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Art et Architecture interroge la manière avec laquelle la production artistique des années 1960 à aujourd’hui s’est nourrie de l’architecture. Une douzaine d’essais apporte un éclairage approfondi sur ces enjeux, du modernisme du début du XXe siècle à l’architecture-sculpture, de l’art conceptuel aux pratiques artistiques actuelles. Photographies, films, dessins,(...)
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Art et Architecture interroge la manière avec laquelle la production artistique des années 1960 à aujourd’hui s’est nourrie de l’architecture. Une douzaine d’essais apporte un éclairage approfondi sur ces enjeux, du modernisme du début du XXe siècle à l’architecture-sculpture, de l’art conceptuel aux pratiques artistiques actuelles. Photographies, films, dessins,(...)
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Art & architecture : collection du FRAC Centre
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Art et Architecture interroge la manière avec laquelle la production artistique des années 1960 à aujourd’hui s’est nourrie de l’architecture. Une douzaine d’essais apporte un éclairage approfondi sur ces enjeux, du modernisme du début du XXe siècle à l’architecture-sculpture, de l’art conceptuel aux pratiques artistiques actuelles. Photographies, films, dessins, installations, s’approprient l’architecture comme archétype, substrat iconique, référent historique. De la maquette aux installations architecturales à l’échelle 1 :1, les artistes s’emparent de l’architecture dans sa dimension d’utopie, questionnant par là notre rapport au monde.
Art & architecture : collection du FRAC Centre
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Art et Architecture interroge la manière avec laquelle la production artistique des années 1960 à aujourd’hui s’est nourrie de l’architecture. Une douzaine d’essais apporte un éclairage approfondi sur ces enjeux, du modernisme du début du XXe siècle à l’architecture-sculpture, de l’art conceptuel aux pratiques artistiques actuelles. Photographies, films, dessins, installations, s’approprient l’architecture comme archétype, substrat iconique, référent historique. De la maquette aux installations architecturales à l’échelle 1 :1, les artistes s’emparent de l’architecture dans sa dimension d’utopie, questionnant par là notre rapport au monde.
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books
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March 2014
March 2014
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
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February 2018
February 2018
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Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
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books
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February 2018
February 2018
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303 pages : illustrations (some color) ; 22 cm
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303 pages : illustrations (some color) ; 22 cm
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Zürich, Switzerland : Lars Müller Publishers, [2019], [Amsterdam] : Lenoirschuring, ©2019
Zürich, Switzerland : Lars Müller Publishers, [2019], [Amsterdam] : Lenoirschuring, ©2019
Title:
Renny Ramakers : rethinking design / Aaron Betsky ; foreword, Wim Pijbes ; graphic design, Irma Boom Office, Irma Boom (concept), Eva van Bemmelen.
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303 pages : illustrations (some color) ; 22 cm
Renny Ramakers : rethinking design / Aaron Betsky ; foreword, Wim Pijbes ; graphic design, Irma Boom Office, Irma Boom (concept), Eva van Bemmelen.
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303 pages : illustrations (some color) ; 22 cm
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books
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Zürich, Switzerland : Lars Müller Publishers, [2019], [Amsterdam] : Lenoirschuring, ©2019
Zürich, Switzerland : Lars Müller Publishers, [2019], [Amsterdam] : Lenoirschuring, ©2019
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$36.95
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the(...)
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the(...)
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Conversation pieces : community + communication in modern art
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
Conversation pieces : community + communication in modern art
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Grant Kester discusses a disparate network of artists and collectives — including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur — united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
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books
books
Publication:
February 2004
February 2004
Subject:
Art Theory
Art Theory
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books
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143 pages : illustrations (some color), maps ; 25 cm
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143 pages : illustrations (some color), maps ; 25 cm
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London, UK : Black Dog Publishing, [2014], ©2014
London, UK : Black Dog Publishing, [2014], ©2014
Title:
In the aura of a hole : exploring sites of material extraction / A. Laurie Palmer.
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143 pages : illustrations (some color), maps ; 25 cm
In the aura of a hole : exploring sites of material extraction / A. Laurie Palmer.
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143 pages : illustrations (some color), maps ; 25 cm
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books
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London, UK : Black Dog Publishing, [2014], ©2014
London, UK : Black Dog Publishing, [2014], ©2014
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$39.95
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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important(...)
