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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in(...)
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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in(...)
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In visible presence: Soviet afterlives in family photos
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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.
In visible presence: Soviet afterlives in family photos
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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Theory of Photography
Theory of Photography
Form:
journals and magazines
journals and magazines
Title:
Real Review 15
Real Review 15
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the(...)
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the(...)
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Real Review 15
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the symbolic values of “the international community” and “human rights”. We can no longer even pretend these ideas correlate to any form of reality. This issue of Real Review is dedicated to the current mood, the Phantom of Liberty.
Real Review 15
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the symbolic values of “the international community” and “human rights”. We can no longer even pretend these ideas correlate to any form of reality. This issue of Real Review is dedicated to the current mood, the Phantom of Liberty.
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journals and magazines
journals and magazines
Publication:
January 2024
January 2024
Subject:
Magazines
Magazines
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books
books
Title:
Unpayable Debt
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
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Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
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books
books
Publication:
August 2022
August 2022
Subject:
Critical Theory
Critical Theory
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books
books
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$38.95
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In this publication, Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated(...)
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In this publication, Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated(...)
Title:
Another aesthetics is possible: arts of rebellion in the fourth world war
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In this publication, Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Another aesthetics is possible: arts of rebellion in the fourth world war
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In this publication, Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Art Theory
Art Theory
Form:
books
books
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$52.00
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Summary:
Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy(...)
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Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy(...)
Title:
Whose land have I lit on now? Contemplations on the notions of hospitality
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Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy towards all that seems conceptually or physically "strange"/ a "stranger," in a time when the historical violence of the guest (as a colonizer) over the host is reiterated and fortified; in an era that has turned hospitality into a neoliberal commodity, it becomes urgent to reconsider hospitality's gradients of power.
Whose land have I lit on now? Contemplations on the notions of hospitality
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$52.00
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Summary:
Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy towards all that seems conceptually or physically "strange"/ a "stranger," in a time when the historical violence of the guest (as a colonizer) over the host is reiterated and fortified; in an era that has turned hospitality into a neoliberal commodity, it becomes urgent to reconsider hospitality's gradients of power.
Form:
books
books
Publication:
October 2021
October 2021
Subject:
Critical Theory
Critical Theory
Form:
books
books
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$28.95
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Summary:
« Il me fallait en finir au plus vite avec cette décennie de violence, qui avait débuté avec la perte de Gilles [Caron] et qui s’était poursuivie, en avril 1975, avec la mort de Michel Laurent au Vietnam. Le prochain sur la liste, j’en étais persuadé, c’était moi. Continuer à faire des photos de guerre, à mes risques et périls, n’avait plus de sens. À l’époque, le fossé(...)
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« Il me fallait en finir au plus vite avec cette décennie de violence, qui avait débuté avec la perte de Gilles [Caron] et qui s’était poursuivie, en avril 1975, avec la mort de Michel Laurent au Vietnam. Le prochain sur la liste, j’en étais persuadé, c’était moi. Continuer à faire des photos de guerre, à mes risques et périls, n’avait plus de sens. À l’époque, le fossé(...)
Title:
Raymond Depardon : New York, aller et retour
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« Il me fallait en finir au plus vite avec cette décennie de violence, qui avait débuté avec la perte de Gilles [Caron] et qui s’était poursuivie, en avril 1975, avec la mort de Michel Laurent au Vietnam. Le prochain sur la liste, j’en étais persuadé, c’était moi. Continuer à faire des photos de guerre, à mes risques et périls, n’avait plus de sens. À l’époque, le fossé était énorme entre les photo-reporters et les photographes français humanistes. Entre les deux, il n'existait strictement rien et je me demandais s'il n'y avait pas une voie médiane à prendre. »
Raymond Depardon : New York, aller et retour
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« Il me fallait en finir au plus vite avec cette décennie de violence, qui avait débuté avec la perte de Gilles [Caron] et qui s’était poursuivie, en avril 1975, avec la mort de Michel Laurent au Vietnam. Le prochain sur la liste, j’en étais persuadé, c’était moi. Continuer à faire des photos de guerre, à mes risques et périls, n’avait plus de sens. À l’époque, le fossé était énorme entre les photo-reporters et les photographes français humanistes. Entre les deux, il n'existait strictement rien et je me demandais s'il n'y avait pas une voie médiane à prendre. »
Form:
books
books
Publication:
April 2022
April 2022
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Making the movement: How activists fought for civil rights with buttons, flyers, pins and posters
Making the movement: How activists fought for civil rights with buttons, flyers, pins and posters
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$42.95
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From Reconstruction through Jim Crow, through the protest era of the 1960s and ’70s, to current-day resistance and activism such as the Black Lives Matter movement, the material culture of the Civil Rights Movement has been integral to its goals and tactics. During decades of sit-ins, marches, legal challenges, political campaigns, boycotts, and demonstrations, objects(...)
