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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility,(...)
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility,(...)
Title:
The incidents: freedom of use
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility, access, choice; and most importantly, never demolish. Freedom of Use reflects on these core values to present a fluid narrative of Lacaton and Vassal s oeuvre, articulated through processes of accumulation, addition, and extension. The architects describe built and unbuilt work, from a house in Niger made of little more than branches; to the expansive Nantes School of Architecture; to a public square in Bordeaux where, after months of study, their design solution was: do nothing.
The incidents: freedom of use
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Summary:
Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility, access, choice; and most importantly, never demolish. Freedom of Use reflects on these core values to present a fluid narrative of Lacaton and Vassal s oeuvre, articulated through processes of accumulation, addition, and extension. The architects describe built and unbuilt work, from a house in Niger made of little more than branches; to the expansive Nantes School of Architecture; to a public square in Bordeaux where, after months of study, their design solution was: do nothing.
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books
books
Publication:
December 2015
December 2015
Subject:
Architectural Theory
Architectural Theory
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audio
audio
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
Title:
June 21, 2018 : Listening for Southwest Key in San Diego.
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1 online resource.
June 21, 2018 : Listening for Southwest Key in San Diego.
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1 online resource.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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books
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1 online resource (77 PDF pages) : illustrations
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Paris : Onestar Press, 2013
Paris : Onestar Press, 2013
Title:
Lori Waxman : 60 wrd/min art critic
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1 online resource (77 PDF pages) : illustrations
Lori Waxman : 60 wrd/min art critic
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1 online resource (77 PDF pages) : illustrations
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books
books
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Paris : Onestar Press, 2013
Paris : Onestar Press, 2013
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books
books
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$56.50
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Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting,(...)
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Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting,(...)
Subject:
Architecture in Canada
Architecture in Canada
Publication:
October 2005,
October 2005,
Title:
Living spaces : the architecture of Fred Thornton Hollingsworth
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Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting, Hollingsworth is one of the few modernist architects who look wholly to organic form as the basis of their design aesthetic. "Living spaces" is a detailed monograph on Hollingsworth's career, revealing how he and a handful of visionary architects pioneered the acclaimed "West Coast Style" and helped establish modern ideals of structure and utility. Through full-page images, architectural plans, and text from the artist himself, this book follows an acclaimed architect from his early days to his most recent achievements that show his continued commitment to innovation.
Living spaces : the architecture of Fred Thornton Hollingsworth
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Canadian architect Fred Hollingsworth designed his first house in 1946. Since then he has created some of the most innovative homes of the twentieth century. Hollingsworth's home designs incorporate an open floor plan and a keen observance of the flow between the inside and outside environment. Using natural materials with an emphasis on texture and natural lighting, Hollingsworth is one of the few modernist architects who look wholly to organic form as the basis of their design aesthetic. "Living spaces" is a detailed monograph on Hollingsworth's career, revealing how he and a handful of visionary architects pioneered the acclaimed "West Coast Style" and helped establish modern ideals of structure and utility. Through full-page images, architectural plans, and text from the artist himself, this book follows an acclaimed architect from his early days to his most recent achievements that show his continued commitment to innovation.
Form:
books
books
Publication:
October 2005,
October 2005,
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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$68.95
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As part of the 2019 Biennale d’architecture et de paysage in Versailles, France, MOS constructed Petite École, a small, open-air pavilion to house educational workshops for children. It is a place for looking and making, and for making and looking, constructed with 688 aluminum pieces modeled, flattened, cut, folded, prefabricated, shipped, and then assembled onsite. It(...)
$68.95
(available in store)
Summary:
As part of the 2019 Biennale d’architecture et de paysage in Versailles, France, MOS constructed Petite École, a small, open-air pavilion to house educational workshops for children. It is a place for looking and making, and for making and looking, constructed with 688 aluminum pieces modeled, flattened, cut, folded, prefabricated, shipped, and then assembled onsite. It(...)
Publication:
March 2023
March 2023
Title:
MOS: A book on making a Petite École
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$68.95
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As part of the 2019 Biennale d’architecture et de paysage in Versailles, France, MOS constructed Petite École, a small, open-air pavilion to house educational workshops for children. It is a place for looking and making, and for making and looking, constructed with 688 aluminum pieces modeled, flattened, cut, folded, prefabricated, shipped, and then assembled onsite. It is made to be taken down and reassembled elsewhere. It is designed to be easily understood, made of simple building elements: a long, low roof with columns and stacked beams holding it up. Undertaken during various design workshops, single page design exercises written by architects were assembled into a large book and given to children. "A Book on Making a Petite École" features an expanded collection of these exercises. Each exercise includes playful illustrations of its steps, starting a conversation about how designers look at, think about, teach, and imagine the foundations of design.
MOS: A book on making a Petite École
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Price:
$68.95
(available in store)
Summary:
As part of the 2019 Biennale d’architecture et de paysage in Versailles, France, MOS constructed Petite École, a small, open-air pavilion to house educational workshops for children. It is a place for looking and making, and for making and looking, constructed with 688 aluminum pieces modeled, flattened, cut, folded, prefabricated, shipped, and then assembled onsite. It is made to be taken down and reassembled elsewhere. It is designed to be easily understood, made of simple building elements: a long, low roof with columns and stacked beams holding it up. Undertaken during various design workshops, single page design exercises written by architects were assembled into a large book and given to children. "A Book on Making a Petite École" features an expanded collection of these exercises. Each exercise includes playful illustrations of its steps, starting a conversation about how designers look at, think about, teach, and imagine the foundations of design.
