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Jonathan Crary's "Techniques of the observer" provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the "society of the spectacle."
Techniques of the observer : on vision and modernity in the nineteenth century
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Jonathan Crary's "Techniques of the observer" provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the "society of the spectacle."
Architectural Theory
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Architecture in Detail series.
Grand Central Terminal : New York City 1903-13, Warren and Wetmore
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Architecture in Detail series.
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May 1996, London
Architecture Monographs
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Constructions
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In this series of overlapping essays on architecture and art, John Rajchman attempts to present theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he (...)
Constructions
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In this series of overlapping essays on architecture and art, John Rajchman attempts to present theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he embarks on a conceptual voyage whose aim is to help "construct" a new space of connections, to "build" a new idiom, perhaps even to suggest a new architecture. Along the way, he addresses questions of the new abstraction, operative form, other geometries, new technologies, global cities, ideas of the virtual and the formless, and possibilities for critical theory after utopia and transgression. With a foreword by Paul Virilio.
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November 1997
Architectural Theory
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First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic(...)
Theory and design in the first machine age
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First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic of artists and architects working primarily in Europe between 1900 and 1930 under the compulsion of new technological developments in the first machine age.
Architectural Theory
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In this, his last significant work, the French philosopher provides extraordinary meditations on the relation between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference.
The poetics of reverie: childhood, language, and the cosmos
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In this, his last significant work, the French philosopher provides extraordinary meditations on the relation between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference.
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January 1900
Architectural Theory
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Clough Williams-Ellis
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RIBA Drawings Monograph 2.
Clough Williams-Ellis
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RIBA Drawings Monograph 2.
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October 1995, London
Architecture Monographs
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
Architectural Theory
January 2005, Minneapolis
Filth : dirt, disgust, and modern life
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
Architectural Theory
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Première monographie sur Mallet-Stevens (1886-1945), un des architectes modernistes français les plus connus. Le palais Stoclet, édifié par l’architecte viennois Josef Hoffmann pour son oncle à Bruxelles, aura une influence déterminante sur son art. Mallet-Stevens arrive effectivement au modernisme par le chemin de la Sécession viennoise, ce qui confère à ses œuvres une(...)
Architecture Monographs
January 1980, Bruxelles
Robert Mallet-Stevens : architecte
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Première monographie sur Mallet-Stevens (1886-1945), un des architectes modernistes français les plus connus. Le palais Stoclet, édifié par l’architecte viennois Josef Hoffmann pour son oncle à Bruxelles, aura une influence déterminante sur son art. Mallet-Stevens arrive effectivement au modernisme par le chemin de la Sécession viennoise, ce qui confère à ses œuvres une élégance et un raffinement rares. Pendant l’entre-deux-guerres, il fut avec Pierre Chareau, G. Guévrékian, Le Corbusier et André Lurçat l’un des rares protagonistes du Style International en France. Le livre évoque également ses interventions dans les décors de cinémas.
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January 1980, Bruxelles
Architecture Monographs
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Rattenbury
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The sensational story of British Columbia's most important architect, his triumphs, his battles, his scandalous life and grisly murder by his wife's lover and the subsequent trial are all carefully documented in this award-winning biography. This is the second edition of this book originally published in 1978.
Rattenbury
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The sensational story of British Columbia's most important architect, his triumphs, his battles, his scandalous life and grisly murder by his wife's lover and the subsequent trial are all carefully documented in this award-winning biography. This is the second edition of this book originally published in 1978.
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June 1998, Victoria
Architecture in Canada
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Architecture in Detail series.
Town Hall, Saynatsalo : Saynatsalo 1951, Alvar Aalto
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Architecture in Detail series.
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January 1993, London
Architecture Monographs