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In Outlaw Territories, Felicity Scott traces the relation of architecture and urbanism to human unsettlement and territorial insecurity during the 1960s and 1970s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Scott revisits an era when the discipline of architecture staked out a role in global environmental(...)
Outlaw Territories: Environments of Insecurity/ Architectures of Counterinsurgency
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In Outlaw Territories, Felicity Scott traces the relation of architecture and urbanism to human unsettlement and territorial insecurity during the 1960s and 1970s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Scott revisits an era when the discipline of architecture staked out a role in global environmental governance and the biopolitical management of populations. She describes architecture’s response to the displacement of persons brought on by migration, urbanization, environmental catastrophe, and warfare, and she traces architecture’s relationship to the material, environmental, psychological, and geopolitical transformations brought on by postindustrial technologies and neoliberal capitalism after World War II. At the height of the U.S.-led war in Vietnam and Cambodia, with ongoing decolonization struggles in many parts of the world, architecture not only emerged as a target of political agitation because of its inherent normativity but also became heavily enmeshed with military, legal, and humanitarian apparatuses, participating in scientific and technological research dedicated to questions of international management and security. Once architecture became aligned with a global matrix of forces concerned with the environment, economic development, migration, genocide, and war, its role shifted at times toward providing strategic expertise for institutions born of neoliberal capitalism. Scott investigates this nexus and questions how and to what ends architecture and the environment came to be intimately connected to the expanded exercise of power within the shifting geopolitical frameworks at this time.
Architectural Theory
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Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two(...)
Deindustrializing Montreal: entangled histories of race, residence, and class
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Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. ''Deindustrializing Montreal'' challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Fundamentally, deindustrialization is a process of physical and social ruination as well as part of a wider political project that leaves working-class communities impoverished and demoralized. The structural violence of capitalism occurs gradually and out of sight, but it doesn’t play out the same for everyone. Point Saint-Charles was left to rot until it was revalorized by gentrification, whereas Little Burgundy was torn apart by urban renewal and highway construction. This historical divergence had profound consequences in how urban change has been experienced, understood, and remembered. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings these communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.
Architecture de Montréal
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495 pages, 1 unnumbered page : illustrations (chiefly color), plans (chiefly color), portraits (some color) ; 30 cm
New York, NY : Columbia University, [2020], [New York, New York] : Distributed by Columbia University Press., ©2020
Superpowers of scale / Andrés Jaque / Office for Political Innovation.
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495 pages, 1 unnumbered page : illustrations (chiefly color), plans (chiefly color), portraits (some color) ; 30 cm
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New York, NY : Columbia University, [2020], [New York, New York] : Distributed by Columbia University Press., ©2020
Paris, capital of modernity
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In Paris, capital of modernity, Harvey presents an account of the city in a remarkably turbulent era, framed by two failed revolutions. His key concern is how a new form of finance capitalism combined with a new type of planning vision to produce the prototypical modern city. Also, there are insights throughout about subjects such as the birth of the consumerist(...)
Paris, capital of modernity
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In Paris, capital of modernity, Harvey presents an account of the city in a remarkably turbulent era, framed by two failed revolutions. His key concern is how a new form of finance capitalism combined with a new type of planning vision to produce the prototypical modern city. Also, there are insights throughout about subjects such as the birth of the consumerist spectacle on the Parisian boulevards; the creative visions of Balzac, Baudelaire, and Zola; and the reactionary cultural politics of the bombastic Sacré Coeur, the Catholic monument erected to efface all memory of the revolutionary Paris Commune that arose briefly when the empire collapsed.
History until 1900, France
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"A tree," is about vegetal agency, plant knowledge, and the interaction between plants and people, with a specific focus on trees. This book comprises a variety of contributions that take a multitude of approaches to tree life, from sensory to ancestral, intimate to speculative. Taking the time to think about trees through imagination, art, music, storytelling, poetry,(...)
