Series
Objectile records
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
1993-2011
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Series
1993-2011
Project
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
1988
Ideas competition, Riqualificazione cava di San Carlo [Redevelopment San Carlo quarry], San Vincenzo, Livorno, Italy (1988)
Actions:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Project
1988
archives
Level of archival description:
Fonds
Bernard Cache fonds
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
1992-2011
Bernard Cache fonds
Actions:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
archives
Level of archival description:
Fonds
1992-2011
Project
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
1995
University of Waterloo Centre for Environmental Sciences and Engineering Competition, Waterloo, Ontario (1995)
Actions:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
Project
1995
Project
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
1969-1971
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Project
1969-1971
archives
Level of archival description:
Collection
Kiran Mukerji Collection
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
1972-2013
Kiran Mukerji Collection
Actions:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
archives
Level of archival description:
Collection
1972-2013
Project
AP075.S1.1989.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Environmental Science Building and Walter Ward Garden on West Bank Drive at Trent University, in Peterborough, Ontario. Oberlander worked on this project in 1989 with Richard Henriquez Architect and Laszlo Nemeth Associates who won the design competition for the new campus building. The project consists in an environmental garden with native plants and grasses and a landscaped roof linked to the ground level by a ramp covered in earth. The ramp and the green roof were design not for human but to give a refuge to ground hogs displaced by the construction of the building. The Environmental Science Building opened in 1991 while the garden was officially opened in 1992. The project series contains site plans, sketches, design developement drawings, including planting plans, landscape sections and details, working drawings, presentation drawings, including perspective drawings, and presentation panels. The project series also comprises working drawings of the building used as reference by Oberlander. The project is also documents through photographs of the construction of the building and the site work, concept notes by Oberlander, correspondence with clients, architects and consultants, specifications, including landscape specifications, plants selection documents, financial documents, reseach materials, and clippings of articles on the project.
1989-1993
Environmental Science Building and Walter Ward Garden, Trent University, Peterborough, Ontario (1989)
Actions:
AP075.S1.1989.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Environmental Science Building and Walter Ward Garden on West Bank Drive at Trent University, in Peterborough, Ontario. Oberlander worked on this project in 1989 with Richard Henriquez Architect and Laszlo Nemeth Associates who won the design competition for the new campus building. The project consists in an environmental garden with native plants and grasses and a landscaped roof linked to the ground level by a ramp covered in earth. The ramp and the green roof were design not for human but to give a refuge to ground hogs displaced by the construction of the building. The Environmental Science Building opened in 1991 while the garden was officially opened in 1992. The project series contains site plans, sketches, design developement drawings, including planting plans, landscape sections and details, working drawings, presentation drawings, including perspective drawings, and presentation panels. The project series also comprises working drawings of the building used as reference by Oberlander. The project is also documents through photographs of the construction of the building and the site work, concept notes by Oberlander, correspondence with clients, architects and consultants, specifications, including landscape specifications, plants selection documents, financial documents, reseach materials, and clippings of articles on the project.
Project
1989-1993
photographs
Quantity:
29 file
ARCH242865
Description:
Images for various articles - listed by author, content, or magazine theme: Diana Agrest Barcelona Karen Bermann Biosphere Jennifer Bloomer Blow-Up (film) Cynthia Davidson - Portraits (of) Durham Crout Diller & Scofidio Dionysus (statue) Disney Duany, Plater-Zyberk (Seaside architecture) Earth Electrotecture Images Feminine Images Huis Ten Bosch Katsura Palace - Japanese Architecture Jeffrey Kipnis - Shirdel (Bahram) , Zago (Andrew), Kipnis - Scottish National Museum Los Angeles Riots Lightness Images Mall of America Mount Fuji Napoleon III - De Morny - Second Republic France Science Photos (Kwinteresque) Telephone Twin Peaks (TV show) War Writing Illustrations (Scott) Wolf Images - Any 14
assembled 1990-2001?
Images for various articles - listed by author, content, or magazine theme
Actions:
ARCH242865
Description:
Images for various articles - listed by author, content, or magazine theme: Diana Agrest Barcelona Karen Bermann Biosphere Jennifer Bloomer Blow-Up (film) Cynthia Davidson - Portraits (of) Durham Crout Diller & Scofidio Dionysus (statue) Disney Duany, Plater-Zyberk (Seaside architecture) Earth Electrotecture Images Feminine Images Huis Ten Bosch Katsura Palace - Japanese Architecture Jeffrey Kipnis - Shirdel (Bahram) , Zago (Andrew), Kipnis - Scottish National Museum Los Angeles Riots Lightness Images Mall of America Mount Fuji Napoleon III - De Morny - Second Republic France Science Photos (Kwinteresque) Telephone Twin Peaks (TV show) War Writing Illustrations (Scott) Wolf Images - Any 14
photographs
Quantity:
29 file
assembled 1990-2001?
drawings
Quantity:
6 presentation drawing(s)
AP140.S2.SS1.D21.P2
Description:
two site plans for the executed scheme for the assembly and dining hall, one showing the first stage of the project, with the assembly hall and an access road to an existing small estate of prefabricated houses, and the other the second stage of the project, with the access road and estate removed, an additional classroom building on the site, and a covered walkway connecting the hall to the existing Victorian school building; also, a plan for the ground floor, an elevation and section, a hand-coloured detail for the retaining wall, earth bank, and window, and a hand-coloured cutaway bird's-eye axonometric
between 1958 and 1961
Two site plans for the executed scheme for the assembly and dining hall
Actions:
AP140.S2.SS1.D21.P2
Description:
two site plans for the executed scheme for the assembly and dining hall, one showing the first stage of the project, with the assembly hall and an access road to an existing small estate of prefabricated houses, and the other the second stage of the project, with the access road and estate removed, an additional classroom building on the site, and a covered walkway connecting the hall to the existing Victorian school building; also, a plan for the ground floor, an elevation and section, a hand-coloured detail for the retaining wall, earth bank, and window, and a hand-coloured cutaway bird's-eye axonometric
drawings
Quantity:
6 presentation drawing(s)
between 1958 and 1961
drawings
AP148.S1.1970.PR02.001.1
Description:
The material in the next 7 files (AP148.S1.1970.PR02.001.1 through AP148.S1.1970.PR02.001.7) was contained together in a handmade folder titled "AI Storyboard". The material in this folder has been separated for preservation purposes, and the original folder has been retained. This file contains notes and sketches on the film idea, including the story, visuals, music and cinematography. Also includes clippings, both of which refer to imagery and ideas of an earth-moon highway or contest for a highway, as well as the first architectural competition in space ("Primo concorso di architettura nello spazio"). Also includes a small viewer of an Escher image.
ca. 1970-1971
Notes and sketches on a film story, Interplanetary Architecture (Folder 1 of 7)
Actions:
AP148.S1.1970.PR02.001.1
Description:
The material in the next 7 files (AP148.S1.1970.PR02.001.1 through AP148.S1.1970.PR02.001.7) was contained together in a handmade folder titled "AI Storyboard". The material in this folder has been separated for preservation purposes, and the original folder has been retained. This file contains notes and sketches on the film idea, including the story, visuals, music and cinematography. Also includes clippings, both of which refer to imagery and ideas of an earth-moon highway or contest for a highway, as well as the first architectural competition in space ("Primo concorso di architettura nello spazio"). Also includes a small viewer of an Escher image.
drawings
ca. 1970-1971