5603 Results
Level of archival description:
Project
Project
Reference number:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
People:
Date:
1972-1980
1972-1980
Title:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Level of archival description:
Project
Project
Date:
1972-1980
1972-1980
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH257304
Description:
Eva Matsuzaki files about Childrens Centre of Arts and Science 16 files - reports, proposals, minutes of meeting, reference documents from other museums and exhibits, correspondence, T.R.A.C.Y documents, press clippings, Unesco documents, Expo '67, notes, sketches, catalogues, brochures, magazines, memos
ARCH257304
Description:
Eva Matsuzaki files about Childrens Centre of Arts and Science 16 files - reports, proposals, minutes of meeting, reference documents from other museums and exhibits, correspondence, T.R.A.C.Y documents, press clippings, Unesco documents, Expo '67, notes, sketches, catalogues, brochures, magazines, memos
People:
Date:
1965-1981
1965-1981
Title:
Eva Matsuzaki files about Childrens Centre of Arts and Science
Actions:
ARCH257304
Description:
Eva Matsuzaki files about Childrens Centre of Arts and Science 16 files - reports, proposals, minutes of meeting, reference documents from other museums and exhibits, correspondence, T.R.A.C.Y documents, press clippings, Unesco documents, Expo '67, notes, sketches, catalogues, brochures, magazines, memos
Eva Matsuzaki files about Childrens Centre of Arts and Science
Actions:
ARCH257304
Description:
Eva Matsuzaki files about Childrens Centre of Arts and Science 16 files - reports, proposals, minutes of meeting, reference documents from other museums and exhibits, correspondence, T.R.A.C.Y documents, press clippings, Unesco documents, Expo '67, notes, sketches, catalogues, brochures, magazines, memos
Form:
textual records
textual records
Date:
1965-1981
1965-1981
People:
Actions:
Reference number:
PHCON2002:0016:020
Description:
Binder documents the life of Anna Alpert in personal and professional photographs dating from her early life in Lincoln, Illinois to the end of her life in 1997. Included are many photographs of her with Roberto Matta around the time of their marriage in 1938. Photographs of her twin sons Gordon Matta-Clark and John Sebastian Matta include a portrait by Hans Namuth and publicity shots for an article in Glamour magazine in 1950. The marriage of Gordon Matta-Clark to Jane Crawford in 1978 also figures prominently among the material. Photographs of more distant family members, such as Federica Matta, daughter of Roberto Matta and his wife Malitte, and of Jessamyn Fiore, daughter of Jane Crawford and her husband Robert Fiore, can also be found in this album. Binder contains negatives, photographs, a reprographic copy and slides.
PHCON2002:0016:020
Description:
Binder documents the life of Anna Alpert in personal and professional photographs dating from her early life in Lincoln, Illinois to the end of her life in 1997. Included are many photographs of her with Roberto Matta around the time of their marriage in 1938. Photographs of her twin sons Gordon Matta-Clark and John Sebastian Matta include a portrait by Hans Namuth and publicity shots for an article in Glamour magazine in 1950. The marriage of Gordon Matta-Clark to Jane Crawford in 1978 also figures prominently among the material. Photographs of more distant family members, such as Federica Matta, daughter of Roberto Matta and his wife Malitte, and of Jessamyn Fiore, daughter of Jane Crawford and her husband Robert Fiore, can also be found in this album. Binder contains negatives, photographs, a reprographic copy and slides.
People:
Date:
1914-1997
1914-1997
Title:
Gordon Matta-Clark Family Photographs
Actions:
PHCON2002:0016:020
Description:
Binder documents the life of Anna Alpert in personal and professional photographs dating from her early life in Lincoln, Illinois to the end of her life in 1997. Included are many photographs of her with Roberto Matta around the time of their marriage in 1938. Photographs of her twin sons Gordon Matta-Clark and John Sebastian Matta include a portrait by Hans Namuth and publicity shots for an article in Glamour magazine in 1950. The marriage of Gordon Matta-Clark to Jane Crawford in 1978 also figures prominently among the material. Photographs of more distant family members, such as Federica Matta, daughter of Roberto Matta and his wife Malitte, and of Jessamyn Fiore, daughter of Jane Crawford and her husband Robert Fiore, can also be found in this album. Binder contains negatives, photographs, a reprographic copy and slides.