A tree: A reader on arboreal kinship
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"A tree," is about vegetal agency, plant knowledge, and the interaction between plants and people, with a specific focus on trees. This book comprises a variety of contributions that take a multitude of approaches to tree life, from sensory to ancestral, intimate to speculative. Taking the time to think about trees through imagination, art, music, storytelling, poetry, and images, the works in this reader share the aim of nurturing and furthering dialogue that exercises arboreal kinship. Moreover, the contributions inspire us to move beyond large systems of oppression and towards exorcizing anthropocentrism, capitalism, individualism, heteronormativity, and coloniality, by learning from and with tree time.
Art Theory
Bog Myrtle
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Two sisters, one stubbornly cheerful (Beatrice) and one relentlessly grumpy (Magnolia), live in a drafty old house with a family of helpful spiders. When Beatrice is gifted magic yarn from a giant forest spider obsessed with sustainability named Bog Myrtle, she and the spiders set to work knitting up a perfectly warm sweater. But greedy Magnolia sees only the opportunity(...)
Bog Myrtle
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Two sisters, one stubbornly cheerful (Beatrice) and one relentlessly grumpy (Magnolia), live in a drafty old house with a family of helpful spiders. When Beatrice is gifted magic yarn from a giant forest spider obsessed with sustainability named Bog Myrtle, she and the spiders set to work knitting up a perfectly warm sweater. But greedy Magnolia sees only the opportunity for profit, and quickly converts the old house into a magic sweater factory. The exhausted spiders are driven to strike, and Bog Myrtle is not pleased . . . "Bog Myrtle" is a witty modern folktale that touches on themes of capitalism, environmentalism, labor rights, and being a nice person.
Children's Books
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Degrowth is an emerging social movement that overlaps with proposals for systemic change such as anti-globalization and climate justice, commons and transition towns, basic income and Buen Vivir. ''Degrowth in Movement(s)'' reflects on the current situation of social movements aiming at overcoming capitalism, industrialism and domination. The essays ask: What is the key(...)
Critical Theory
June 2020
Degrowth in movements: exploring pathways for transformation
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Degrowth is an emerging social movement that overlaps with proposals for systemic change such as anti-globalization and climate justice, commons and transition towns, basic income and Buen Vivir. ''Degrowth in Movement(s)'' reflects on the current situation of social movements aiming at overcoming capitalism, industrialism and domination. The essays ask: What is the key idea of the respective movement? Who is active? What is the relation with the degrowth movement? What can the degrowth movement learn from these other movements and the other way around? Which common proposals, but also which contradictions, oppositions and tensions exist? And what alliances could be possible for broader systemic transformations?
Critical Theory
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Currently based in London and Zürich, Sergison Bates architects has been active since 1996 and since gained international renown. This issue presents an overview of their output from the past dozen years, including private homes, urban housing, care facilities, office buildings, public libraries, and more. Among these are the Novartis Welcome Centre and Office Building in(...)
El Croquis 187: Sergison Bates 2004-2016
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Currently based in London and Zürich, Sergison Bates architects has been active since 1996 and since gained international renown. This issue presents an overview of their output from the past dozen years, including private homes, urban housing, care facilities, office buildings, public libraries, and more. Among these are the Novartis Welcome Centre and Office Building in Shanghai, a university campus in London, a city library and public square in Mendrisio, a hotel in Doha, and urban residences in Vienna and Antwerp. Also published in this issue is the essay “Well into the 20th Century: The Architectures of Post-Capitalism?”, by architect Alejandro Zaera-Polo.
Architecture Monographs
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The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of “slow violence” to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the(...)
Slow violence and the environmentalism of the poor
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The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of “slow violence” to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode.
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March 2013
Environment and environmental theory
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical(...)
The silences of Mies: 02.AKAD
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical genealogy, and to connect it to the present moment, when the possibility and very sense of criticality as a strategy of negativity seem more questinable than ever. Sven-Olov Wallenstein teaches philosophy and aesthetics at the University College of Södertörn in Stockholm, and is the editor-in-chief of Site magazine.
Architectural Theory