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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important(...)
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March 2012
March 2012
Title:
Electrical bananas : masters of psychedelic art
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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. Compiling hundreds of unseen images plus exclusive interviews and essays, it revises and expands the common perception of psychedelic art, revealing it to be more innovative, compelling and revolutionary than is usually acknowledged. "Electrical Banana" documents the great virtuosos of psychedelic art: men and women whose work combines avant-garde design with highly sophisticated image-making. Launching a million Day-glo dreams, the artists include: Marijke Koger, the Dutch artist responsible for dressing the Beatles; Mati Klarwein, who painted the cover for Miles Davis' "Bitches Brew"; Keiichi Tanaami, the Japanese master of psychedelic posters; Heinz Edelmann, the German illustrator and designer of the Beatles' animated film "Yellow Submarine"; Tadanori Yokoo, whose prints, books and fabrics defined the 1960s in Japan; Dudley Edwards, a painter, car decorator and graphic artist on the London rock scene; and the enigmatic Australian Martin Sharp, whose work for Cream and underground magazines made him a hippie household name in Europe. "Electrical Banana" features a lengthy historical essay and interviews with all of the artists.
Electrical bananas : masters of psychedelic art
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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. Compiling hundreds of unseen images plus exclusive interviews and essays, it revises and expands the common perception of psychedelic art, revealing it to be more innovative, compelling and revolutionary than is usually acknowledged. "Electrical Banana" documents the great virtuosos of psychedelic art: men and women whose work combines avant-garde design with highly sophisticated image-making. Launching a million Day-glo dreams, the artists include: Marijke Koger, the Dutch artist responsible for dressing the Beatles; Mati Klarwein, who painted the cover for Miles Davis' "Bitches Brew"; Keiichi Tanaami, the Japanese master of psychedelic posters; Heinz Edelmann, the German illustrator and designer of the Beatles' animated film "Yellow Submarine"; Tadanori Yokoo, whose prints, books and fabrics defined the 1960s in Japan; Dudley Edwards, a painter, car decorator and graphic artist on the London rock scene; and the enigmatic Australian Martin Sharp, whose work for Cream and underground magazines made him a hippie household name in Europe. "Electrical Banana" features a lengthy historical essay and interviews with all of the artists.
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books
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March 2012
March 2012
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viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
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viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
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Minneapolis : University of Minnesota Press, 2011.
Minneapolis : University of Minnesota Press, 2011.
Title:
The first panoramas : visions of British imperialism / Denise Blake Oleksijczuk.
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viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
The first panoramas : visions of British imperialism / Denise Blake Oleksijczuk.
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viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
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books
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Minneapolis : University of Minnesota Press, 2011.
Minneapolis : University of Minnesota Press, 2011.
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$64.95
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is(...)
$64.95
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is(...)
Publication:
February 2023
February 2023
Title:
Luna Luna: The art amusement park
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is documented in photographs that show the artist at work, with details of the artworks, and showing the art in the context of the exhibition. Giving access to rare artworks that have not been widely viewed in 35 years, this book is being published for the first time in English with an updated preface.
Luna Luna: The art amusement park
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$64.95
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is documented in photographs that show the artist at work, with details of the artworks, and showing the art in the context of the exhibition. Giving access to rare artworks that have not been widely viewed in 35 years, this book is being published for the first time in English with an updated preface.
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books
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February 2023
February 2023
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books
books
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$39.95
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract(...)
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract(...)
Publication:
August 2017
August 2017
Title:
No reservation: New York contemporary native American art movement
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.
No reservation: New York contemporary native American art movement
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.
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books
books
Publication:
August 2017
August 2017
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$19.95
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Art inuit : la collection Brousseau. Guide de collection du Musée national des beaux-arts de Québec.
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Art inuit : la collection Brousseau. Guide de collection du Musée national des beaux-arts de Québec.
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Art inuit : la collection Brousseau
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Art inuit : la collection Brousseau. Guide de collection du Musée national des beaux-arts de Québec.
Art inuit : la collection Brousseau
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Art inuit : la collection Brousseau. Guide de collection du Musée national des beaux-arts de Québec.
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books
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Publication:
June 2016
June 2016
Subject:
Canadian art
Canadian art
