29585 Results
Form:
articles
articles
Title:
Scopic Regimes of Oil
Scopic Regimes of Oil
Actions:
Sanaz Sohrabi on visuality and authority in the British Petroleum photo archive
Title:
Scopic Regimes of Oil
Sanaz Sohrabi on visuality and authority in the British Petroleum photo archive
Actions:
Scopic Regimes of Oil
Sanaz Sohrabi on visuality and authority in the British Petroleum photo archive
Actions:
Issue:
Acts of Looking
Acts of Looking
Form:
articles
articles
Title:
The Surface of Things
The Surface of Things
Actions:
Annette Kelm on photographic copies and uncovering histories below the surface of images
Published:
22 January 2024
22 January 2024
Title:
The Surface of Things
Annette Kelm on photographic copies and uncovering histories below the surface of images
Actions:
The Surface of Things
Annette Kelm on photographic copies and uncovering histories below the surface of images
Actions:
Form:
articles
articles
Actions:
Traumnovelle narrates a transition to solitary life. Photographs by Lucas Foglia.
Issue:
A Social Reset
A Social Reset
Keyword(s):
Traumnovelle, Lucas Foglia, Catching Up With Life, 30-year-old retiree, A Section of Now
Traumnovelle, Lucas Foglia, Catching Up With Life, 30-year-old retiree, A Section of Now
Published:
11 April 2022
11 April 2022
Title:
A Space for a 30-Year-Old Retiree
Traumnovelle narrates a transition to solitary life. Photographs by Lucas Foglia.
Actions:
A Space for a 30-Year-Old Retiree
Traumnovelle narrates a transition to solitary life. Photographs by Lucas Foglia.
Actions:
Issue:
A Social Reset
A Social Reset
Form:
photographs
photographs
Actions:
Reference number:
PH1976:0064
Description:
- The inscription identifying the subject of this photograph as the Satsuma residence in Edo (now Tokyo) is probably incorrect, although the Satsuma residence is similar in appearance to the Hosokawa barracks. The Satsuma residence is depicted in photograph PH1981:0620:009, also by Beato, which is reproduced in Tokyo Metropolitan Museum of Photography (p. 18, fig. 2).
PH1976:0064
Description:
- The inscription identifying the subject of this photograph as the Satsuma residence in Edo (now Tokyo) is probably incorrect, although the Satsuma residence is similar in appearance to the Hosokawa barracks. The Satsuma residence is depicted in photograph PH1981:0620:009, also by Beato, which is reproduced in Tokyo Metropolitan Museum of Photography (p. 18, fig. 2).
People:
Subject:
architecture, military
architecture, military
Date:
between 1863 and 1868
between 1863 and 1868
Title:
View of barracks at the daimyo residence of the Hosokawa clan, Edo (now Tokyo), Japan
Actions:
PH1976:0064
Description:
- The inscription identifying the subject of this photograph as the Satsuma residence in Edo (now Tokyo) is probably incorrect, although the Satsuma residence is similar in appearance to the Hosokawa barracks. The Satsuma residence is depicted in photograph PH1981:0620:009, also by Beato, which is reproduced in Tokyo Metropolitan Museum of Photography (p. 18, fig. 2).
View of barracks at the daimyo residence of the Hosokawa clan, Edo (now Tokyo), Japan
Actions:
PH1976:0064
Description:
- The inscription identifying the subject of this photograph as the Satsuma residence in Edo (now Tokyo) is probably incorrect, although the Satsuma residence is similar in appearance to the Hosokawa barracks. The Satsuma residence is depicted in photograph PH1981:0620:009, also by Beato, which is reproduced in Tokyo Metropolitan Museum of Photography (p. 18, fig. 2).
Form:
photographs
photographs
Date:
between 1863 and 1868
between 1863 and 1868
People:
Subject:
architecture, military
architecture, military
Form:
exhibitions
exhibitions
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
24 May 2015 to 12 July 2015
24 May 2015 to 12 July 2015
Title:
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Form:
exhibitions
exhibitions
Date:
24 May 2015 to
12 July 2015
24 May 2015 to
12 July 2015
Location:
Octagonal gallery
Octagonal gallery
Form:
textual records
textual records
Actions:
Reference number:
ARCH257410
Description:
"Red Deer and Region Arts Complex" proposal (1978), design development drawings, sketches for interior details, working drawings, notes, colour slides and b/w photographs with negatives of site conditions (by Red Deer College photography department, 1984)
ARCH257410
Description:
"Red Deer and Region Arts Complex" proposal (1978), design development drawings, sketches for interior details, working drawings, notes, colour slides and b/w photographs with negatives of site conditions (by Red Deer College photography department, 1984)
People:
Date:
1978, 1984-1985
1978, 1984-1985
Title:
Red Deer and Region Arts Complex
Actions:
ARCH257410
Description:
"Red Deer and Region Arts Complex" proposal (1978), design development drawings, sketches for interior details, working drawings, notes, colour slides and b/w photographs with negatives of site conditions (by Red Deer College photography department, 1984)
Red Deer and Region Arts Complex
Actions:
ARCH257410
Description:
"Red Deer and Region Arts Complex" proposal (1978), design development drawings, sketches for interior details, working drawings, notes, colour slides and b/w photographs with negatives of site conditions (by Red Deer College photography department, 1984)
Form:
textual records
textual records
Date:
1978, 1984-1985
1978, 1984-1985
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
People:
Date:
1957-2002
1957-2002
Title:
Mies in America Research Collection
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Mies in America Research Collection
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Form:
archives
Level of archival description:
Collection 172
archives
Level of archival description:
Collection 172
Date:
1957-2002
1957-2002
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
Location:
North façade
North façade
Date:
11 September 2009 to 19 October 2009
11 September 2009 to 19 October 2009
Title:
Robert Burley: Photographic Proof
Actions:
Description:
Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
Robert Burley: Photographic Proof
Actions:
Description:
Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
Form:
exhibitions
exhibitions
Date:
11 September 2009 to
19 October 2009
11 September 2009 to
19 October 2009
Location:
North façade
North façade
Form:
articles
articles
Title:
Glasgow Improvements Act
Glasgow Improvements Act
Actions:
Issue:
Take care
Take care
Keyword(s):
19th century, albumen silver print, carbon print, Écosse, épreuve argentique à l'albumine, épreuve au charbon, Glasgow, Glasgow City Improvement Trust, health, photoengraving, photographie, photography, photogravure, santé, Scotland, slum, taudis, Thomas Annan, XIXe siècle
19th century, albumen silver print, carbon print, Écosse, épreuve argentique à l'albumine, épreuve au charbon, Glasgow, Glasgow City Improvement Trust, health, photoengraving, photographie, photography, photogravure, santé, Scotland, slum, taudis, Thomas Annan, XIXe siècle
Published:
17 November 2011
17 November 2011
Issue:
Take care
Take care
Form:
exhibitions
exhibitions
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
7 May 1989 to 25 March 1990
7 May 1989 to 25 March 1990
Title:
Canadian Centre for Architecture: Building and Gardens
Actions:
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Canadian Centre for Architecture: Building and Gardens
Actions:
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Form:
exhibitions
exhibitions
Date:
7 May 1989 to
25 March 1990
7 May 1989 to
25 March 1990
Location:
Octagonal gallery
Octagonal gallery
