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In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in(...)
Albert Kahn Inc.: Architecture, labor, and industry, 1905-1961
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In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in other kinds of architecture and in the built environment writ large. Generally a marginal subject in histories of architecture, industrialism here exposes the expansionist modern project in Western architecture and culture, which was based on natural resource extraction and labor exploitation. With more than 140 full-color illustrations, the book combines an analysis of industrial architecture with compelling photographic evidence drawn from assorted archives.
Architecture Monographs
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
One place after another : site-specific art and locational identity
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, René¥ Green, Suzanne Lacy, Iñ©§¯ Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Art Theory
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
Contemporary Art Monographs
November 2001, Cambridge, Mass.
One place after another : site-specific art and locational identity
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Contemporary Art Monographs
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Drawing on rich historical research, Silvia Federici maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the "new enclosures" at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women(...)
Re-enchanting the world: feminism and the politics of the commons
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Drawing on rich historical research, Silvia Federici maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the "new enclosures" at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women and reproductive work as crucial to both our economic survival and the construction of a world free from the hierarchies and divisions capital has planted in the body of the world proletariat. Federici is clear that the commons should not be understood as happy islands in a sea of exploitative relations but rather autonomous spaces from which to challenge the existing capitalist organization of life and labor.
Critical Theory
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Riots are extraordinary events that have been recurring with increasing frequency and occupy a highly controversial space in the political imagination. Despite their often negative portrayals, it is undeniable that riots have played a pivotal role in the confrontation between authority and dissent. Recently, with the deepening crises of capitalism, racial violence, and(...)
Nights of the dispossessed: riots unbound
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Riots are extraordinary events that have been recurring with increasing frequency and occupy a highly controversial space in the political imagination. Despite their often negative portrayals, it is undeniable that riots have played a pivotal role in the confrontation between authority and dissent. Recently, with the deepening crises of capitalism, racial violence, and communal tension, an 'age of riots' has powerfully begun. As master fictions of the sovereign nation-state implode, and the hegemonic silencing of the dispossessed reveals the cracks in governability, 'Nights of the Dispossessed: Riots Unbound' brings together artistic works, political texts, critical urban analyses, and research projects from across the world in an endeavor to 'sense,' chronicle, and think through recent riots and uprisings - evoking a phenomenology of the multitude and surplus population.
Critical Theory
War primer 2
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Originally released in 2011 as a limited edition hardback, this paperback edition is a facsimile of the book which earned Adam Broomberg and Oliver Chanarin the 2013 Deutsche Börse Photography Prize. War Primer 2 appropriates the first English-language version of Bertolt Brecht’s remarkable 1955 Kriegsfibel in which Brecht combined press photographs from the World Wars(...)
War primer 2
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Originally released in 2011 as a limited edition hardback, this paperback edition is a facsimile of the book which earned Adam Broomberg and Oliver Chanarin the 2013 Deutsche Börse Photography Prize. War Primer 2 appropriates the first English-language version of Bertolt Brecht’s remarkable 1955 Kriegsfibel in which Brecht combined press photographs from the World Wars with four-line poems. Compiled intermittently over three decades, Brecht’s book was a visual and lyrical attack on war and its propagandists under modern capitalism. Shifting the critique to contemporary narratives perpetuated by the so-called 'War on Terror', Broomberg and Chanarin strategically overlay the pages of Brecht’s War Primer with images culled from the internet and generated by the actors, propagators and reporters of the contemporary conflict.
Photography monographs
The cybernetic hypothesis
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This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction,(...)
The cybernetic hypothesis
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This early Tiqqun text has lost none of its pertinence. ''The Cybernetic Hypothesis'' presents a genealogy of our “technical” present that doesn't point out the political and ethical dilemmas embedded in it as if they were puzzles to be solved, but rather unmasks an enemy force to be engaged and defeated. Cybernetics in this context is the ''teknê'' of threat reduction, which unfortunately has required the reduction of a disturbing humanity to packets of manageable information. Not so easily done. Not smooth. A matter of civil war, in fact. According to the authors, cybernetics is the latest master fable, welcomed at a certain crisis juncture in late capitalism. And now the interesting question is: Has the guest in the house become the master of the house?
Critical Theory
Nomography
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This book proposes a provocative interpretation of the dynamic relationship between the normative and the transgressive. Combining sociology, biopolitics and satire, it offers a surprising theory of normative imagination as a cognitive mode characteristic of the era of emotional capitalism. Gender, fashion, artistic creation and surveillance are analyzed from the(...)
Nomography
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This book proposes a provocative interpretation of the dynamic relationship between the normative and the transgressive. Combining sociology, biopolitics and satire, it offers a surprising theory of normative imagination as a cognitive mode characteristic of the era of emotional capitalism. Gender, fashion, artistic creation and surveillance are analyzed from the perspective of a regulatory drive, a continuously renovated and imperative push for normalcy that no longer comes from factual powers but from citizens themselves. These, united in a spontaneous popular court, armed with smartphones and driven by juridical compulsion, become the axis of societies of control. In this way the affective ways of constructing subjectivity are replaced by the distinctive pathology of our times, the name of the globalized game: normopathy for all.
Critical Theory
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A fog of information and images has flooded the world: from advertising, television, radio, and film to the information glut produced by the new economy. With the rise of social networking, even our contemporaries, peers, and friends are all suddenly selling us the ultimate product: themselves. Here curator and critic Nato Thompson interrogates the implications of these(...)
Seeing power: art and activism in the 21st century
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A fog of information and images has flooded the world: from advertising, television, radio, and film to the information glut produced by the new economy. With the rise of social networking, even our contemporaries, peers, and friends are all suddenly selling us the ultimate product: themselves. Here curator and critic Nato Thompson interrogates the implications of these developments for those dedicated to socially engaged art and activism. How can anyone find a voice and make change when the world is flooded with images and information? And what is one to make of the endless machine of consumer capitalism, which has appropriated much from the history of art and, in recent years, the methods of grassroots political organizing and social networking?
Art Theory
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of(...)
Contemporary Art Monographs
October 2007, Berlin, New York
Mai-Thu Perret - Land of Crystal
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of disillusioned women exiled in the New Mexico desert, as well as myriad artworks that Perret describes as their "hypothetical products." Born in 1975 in Geneva, where she lives and works, Perret studied at Cambridge University and the Whitney Independent Study Program, New York. This comprehensive artist's book, Perret's first monograph, includes a selection of her writings and a specially designed collage of references. Perret's work has recently been seen at The Renaissance Society in Chicago.
Contemporary Art Monographs