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When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and(...)
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When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and(...)
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Making noise: From Babel to the Big Bang & beyond
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When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific.
Making noise: From Babel to the Big Bang & beyond
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When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific.
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books
books
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November 2011
November 2011
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Architectural Theory
Architectural Theory
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$65.00
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This volume investigates the role of architecture, taking the Tracé Royal (the royal route) in Brussels as an example of an urban figure. The succession of emblematic streets, running from the Palace of Justice in the heart of the city to the Church of Our Lady and the Royal Domain in Laeken, is home to several of Belgium’s national political, legal, religious, financial,(...)
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This volume investigates the role of architecture, taking the Tracé Royal (the royal route) in Brussels as an example of an urban figure. The succession of emblematic streets, running from the Palace of Justice in the heart of the city to the Church of Our Lady and the Royal Domain in Laeken, is home to several of Belgium’s national political, legal, religious, financial,(...)
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Institutions and the city: The role of architecture
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This volume investigates the role of architecture, taking the Tracé Royal (the royal route) in Brussels as an example of an urban figure. The succession of emblematic streets, running from the Palace of Justice in the heart of the city to the Church of Our Lady and the Royal Domain in Laeken, is home to several of Belgium’s national political, legal, religious, financial, and cultural institutions. The book explores the strategies put in place over time by the various institutions to inscribe themselves durably on the country’s social order, revealing similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political, and cultural reference points are being blurred.
Institutions and the city: The role of architecture
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This volume investigates the role of architecture, taking the Tracé Royal (the royal route) in Brussels as an example of an urban figure. The succession of emblematic streets, running from the Palace of Justice in the heart of the city to the Church of Our Lady and the Royal Domain in Laeken, is home to several of Belgium’s national political, legal, religious, financial, and cultural institutions. The book explores the strategies put in place over time by the various institutions to inscribe themselves durably on the country’s social order, revealing similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political, and cultural reference points are being blurred.
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books
books
Publication:
January 2023
January 2023
Subject:
Urban Theory
Urban Theory
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books
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's(...)
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's(...)
Title:
Architecture in the anthropocene: encounters among design, deep time, science and philosophy
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is almost certain that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration of the merits of the Anthropocene thesis by the International Commission on Stratigraphy and the International Union of Geological Sciences has also garnered the attention of philosophers, historians, and legal scholars, as well as an increasing number of researchers from a range of scientific backgrounds.
Architecture in the anthropocene: encounters among design, deep time, science and philosophy
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is almost certain that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration of the merits of the Anthropocene thesis by the International Commission on Stratigraphy and the International Union of Geological Sciences has also garnered the attention of philosophers, historians, and legal scholars, as well as an increasing number of researchers from a range of scientific backgrounds.
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books
books
Publication:
November 2013
November 2013
Subject:
Architectural Theory
Architectural Theory
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books
books
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of(...)
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of(...)
Title:
Felipe Romero Beltrán: Dialect
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of suspension and liminality, Beltrán engages with the body as a metaphor: using a carefully articulated language between photography, performance and collaboration, the weight of dead time is registered upon the shoulders of these young men, entering into dialogue with their memories, journeys, and the humiliating mundanity of waiting and migration. Alongside video works and choreographed dance, ''Dialect'' breaks new documentary ground to shine a critical light on practices of bureaucratic oppression.
Felipe Romero Beltrán: Dialect
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of suspension and liminality, Beltrán engages with the body as a metaphor: using a carefully articulated language between photography, performance and collaboration, the weight of dead time is registered upon the shoulders of these young men, entering into dialogue with their memories, journeys, and the humiliating mundanity of waiting and migration. Alongside video works and choreographed dance, ''Dialect'' breaks new documentary ground to shine a critical light on practices of bureaucratic oppression.
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books
books
Publication:
June 2023
June 2023
Subject:
Photography monographs
Photography monographs
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books
books
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$32.00
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Summary:
This book travels back and forth in time through scenes of erasure at three primary locations—Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). "Erasure by design" shares first person narratives of growing up in the wake of slum clearance—that is, "urban renewal"—in Southwest, Washington DC, while assembling archival(...)
$32.00
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Summary:
This book travels back and forth in time through scenes of erasure at three primary locations—Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). "Erasure by design" shares first person narratives of growing up in the wake of slum clearance—that is, "urban renewal"—in Southwest, Washington DC, while assembling archival(...)
Title:
Erasure by design: Racial protocols of displacement, demolition, and extraction
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This book travels back and forth in time through scenes of erasure at three primary locations—Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). "Erasure by design" shares first person narratives of growing up in the wake of slum clearance—that is, "urban renewal"—in Southwest, Washington DC, while assembling archival references that narrate racialized erasure and its legal and spatial precedents. It traces a military complex under construction, where St Louis’s cleared grounds and blacked out sites are also defined by satellites, body experiments, explosions, and emptiness. It moves through specific grounds in Los Angeles—dirt walls, hills, oil fields, gas lines, and houses in the forest—to trace how those grounds matter and how their holding intersects with maps that plan erasure, inhabitation, and extraction.