$42.95
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From Reconstruction through Jim Crow, through the protest era of the 1960s and ’70s, to current-day resistance and activism such as the Black Lives Matter movement, the material culture of the Civil Rights Movement has been integral to its goals and tactics. During decades of sit-ins, marches, legal challenges, political campaigns, boycotts, and demonstrations, objects(...)
Title:
Making the movement: How activists fought for civil rights with buttons, flyers, pins and posters
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$42.95
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From Reconstruction through Jim Crow, through the protest era of the 1960s and ’70s, to current-day resistance and activism such as the Black Lives Matter movement, the material culture of the Civil Rights Movement has been integral to its goals and tactics. During decades of sit-ins, marches, legal challenges, political campaigns, boycotts, and demonstrations, objects such as buttons, flyers, pins, and posters have been key in the fight against racism, oppression, and violence. This volume presents more than 200 of these nonviolent weapons alongside the stories of the activists, organizations, and campaigns that defined and propelled the cause of civil rights.
Making the movement: How activists fought for civil rights with buttons, flyers, pins and posters
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$42.95
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Summary:
From Reconstruction through Jim Crow, through the protest era of the 1960s and ’70s, to current-day resistance and activism such as the Black Lives Matter movement, the material culture of the Civil Rights Movement has been integral to its goals and tactics. During decades of sit-ins, marches, legal challenges, political campaigns, boycotts, and demonstrations, objects such as buttons, flyers, pins, and posters have been key in the fight against racism, oppression, and violence. This volume presents more than 200 of these nonviolent weapons alongside the stories of the activists, organizations, and campaigns that defined and propelled the cause of civil rights.
Form:
books
books
Publication:
October 2022
October 2022
Subject:
Social
Social
Form:
books
books
Title:
Ron Jude: Lick creek line
Ron Jude: Lick creek line
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Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area(...)
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Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area(...)
Title:
Ron Jude: Lick creek line
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Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area of Idaho in the Western United States. Through converging pictures of landscapes, architecture, an encroaching resort community, and the solitary, secretive process of trapping pine marten for their pelts, Lick Creek Line underscores the murky and culturally arbitrary nature of moral critique.
Ron Jude: Lick creek line
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$45.00
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Summary:
Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area of Idaho in the Western United States. Through converging pictures of landscapes, architecture, an encroaching resort community, and the solitary, secretive process of trapping pine marten for their pelts, Lick Creek Line underscores the murky and culturally arbitrary nature of moral critique.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$36.99
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Summary:
Empowering Architecture is the MASS Design Group’s first publication. MASS partners with governments and various organizations to apply design and architectural thinking to social justice goals and produce equitable infrastructure that assists its partners in breaking the cycles of structural violence and poverty. This volume is a case study on the recently(...)
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Summary:
Empowering Architecture is the MASS Design Group’s first publication. MASS partners with governments and various organizations to apply design and architectural thinking to social justice goals and produce equitable infrastructure that assists its partners in breaking the cycles of structural violence and poverty. This volume is a case study on the recently(...)
Title:
MASS Design Group: empowering architecture, the Butaro Hospital, Rwanda
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Empowering Architecture is the MASS Design Group’s first publication. MASS partners with governments and various organizations to apply design and architectural thinking to social justice goals and produce equitable infrastructure that assists its partners in breaking the cycles of structural violence and poverty. This volume is a case study on the recently completed Butaro Hospital in Rwanda, which sought to employ a community and reduce the in-hospital-transmission of disease. The book highlights strategies to improve health and strengthen communities through design. Featuring an introduction by Dr. Paul Farmer, the founder of Partners in Health and a leader in global health delivery.
MASS Design Group: empowering architecture, the Butaro Hospital, Rwanda
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$36.99
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Summary:
Empowering Architecture is the MASS Design Group’s first publication. MASS partners with governments and various organizations to apply design and architectural thinking to social justice goals and produce equitable infrastructure that assists its partners in breaking the cycles of structural violence and poverty. This volume is a case study on the recently completed Butaro Hospital in Rwanda, which sought to employ a community and reduce the in-hospital-transmission of disease. The book highlights strategies to improve health and strengthen communities through design. Featuring an introduction by Dr. Paul Farmer, the founder of Partners in Health and a leader in global health delivery.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and(...)
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and(...)
Title:
Rosalyn Drexler: Who does she think she is?
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and not exhibited since 1960. Documentation of Drexler’s performances and theatrical work, photographs evoking her role in the downtown New York scene and a selection of her books and other archival materials present her work across multiple mediums, offering a comprehensive look at Drexler’s varied career.
Rosalyn Drexler: Who does she think she is?
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and not exhibited since 1960. Documentation of Drexler’s performances and theatrical work, photographs evoking her role in the downtown New York scene and a selection of her books and other archival materials present her work across multiple mediums, offering a comprehensive look at Drexler’s varied career.
Form:
books
books
Publication:
June 2016
June 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