Form:
books
books
Publication:
March 2023
March 2023
Form:
books
books
Price:
$56.95
(available to order)
Summary:
In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate(...)
$56.95
(available to order)
Summary:
In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate(...)
Title:
Aurelia: art and literature through the mouth of the fairy tale
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$56.95
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In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate me.’ Moving beyond this, Mavor discovers the fairy-tale realm in more surprising places: the tragic candy-land poetry of the 1950s ‘genius’ child-poet Minou Drouet; the subterranean world of enchantment in the cave paintings of Lascaux; the brown fairies of African American poet Langston Hughes; and Miwa Yanagi’s black-and-white, bloody photograph of the Grandmother and Little Red Riding Hood holding one another in the cut open belly of the wolf, as an allegory of the victims of Hiroshima. Through the lens of the fairy tale Mavor reads the world of literature and art as both magical and political.
Aurelia: art and literature through the mouth of the fairy tale
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$56.95
(available to order)
Summary:
In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate me.’ Moving beyond this, Mavor discovers the fairy-tale realm in more surprising places: the tragic candy-land poetry of the 1950s ‘genius’ child-poet Minou Drouet; the subterranean world of enchantment in the cave paintings of Lascaux; the brown fairies of African American poet Langston Hughes; and Miwa Yanagi’s black-and-white, bloody photograph of the Grandmother and Little Red Riding Hood holding one another in the cut open belly of the wolf, as an allegory of the victims of Hiroshima. Through the lens of the fairy tale Mavor reads the world of literature and art as both magical and political.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Literature and poetry
Literature and poetry
Form:
books
books
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$89.95
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Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
$89.95
(available to order)
Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
Title:
Shuhei Endo : paramodern architecture
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$89.95
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Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Shuhei Endo : paramodern architecture
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$89.95
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Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Form:
books
books
Publication:
May 2003, Milano
May 2003, Milano
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$39.95
(available to order)
Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
$39.95
(available to order)
Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or(...)
Title:
Shuhei Endo : paramodern architecture
Actions:
Price:
$39.95
(available to order)
Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Shuhei Endo : paramodern architecture
Actions:
Price:
$39.95
(available to order)
Summary:
Japanese architect Shuhei Endo can be defined as an architect of steel, since he distinctly favors this material in the buildings he designs, continually experimenting with its infinite possibilities. His works are apparently weightless: undulating sheets of steel are twisted into spirals and wrapped around buildings in overlapping layers, like petals of flowers, or arranged on different levels to create a membrane around open spaces. This approach is most evident in the "great roofs" that house Endo-designed offices, such as Rooftecture N (Nisinomiya, Hyogo, 1998), or spaces for relaxation and meetings, such as Rooftecture T (Fukui, 1997), as well as private homes, such as Springtecture H (Harima, 1998) and Rooftecture M (Maruoka, 2001). Born in 1960 in Shiga Prefecture, Japan, he graduated in 1986 from the Kyoto School of Art and then joined the Osamu Ishii & Biken Associates architectural studio. In 1988 he founded the Shuhei Endo Institute in Osaka and began teaching at Kinki University, Kobe Design University, and the Fukui Institute of Technology.
Form:
books
books
Publication:
September 2006, Milano
September 2006, Milano
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$44.95
(available to order)
Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced(...)
$44.95
(available to order)
Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced(...)
Subject:
Acoustics
Acoustics
Publication:
December 2006, Cambridge / London
December 2006, Cambridge / London
Title:
Spaces speak, are you listening ? Experiencing aural architecture
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$44.95
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Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture. The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines--including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others--Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Spaces speak, are you listening ? Experiencing aural architecture
Actions:
Price:
$44.95
(available to order)
Summary:
We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture. The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines--including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others--Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Form:
books
books
Publication:
December 2006, Cambridge / London
December 2006, Cambridge / London
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
The Sainsbury Laboratory : science, architecture, art / Stephen Day, John Parker, Steve Rose.
The Sainsbury Laboratory : science, architecture, art / Stephen Day, John Parker, Steve Rose.
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Description:
191 pages : illustrations, portraits (chiefly color) ; 26 cm + 1 DVD
Description:
191 pages : illustrations, portraits (chiefly color) ; 26 cm + 1 DVD
Author:
Subject:
Publication:
London : Black Dog, 2011.
London : Black Dog, 2011.
Title:
The Sainsbury Laboratory : science, architecture, art / Stephen Day, John Parker, Steve Rose.
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Description:
191 pages : illustrations, portraits (chiefly color) ; 26 cm + 1 DVD
The Sainsbury Laboratory : science, architecture, art / Stephen Day, John Parker, Steve Rose.
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Holdings:
Description:
191 pages : illustrations, portraits (chiefly color) ; 26 cm + 1 DVD
Form:
books
books
Publication:
London : Black Dog, 2011.
London : Black Dog, 2011.
Author:
Subject:
