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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication,(...)
August 2022
Qummut Qukiria! Art, culture, and sovereignty across Inuit Nunaat and Sápmi: Mobilizing the circumpolar North
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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.
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Computational models of urbanism — smart cities that use data-driven planning and algorithmic administration — promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. 'A City Is Not a Computer' reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge(...)
A city is not a computer: other urban intelligences
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Computational models of urbanism — smart cities that use data-driven planning and algorithmic administration — promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. 'A City Is Not a Computer' reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Urban Theory
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making,(...)
Forest mind: On the interconnection of all life
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making, photography, academic research, personal narrative, and the co-creation of an Indigenous University with the Inga people of Colombia. The explorations focus on the intelligence in nature from both shamanic and scientific perspectives. In these tropical forests, human and nonhuman territorial projects become entangled, calling for new ways of generating knowledge that spur the imagination. The Indigenous science of Ayahuasca as it is practiced by the traditional medics in Amazonia, is largely based in visions evoked by the psychoactive plant. Here, knowing does not only occur from a distance by describing, naming, and exploiting, but as an encounter between minds and worlds. The artist’s research brings to light contemporary Western science that has already been practiced by ancestral medics for millennia, allowing them to interact at the molecular level of DNA. Experimenting with new genetic technologies in collaboration with the ETH lab in Zurich, the visual universe of this project partially derives from biological materials and video-images of the rainforest which were encoded in one and the same DNA strand. In this personal quest, Swiss artist and author Ursula Biemann pursues her long-term inquiry at the intersection of art, ecology and indigenous cosmologies. The artist book presents a biosemiotics project that takes a deep dive into the mechanics of the interconnectedness of all life, and reflects on the active, performative role images play in merging mind and forest.
Contemporary Art Monographs
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia(...)
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia Shortt, Candice Hopkins, and Buffy Sainte-Marie. ''For Zitkála-Šá'' is supplemented by texts by each artist and a contextualizing essay by Chacon.
Contemporary Art Monographs
Microhabitable
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Researching across disciplines, "Microhabitable" considers scale, as well as questions of habitability and self-organisation, in a de-anthropocentric, or more than- human, framework. What methodologies and strategies might those anthropological, political and scientific discourses that deal with the microscopic, the micropolitical and the microeconomic have to share with(...)
Environment and environmental theory
January 2024
Microhabitable
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Researching across disciplines, "Microhabitable" considers scale, as well as questions of habitability and self-organisation, in a de-anthropocentric, or more than- human, framework. What methodologies and strategies might those anthropological, political and scientific discourses that deal with the microscopic, the micropolitical and the microeconomic have to share with one another? "Microhabitable"’s authors suggest methodologies of encounter and exchange between differential knowledges, be they subaltern, peasant, indigenous, vegetal, matriarchal or post/ nonhuman.
Environment and environmental theory
books
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Framed by Terry Smith's introduction, the essays in this book focus on two kinds of strangeness involved in experiencing visual images in the modern era. The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous(...)
Impossible presence : surface and screen in the photographic era
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Framed by Terry Smith's introduction, the essays in this book focus on two kinds of strangeness involved in experiencing visual images in the modern era. The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous peoples, and the communicative formations that result from the trafficking of images between people from vastly different cultures.
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September 2001, Chicago
Architectural Theory
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Following the course of major journeys to the Arctic, including those of Martin Frobisher, Henry Hudson, and John Franklin, Philip Hatfield assesses the impact of these incursions on the North’s numerous indigenous communities and reveals the role of exploration in making the modern world. Besides detailing the area’s vivid history, ''Lines in the Ice'' also focuses on(...)
Lines in the ice: exploring the roof of the world
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Following the course of major journeys to the Arctic, including those of Martin Frobisher, Henry Hudson, and John Franklin, Philip Hatfield assesses the impact of these incursions on the North’s numerous indigenous communities and reveals the role of exploration in making the modern world. Besides detailing the area’s vivid history, ''Lines in the Ice'' also focuses on works created over the last 500 years by people who live and travel in the Arctic.
Architecture in Canada
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Vernacular architecture is architecture without architects; designed based on local needs, these buildings make use of natural resources and demonstrate diverse architectural forms, design elements unique to their culture, and ingenious construction techniques. From bamboo garden pavilions in China to homes made from reeds in southern Iraq, and mud dwellings in Mali to(...)
Habitat: vernacular architecture for a changing planet
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Vernacular architecture is architecture without architects; designed based on local needs, these buildings make use of natural resources and demonstrate diverse architectural forms, design elements unique to their culture, and ingenious construction techniques. From bamboo garden pavilions in China to homes made from reeds in southern Iraq, and mud dwellings in Mali to pine huts in Siberia, Habitat showcases the diverse and indigenous materials that can be used to build innovative, sustainable structures.
Contemporary Architecture
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Phil Frost
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his(...)
Contemporary Art Monographs
May 2008, Bologna
Phil Frost
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.
books
May 2008, Bologna
Contemporary Art Monographs
Northern lights
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Since the beginning of time, people have gazed into the polar skies, spellbound by dancing beams of color... the northern lights. Though scientists have advanced many theories to explain the aurora borealis, and aboriginal people around the northern pole have passed down their beliefs through the centuries, mysteries still linger. As the auroral curtains shimmer(...)
Northern lights
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Since the beginning of time, people have gazed into the polar skies, spellbound by dancing beams of color... the northern lights. Though scientists have advanced many theories to explain the aurora borealis, and aboriginal people around the northern pole have passed down their beliefs through the centuries, mysteries still linger. As the auroral curtains shimmer throughout this production, we experience a visual panorama of animated legends, international space launches, and indigenous people and scientists offering their perceptions of the wondrous northern lights.
Current Exhibitions