Gordon Matta-Clark Family Photographs
Actions:
PHCON2002:0016:020
Description:
Binder documents the life of Anna Alpert in personal and professional photographs dating from her early life in Lincoln, Illinois to the end of her life in 1997. Included are many photographs of her with Roberto Matta around the time of their marriage in 1938. Photographs of her twin sons Gordon Matta-Clark and John Sebastian Matta include a portrait by Hans Namuth and publicity shots for an article in Glamour magazine in 1950. The marriage of Gordon Matta-Clark to Jane Crawford in 1978 also figures prominently among the material. Photographs of more distant family members, such as Federica Matta, daughter of Roberto Matta and his wife Malitte, and of Jessamyn Fiore, daughter of Jane Crawford and her husband Robert Fiore, can also be found in this album. Binder contains negatives, photographs, a reprographic copy and slides.
Date:
1914-1997
1914-1997
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
People:
Date:
2000-2008
2000-2008
Title:
Philippe Rahm "Interior Weather" installation records
Actions:
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Philippe Rahm "Interior Weather" installation records
Actions:
AP189
Synopsis:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2000-2008
2000-2008
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
People:
Date:
1984-2003
1984-2003
Title:
Architectural projects
Actions:
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
Architectural projects
Actions:
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
Level of archival description:
Series
Series
Date:
1984-2003
1984-2003
People:
Form:
textual records
textual records
Title:
PDE publication files
PDE publication files
Actions:
Reference number:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
People:
Title:
PDE publication files
Actions:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
PDE publication files
Actions:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
Form:
textual records
textual records
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
People:
Title:
Press material on Arthur Erickson
Actions:
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
Press material on Arthur Erickson
Actions:
ARCH273817
Description:
File contains magazines with articles on projects, including an article on the garden of the Arthur Erickson House, Vancouver, B.C. in Western Homes and Living (July 1965); Vancouver's Government Complex, Architectural Record (December 1980), Pudget Sound House in House and Garden (January 1985). Also includes promotional material for Arthur Erickson Architects and a photocopy of an annotated version of Arthur Erickson's profile in the New Yorker (4 June 1979).
Form:
textual records
textual records
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH259010
Description:
Photocopies de photographies des projets, incluant de la correspondance, des magazines, relatifs au Grand Séminaire de Québec, bâtiments en France, l'Imprimerie Nationale, le Cour suprême du Canada, St-Michael's College, St-Michael's College administration building, St-Basil's Seminary, Hôtel Windsor, résidence d'Ernest Cormier du 1418 ave. Des Pins, club de golf de Laval. Comprend aussi la confession de Pablo Picasso à Giovanni Papini, et une revue sur Henri Hébert.
ARCH259010
Description:
Photocopies de photographies des projets, incluant de la correspondance, des magazines, relatifs au Grand Séminaire de Québec, bâtiments en France, l'Imprimerie Nationale, le Cour suprême du Canada, St-Michael's College, St-Michael's College administration building, St-Basil's Seminary, Hôtel Windsor, résidence d'Ernest Cormier du 1418 ave. Des Pins, club de golf de Laval. Comprend aussi la confession de Pablo Picasso à Giovanni Papini, et une revue sur Henri Hébert.
People:
Date:
1932-1951
1932-1951
Title:
Documentation photographique relative à divers projets
Actions:
ARCH259010
Description:
Photocopies de photographies des projets, incluant de la correspondance, des magazines, relatifs au Grand Séminaire de Québec, bâtiments en France, l'Imprimerie Nationale, le Cour suprême du Canada, St-Michael's College, St-Michael's College administration building, St-Basil's Seminary, Hôtel Windsor, résidence d'Ernest Cormier du 1418 ave. Des Pins, club de golf de Laval. Comprend aussi la confession de Pablo Picasso à Giovanni Papini, et une revue sur Henri Hébert.
Documentation photographique relative à divers projets
Actions:
ARCH259010
Description:
Photocopies de photographies des projets, incluant de la correspondance, des magazines, relatifs au Grand Séminaire de Québec, bâtiments en France, l'Imprimerie Nationale, le Cour suprême du Canada, St-Michael's College, St-Michael's College administration building, St-Basil's Seminary, Hôtel Windsor, résidence d'Ernest Cormier du 1418 ave. Des Pins, club de golf de Laval. Comprend aussi la confession de Pablo Picasso à Giovanni Papini, et une revue sur Henri Hébert.
Form:
photographs
photographs
Date:
1932-1951
1932-1951
People:
Actions:
Reference number:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
People:
Date:
1988-1989
1988-1989
Title:
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Date:
1988-1989
1988-1989
People:
Form:
textual records
textual records
Title:
Correspondence files
Correspondence files
Actions:
Reference number:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
People:
Title:
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Form:
textual records
textual records
People:
