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This critical anthology addresses three often-overlooked issues facing archival organizations: the question of inclusion in or exclusion from the archive; the loss of individuality and specificity in the archive; the danger of homogenization; and the risk that archiving may foster a form of pigeonholing. Since the archive is a fundamental symbolic entity, on the basis of(...)
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This critical anthology addresses three often-overlooked issues facing archival organizations: the question of inclusion in or exclusion from the archive; the loss of individuality and specificity in the archive; the danger of homogenization; and the risk that archiving may foster a form of pigeonholing. Since the archive is a fundamental symbolic entity, on the basis of(...)
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Productive archiving: Artistic strategies, future memories & fluid identities
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This critical anthology addresses three often-overlooked issues facing archival organizations: the question of inclusion in or exclusion from the archive; the loss of individuality and specificity in the archive; the danger of homogenization; and the risk that archiving may foster a form of pigeonholing. Since the archive is a fundamental symbolic entity, on the basis of which we organize our lives, the past, the present and the future, these issues require exploration. ''Productive archiving'' proposes that artistic treatments of (and interventions in) archives can offer innovative ways to foster new connections and ways of thinking and organizing.
Productive archiving: Artistic strategies, future memories & fluid identities
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This critical anthology addresses three often-overlooked issues facing archival organizations: the question of inclusion in or exclusion from the archive; the loss of individuality and specificity in the archive; the danger of homogenization; and the risk that archiving may foster a form of pigeonholing. Since the archive is a fundamental symbolic entity, on the basis of which we organize our lives, the past, the present and the future, these issues require exploration. ''Productive archiving'' proposes that artistic treatments of (and interventions in) archives can offer innovative ways to foster new connections and ways of thinking and organizing.
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books
books
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June 2023
June 2023
Subject:
Archive, library and the digital
Archive, library and the digital
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Gérard Berréby s'entretient avec Aurélie Noury sur ce qui constitue sa première expérience éditoriale, au tout début des années 1980. En décidant de réaliser sur sa seule initiative une édition pirate du livre d'Aragon – alors opposé à tout retirage –, Gérard Berréby soulève plusieurs questions liées à l'appropriation et à l'autoédition : la copie et le faux, la(...)
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Gérard Berréby s'entretient avec Aurélie Noury sur ce qui constitue sa première expérience éditoriale, au tout début des années 1980. En décidant de réaliser sur sa seule initiative une édition pirate du livre d'Aragon – alors opposé à tout retirage –, Gérard Berréby soulève plusieurs questions liées à l'appropriation et à l'autoédition : la copie et le faux, la(...)
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Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
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Gérard Berréby s'entretient avec Aurélie Noury sur ce qui constitue sa première expérience éditoriale, au tout début des années 1980. En décidant de réaliser sur sa seule initiative une édition pirate du livre d'Aragon – alors opposé à tout retirage –, Gérard Berréby soulève plusieurs questions liées à l'appropriation et à l'autoédition : la copie et le faux, la circulation des textes, le détournement, le droit d'auteur, l'édition comme geste politique, la prescription, etc. L'épisode, inédit dans l'histoire de l'édition généraliste, aura provoqué de nombreuses réactions dans le monde littéraire, jusqu'aux poursuites judiciaires engagées par Gallimard. À partir des témoignages et documents d'époque, analysés par Berréby et mis en perspective par Nathalie Leleu plus de 40 ans après, l'ouvrage retrace les circonstances d'un geste fondateur pour le futur directeur des éditions Allia.
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
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Gérard Berréby s'entretient avec Aurélie Noury sur ce qui constitue sa première expérience éditoriale, au tout début des années 1980. En décidant de réaliser sur sa seule initiative une édition pirate du livre d'Aragon – alors opposé à tout retirage –, Gérard Berréby soulève plusieurs questions liées à l'appropriation et à l'autoédition : la copie et le faux, la circulation des textes, le détournement, le droit d'auteur, l'édition comme geste politique, la prescription, etc. L'épisode, inédit dans l'histoire de l'édition généraliste, aura provoqué de nombreuses réactions dans le monde littéraire, jusqu'aux poursuites judiciaires engagées par Gallimard. À partir des témoignages et documents d'époque, analysés par Berréby et mis en perspective par Nathalie Leleu plus de 40 ans après, l'ouvrage retrace les circonstances d'un geste fondateur pour le futur directeur des éditions Allia.
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books
books
Publication:
March 2024
March 2024
Subject:
Archive, library and the digital
Archive, library and the digital
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books
books
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$66.00
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Publishing is experiencing one of the most transformative phases in its history. In "Tactical publishing", a sequel to "Post-digital print", Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between(...)
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Publishing is experiencing one of the most transformative phases in its history. In "Tactical publishing", a sequel to "Post-digital print", Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between(...)
