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"The Space Within" explores how interior space has been integral to the development of Modern architecture from the late 1800s to today, and how generations of architects have engaged with interior space and its experience in their design processes. In doing so, they fundamentally transformed the traditional methods and goals of architectural composition. As McCarter(...)
The space within: interior experience as the origin of architecture
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"The Space Within" explores how interior space has been integral to the development of Modern architecture from the late 1800s to today, and how generations of architects have engaged with interior space and its experience in their design processes. In doing so, they fundamentally transformed the traditional methods and goals of architectural composition. As McCarter argues, for many of the most recognized and respected architects practising today, the conception of the interior spatial experience continues to be the starting point for design. Through historical and current examples of architectural works he takes us through how this is done, and eloquently places us within the spaces.
Architectural Theory
A.Mag 24 : MORQ
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MORQ is an Italian office established in 2001 by Matteo Monteduro, Emiliano Roia, and Andrea Quagliola. Their work ranges from small-scale projects to large landscape and urban plans, with meaningful spaces integrated within simple and thoughtful buildings, in dialogue with existing conditions. As such, MORQ sees constraints as a starting point for its designs, not(...)
A.Mag 24 : MORQ
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MORQ is an Italian office established in 2001 by Matteo Monteduro, Emiliano Roia, and Andrea Quagliola. Their work ranges from small-scale projects to large landscape and urban plans, with meaningful spaces integrated within simple and thoughtful buildings, in dialogue with existing conditions. As such, MORQ sees constraints as a starting point for its designs, not impediments to creativity. Featured in this issue are fifteen small-scale works, both built and unbuilt, that demonstrate the studio’s talent for envisioning intimate yet open spaces that engage with shades of natural light, changing throughout the day and activated by the emotive and sensorial qualities of the materials.
Magazines
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a(...)
Olivo Barbieri: flippers 1977-1978
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a cultural reminder, a throwback to the flashing momentum of the 1960s and ’70s, with rock music, science fiction, movie stars, and flower power. Published in its entirety for the first time, the pinball project was a formative experience for the photographer in his early years. Includes an interview with Barbieri and Francesco Zanot.
Photography monographs
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Art Theory
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Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
Capitalism and the camera: essays on photography and extraction
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Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Theory of Photography
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ee/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's(...)
See/saw: Looking at photographs
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ee/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's previous books on photography, ''The ongoing moment'' and ''The street philosophy of Garry Winogrand,'' ''See/saw'' brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work. In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.
Theory of Photography
books
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with(...)
Architecture & arts 1900 /2004 : a century of creative projects in building, design, cinema, painting, sculpture
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“Architecture & Arts” documents the innovations brought about by painters, sculptors, designers, writers, photographers, and filmmakers, as well as creators from the widest variety of artistic circles and expressive styles, into the field of architecture. At the same time, it reveals the digressions of architects into the visual arts, a discipline that has shared with architecture a common project of a radical, at times visionary, aesthetic transformation of reality. The volume includes works by Malevich, Cartier-Bresson, Steichen, Terragni, Depero, Fritz Lang, Le Corbusier, Gehry, Rossi, Piano, and Oldenburg, to name a few. This richly illustrated volume offers a complete overview of architects and artists from the historic avant-gardes (Futurism, Suprematism, Constructivism, Dadaism, Neoplasticism, Expressionism, Surrealism, and the modern movements until the postwar period) to the contemporary world, starting from Informal-Spatialist work and continuing with Situationism, Brutalism, Pop Art, Minimalism, and Post modernism to the present day.
books
February 2005, Milan
Architecture since 1900, Europe
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''For Want of a Nail'' takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the wall upon which he could hang his hat. The persistence and specificity of the request for this nail inspired the(...)
Environment and environmental theory
March 2019
Futurefarmers: For want of a nail
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''For Want of a Nail'' takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the wall upon which he could hang his hat. The persistence and specificity of the request for this nail inspired the international art collective Futurefarmers to create, by hand (and after more than a half-century delay), three nails for the theoretical physicist: one forged from a meteorite, one cast using 1943 steel pennies, and a third made by re-fusing Trinitite, a material formed by residue from the Trinity nuclear bomb test. Throughout this multidisciplinary project, Futurefarmers constructs a narrative that runs parallel, and in some cases counter to, the conventional accounts of the Manhattan Project and Oppenheimer, its chief architect.
Environment and environmental theory
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"Ends middles beginnings" looks at the entirety of ECA’s work, starting from the 1950s, but with an emphasis on recent and current projects. Charting the influences of this key architectural practice the book also traces how ECA have continued to inspire architecture debates around public and private space. Including unbuilt designs, work in progress and specifically(...)
Ends middles beginnings : Edward Cullinan architects
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"Ends middles beginnings" looks at the entirety of ECA’s work, starting from the 1950s, but with an emphasis on recent and current projects. Charting the influences of this key architectural practice the book also traces how ECA have continued to inspire architecture debates around public and private space. Including unbuilt designs, work in progress and specifically commissioned sketches by Cullinan himself, the book represents an exclusive insight into ECA and their unique approach to architecture. Featuring detailed descriptions of seminal buildings, such as the Knox House and the Centre for Mathematical Sciences, Cambridge, alongside engaging discussions about composition, classicism, technology and critical regionalism, "Ends middles beginnings" is a must-have for anyone interested in architecture and the built environment.
Architecture Monographs
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Founded in 2008, the French-Lebanese firm of Youssef Tohme Architects and Associates has a delicate signature that takes the regional context as its starting point in developing an individual architectural language. By using a wide variety of materials that interact with the built environment, they create buildings that evolve over time alongside their inhabitants. The(...)
Intimacies: The architecture of Youssef Tohme
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Founded in 2008, the French-Lebanese firm of Youssef Tohme Architects and Associates has a delicate signature that takes the regional context as its starting point in developing an individual architectural language. By using a wide variety of materials that interact with the built environment, they create buildings that evolve over time alongside their inhabitants. The book documents twelve of the firm’s projects – from a single-family home to a museum, including urban interventions in Beirut, Paris, Bordeaux, Marseille, and Bucharest. The book also includes an essay that takes a comprehensive look at the working methods of this firm, focusing in particular on the dimension of time and the changes that occur as the buildings are used.
Architecture Monographs