Erasure by design: Racial protocols of displacement, demolition, and extraction
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Summary:
This book travels back and forth in time through scenes of erasure at three primary locations—Southwest, Washington DC (displacement); North St Louis (demolition), and South Los Angeles (extraction). "Erasure by design" shares first person narratives of growing up in the wake of slum clearance—that is, "urban renewal"—in Southwest, Washington DC, while assembling archival references that narrate racialized erasure and its legal and spatial precedents. It traces a military complex under construction, where St Louis’s cleared grounds and blacked out sites are also defined by satellites, body experiments, explosions, and emptiness. It moves through specific grounds in Los Angeles—dirt walls, hills, oil fields, gas lines, and houses in the forest—to trace how those grounds matter and how their holding intersects with maps that plan erasure, inhabitation, and extraction.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Humans and cities
Humans and cities
Form:
journals and magazines
journals and magazines
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they(...)
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they(...)
Title:
The Funambulist 10: Architecture and colonialism
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they all describe. While the last issue was dedicated to the seminal work of Édouard Glissant, inscribed throughout the pages of this present one is the influence of another Martiniquais: Frantz Fanon. The two editorial arguments of this issue are simple: colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space.
The Funambulist 10: Architecture and colonialism
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The tenth issue of "The Funambulist" operates somehow in continuity with issue 9 Islands (January-February 2017), which offered the words of indigenous and anticolonial struggles from various islands of the world. Voices from Kanaky, Mayotte, Hawai’i, and Puerto Rico resonate therefore here with those from Libya, Kenya, Palestine, and Java, in the colonial situations they all describe. While the last issue was dedicated to the seminal work of Édouard Glissant, inscribed throughout the pages of this present one is the influence of another Martiniquais: Frantz Fanon. The two editorial arguments of this issue are simple: colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space.
Form:
journals and magazines
journals and magazines
Publication:
March 2017
March 2017
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books
books
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$36.95
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Summary:
In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends(...)
$36.95
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Summary:
In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends(...)
Title:
Colonial lives of property: law, land, and racial regimes of ownership
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In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as upon legal narratives that equate civilized life with English concepts of property. In this way, property law legitimates and rationalizes settler colonial practices while it racializes those deemed unfit to own property. The solution to these enduring racial and economic inequities, Bhandar demonstrates, requires developing a new political imaginary of property in which freedom is connected to shared practices of use and community rather than individual possession.
Colonial lives of property: law, land, and racial regimes of ownership
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$36.95
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Summary:
In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as upon legal narratives that equate civilized life with English concepts of property. In this way, property law legitimates and rationalizes settler colonial practices while it racializes those deemed unfit to own property. The solution to these enduring racial and economic inequities, Bhandar demonstrates, requires developing a new political imaginary of property in which freedom is connected to shared practices of use and community rather than individual possession.
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books
books
Publication:
May 2018
May 2018
Subject:
Architecture ecologies
Architecture ecologies
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books
books
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Description:
355 pages : illustrations ; 24 cm.
Description:
355 pages : illustrations ; 24 cm.
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Publication:
New York : Zone Books, 2017.
New York : Zone Books, 2017.
Title:
Forensic architecture : violence at the threshold of detectability / Eyal Weizman.
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Description:
355 pages : illustrations ; 24 cm.
Forensic architecture : violence at the threshold of detectability / Eyal Weizman.
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Description:
355 pages : illustrations ; 24 cm.
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books
books
Publication:
New York : Zone Books, 2017.
New York : Zone Books, 2017.
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Description:
ix, 349 pages : illustrations ; 26 cm
Description:
ix, 349 pages : illustrations ; 26 cm
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Publication:
New York : John Wiley, 2000.
New York : John Wiley, 2000.
Title:
Privately owned public space : the New York City experience / Jerold S. Kayden, the New York City Department of City Planning, the Municipal Art Society of New York.
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ix, 349 pages : illustrations ; 26 cm
Privately owned public space : the New York City experience / Jerold S. Kayden, the New York City Department of City Planning, the Municipal Art Society of New York.
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ix, 349 pages : illustrations ; 26 cm
Form:
books
books
Publication:
New York : John Wiley, 2000.
New York : John Wiley, 2000.
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$29.00
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Summary:
Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
Publication:
February 2012
February 2012
Title:
In deed : certificates of authenticity in art
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
In deed : certificates of authenticity in art
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$29.00
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Summary:
Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
Form:
books
books
Publication:
February 2012
February 2012