Title:
Tactical publishing: Using Senses, Software, and Archives in the Twenty-First century
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Publishing is experiencing one of the most transformative phases in its history. In "Tactical publishing", a sequel to "Post-digital print", Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between paper and digital media. He focuses first on the two activities on which publishing is premised—reading and writing (with an emphasis onwriting machines and post-truth in the latter)—and then deconstructs the concept, proposing alternative strategies inspired by recent practices and unconventional uses of technology.
Tactical publishing: Using Senses, Software, and Archives in the Twenty-First century
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$66.00
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Summary:
Publishing is experiencing one of the most transformative phases in its history. In "Tactical publishing", a sequel to "Post-digital print", Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between paper and digital media. He focuses first on the two activities on which publishing is premised—reading and writing (with an emphasis onwriting machines and post-truth in the latter)—and then deconstructs the concept, proposing alternative strategies inspired by recent practices and unconventional uses of technology.
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$34.95
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by(...)
$34.95
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Summary:
Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by(...)
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
July 2024
July 2024
Title:
Towards the realm of materiality: Designing Philip K. Dick's non-existing technologies
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Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by this brilliant mind. How did Philip K. Dick envision these technologies, and through them, the future? And now, decades after his time, how should we perceive and interpret these tools? More intriguingly, how can we decode and reconstruct the creative process that led to the creation and "materialization" of these devices? Grounded in a multidisciplinary framework, this volume explores alternative designs and projects for some of the non-existing technologies described in Philip K. Dick’s oeuvre.
Towards the realm of materiality: Designing Philip K. Dick's non-existing technologies
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Summary:
Philip K. Dick, one of the most prolific and visionary authors of the 20th century, crafted compelling visions of possible futures and dystopian realities teeming with humans, artificial intelligences, and more. Yet, the Dickian universe is more than just its characters—it’s a realm intricately built with technological devices, machines, and objects entirely conceived by this brilliant mind. How did Philip K. Dick envision these technologies, and through them, the future? And now, decades after his time, how should we perceive and interpret these tools? More intriguingly, how can we decode and reconstruct the creative process that led to the creation and "materialization" of these devices? Grounded in a multidisciplinary framework, this volume explores alternative designs and projects for some of the non-existing technologies described in Philip K. Dick’s oeuvre.
Form:
books
books
Publication:
July 2024
July 2024
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Price:
$37.95
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Summary:
In "The politics of collecting," Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation--rather than merit or good taste--are responsible for popular ideas of formal innovation and artistic genius. In doing so,(...)
$37.95
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Summary:
In "The politics of collecting," Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation--rather than merit or good taste--are responsible for popular ideas of formal innovation and artistic genius. In doing so,(...)
Title:
The politics of collecting: Race and the aestheticization of property
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In "The politics of collecting," Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation--rather than merit or good taste--are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp's canonization has more to do with his patron's donations to museums than it does the quality of Duchamp's work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry's collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
The politics of collecting: Race and the aestheticization of property
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$37.95
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Summary:
In "The politics of collecting," Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation--rather than merit or good taste--are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp's canonization has more to do with his patron's donations to museums than it does the quality of Duchamp's work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry's collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
Form:
books
books
Publication:
August 2024
August 2024
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$52.00
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Summary:
Dans une démarche interdisciplinaire inspirée des études des sciences et techniques, articulant approches muséologiques et sociologiques, cette étude inédite sur les réserves des musées apporte un éclairage nouveau sur le monde de la conservation de l'art et du patrimoine. Lieu essentiel du musée où sont conservées les œuvres quand elles ne sont pas exposées, les(...)
$52.00
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Summary:
Dans une démarche interdisciplinaire inspirée des études des sciences et techniques, articulant approches muséologiques et sociologiques, cette étude inédite sur les réserves des musées apporte un éclairage nouveau sur le monde de la conservation de l'art et du patrimoine. Lieu essentiel du musée où sont conservées les œuvres quand elles ne sont pas exposées, les(...)
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
September 2024
September 2024
Title:
Les réserves des musées : Écologies des collections
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Dans une démarche interdisciplinaire inspirée des études des sciences et techniques, articulant approches muséologiques et sociologiques, cette étude inédite sur les réserves des musées apporte un éclairage nouveau sur le monde de la conservation de l'art et du patrimoine. Lieu essentiel du musée où sont conservées les œuvres quand elles ne sont pas exposées, les réserves sont restées longtemps dans l'ombre des salles d'expositions. Or, dans la majorité des institutions, seule une infime portion des collections est présentée au public : il y a donc un réel enjeu à penser la relation entre leurs parts visible et invisible, les problématiques liées à leur stockage et leur mouvement, et le travail qu'elles impliquent.
