living areas were hexagonal and attached around a central supply tower, and the multistory interior was fully climate-controlled. The house was conceived as completely(...)
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With the publication of the Dymaxion House in 1929, Buckminster Fuller became an overnight sensation in the world of American architecture. It was an uncompromising design and spectacularly novel. The living areas were hexagonal and attached around a central supply tower, and the multistory interior was fully climate-controlled. The house was conceived as completely(...)
Title:
Fuller houses: R. Buckminster Fuller's dymaxion dwellings
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With the publication of the Dymaxion House in 1929, Buckminster Fuller became an overnight sensation in the world of American architecture. It was an uncompromising design and spectacularly novel. The living areas were hexagonal and attached around a central supply tower, and the multistory interior was fully climate-controlled. The house was conceived as completely self-sufficient – all the necessary supply modules were contained in the tower, including water and wastewater, energy production, and air filters. The rooms were equipped with the most modern furnishings and fixtures. The approximately 150 m2 house weighed just 3 tons, cost no more than a car, and was designed to be constructed and dismantled anytime and anywhere.
Fuller houses: R. Buckminster Fuller's dymaxion dwellings
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With the publication of the Dymaxion House in 1929, Buckminster Fuller became an overnight sensation in the world of American architecture. It was an uncompromising design and spectacularly novel. The living areas were hexagonal and attached around a central supply tower, and the multistory interior was fully climate-controlled. The house was conceived as completely self-sufficient – all the necessary supply modules were contained in the tower, including water and wastewater, energy production, and air filters. The rooms were equipped with the most modern furnishings and fixtures. The approximately 150 m2 house weighed just 3 tons, cost no more than a car, and was designed to be constructed and dismantled anytime and anywhere.
Form:
books
books
Publication:
October 2008, Baden
October 2008, Baden
Subject:
Architecture Monographs
Architecture Monographs