Les réserves des musées : Écologies des collections
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Dans une démarche interdisciplinaire inspirée des études des sciences et techniques, articulant approches muséologiques et sociologiques, cette étude inédite sur les réserves des musées apporte un éclairage nouveau sur le monde de la conservation de l'art et du patrimoine. Lieu essentiel du musée où sont conservées les œuvres quand elles ne sont pas exposées, les réserves sont restées longtemps dans l'ombre des salles d'expositions. Or, dans la majorité des institutions, seule une infime portion des collections est présentée au public : il y a donc un réel enjeu à penser la relation entre leurs parts visible et invisible, les problématiques liées à leur stockage et leur mouvement, et le travail qu'elles impliquent.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
In the swarm
In the swarm
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Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political(...)
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Summary:
Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political(...)
Title:
In the swarm
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Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political action and meaningful political discourse. In the predigital, analog era, by the time an angry letter to the editor had been composed, mailed, and received, the immediate agitation had passed. Today, digital communication enables instantaneous, impulsive reaction, meant to express and stir up outrage on the spot. “The shitstorm,” writes Han, ”represents an authentic phenomenon of digital communication.” Meanwhile, the public, the senders and receivers of these communications have become a digital swarm—not a mass, or a crowd, or Negri and Hardt’s antiquated notion of a “multitude,” but a set of isolated individuals incapable of forming a “we,” incapable of calling dominant power relations into question, incapable of formulating a future because of an obsession with the present. The digital swarm is a fragmented entity that can focus on individual persons only in order to make them an object of scandal. Han, one of the most widely read philosophers in Europe today, describes a society in which information has overrun thought, in which the same algorithms are employed by Facebook, the stock market, and the intelligence services. Democracy is under threat because digital communication has made freedom and control indistinguishable. Big Brother has been succeeded by Big Data.
In the swarm
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$18.95
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Summary:
Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political action and meaningful political discourse. In the predigital, analog era, by the time an angry letter to the editor had been composed, mailed, and received, the immediate agitation had passed. Today, digital communication enables instantaneous, impulsive reaction, meant to express and stir up outrage on the spot. “The shitstorm,” writes Han, ”represents an authentic phenomenon of digital communication.” Meanwhile, the public, the senders and receivers of these communications have become a digital swarm—not a mass, or a crowd, or Negri and Hardt’s antiquated notion of a “multitude,” but a set of isolated individuals incapable of forming a “we,” incapable of calling dominant power relations into question, incapable of formulating a future because of an obsession with the present. The digital swarm is a fragmented entity that can focus on individual persons only in order to make them an object of scandal. Han, one of the most widely read philosophers in Europe today, describes a society in which information has overrun thought, in which the same algorithms are employed by Facebook, the stock market, and the intelligence services. Democracy is under threat because digital communication has made freedom and control indistinguishable. Big Brother has been succeeded by Big Data.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
The stuff of bits
The stuff of bits
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$46.95
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In this publication, Paul Dourish examines the specific materialities that certain digital objects exhibit. He presents four case studies: emulation, the creation of a “virtual” computer inside another; digital spreadsheets and their role in organizational practice; relational databases and the issue of “the databaseable”; and the evolution of digital networking and the(...)
$46.95
(available to order)
Summary:
In this publication, Paul Dourish examines the specific materialities that certain digital objects exhibit. He presents four case studies: emulation, the creation of a “virtual” computer inside another; digital spreadsheets and their role in organizational practice; relational databases and the issue of “the databaseable”; and the evolution of digital networking and the(...)
Title:
The stuff of bits
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$46.95
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Summary:
In this publication, Paul Dourish examines the specific materialities that certain digital objects exhibit. He presents four case studies: emulation, the creation of a “virtual” computer inside another; digital spreadsheets and their role in organizational practice; relational databases and the issue of “the databaseable”; and the evolution of digital networking and the representational entailments of network protocols. These case studies demonstrate how a materialist account can offer an entry point to broader concerns - questions of power, policy, and polity in the realm of the digital.
The stuff of bits
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$46.95
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Summary:
In this publication, Paul Dourish examines the specific materialities that certain digital objects exhibit. He presents four case studies: emulation, the creation of a “virtual” computer inside another; digital spreadsheets and their role in organizational practice; relational databases and the issue of “the databaseable”; and the evolution of digital networking and the representational entailments of network protocols. These case studies demonstrate how a materialist account can offer an entry point to broader concerns - questions of power, policy, and polity in the realm of the digital.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the(...)
$51.95
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Summary:
In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the(...)
Title:
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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$51.95
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age. In "Programmed inequality", Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole.
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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Price:
$51.95
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Summary:
In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age. In "Programmed inequality", Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
The big archive
The big archive
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$35.50
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Summary:
The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a(...)
$35.50
(available to order)
Summary:
The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a(...)
Title:
The big archive
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$35.50
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Summary:
The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp’s “anemic archive” of readymades and El Lissitzky’s Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In "The big archive", Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
The big archive
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$35.50
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Summary:
The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp’s “anemic archive” of readymades and El Lissitzky’s Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In "The big archive", Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
Form:
books
books
Publication:
March 2017
March 2017
Subject:
Archive, library and the digital
Archive, library and the digital
