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Writing the City into Being is Bremner’s collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of a city and a work of imagination – a bringing of the evasive city into being through writing. Johannesburg has become a touchstone in critical thinking on the development of the(...)
Writing the city into being: essays on Johannesburg
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Writing the City into Being is Bremner’s collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of a city and a work of imagination – a bringing of the evasive city into being through writing. Johannesburg has become a touchstone in critical thinking on the development of the twenty-first-century city, attracting scholars from around the world who seek to understand how cities are changing in the face of urban migration in all its myriad forms and the inflow of foreign capital and interest. Writing the City into Being is an important book for those seeking to understand cities in a rapidly changing and fragmenting world. Lindsay Bremner is a guide to the city of Johannesburg, and one of its most incisive commentators.
Architecture since 1900, Africa
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What with global warming, the war on terror, extreme political polarization, an unstoppable demographic explosion and migration, anarchy and chaos are becoming parts of our world system in hitherto unprecedented ways. What to call the planetary state of emergency we are now entering - a “New World Disorder,” perhaps, or “Entropic Empire”? In his latest book, the Dutch(...)
Reflect # 9 : entropic empire, on the city of man in the age of disaster
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What with global warming, the war on terror, extreme political polarization, an unstoppable demographic explosion and migration, anarchy and chaos are becoming parts of our world system in hitherto unprecedented ways. What to call the planetary state of emergency we are now entering - a “New World Disorder,” perhaps, or “Entropic Empire”? In his latest book, the Dutch philosopher, art historian, writer and activist Lieven De Cauter suggests that an entropic empire is created by opposing forces or philosophical poles: the “state of exception” (tyranny) and the “state of nature” (anarchy). Entropic Empire: Considerations on the Planetary State of Emergency is part post-historical sci-fi scenario and part philosophical consideration on the eternal return of prehistory (the “state of nature”). For De Cauter, the simple but troubling question is: are we falling out of history?
Critical Theory
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To confront the Anthropocene, designers must increasingly move between scales and across disciplines to develop new structures of knowledge and tools of representation: from the embodied to the technical, the investigative to the projective. Ultimately, this volume asks: What stakes are embedded in contemporary architectural environmental media, and how are designers(...)
Architecture as environmental media: Rendering the planetary
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To confront the Anthropocene, designers must increasingly move between scales and across disciplines to develop new structures of knowledge and tools of representation: from the embodied to the technical, the investigative to the projective. Ultimately, this volume asks: What stakes are embedded in contemporary architectural environmental media, and how are designers re-imagining this media landscape today? Chapters in the book explore counter-cartographies of migration and materials, forest ecologies and theories of abundance, hyperreal visualization and environmental simulation, architecture’s extractive and colonial systems, and pedagogies and practices for environmental futures. This book organizes these efforts into three threads of media practice: rendering visible, rendering sensible, and rendering actionable. While these categories are inextricably intertwined, they represent distinct tactical approaches to media production, each exploring possible methods to develop new knowledge systems, shift aesthetic regimes, and transform collective politics.
Architecture ecologies
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
Events of the social: portraiture and collective agency
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
Photography Collections
Rahim Fortune: Hardtack
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Flour, water, and salt. These are the sole ingredients that make Hardtack: a Civil War-era food long-associated with survivalism, land migration, and its extremely long shelf life. Drawing from this history as a metaphor for the long-enduring nature of Black culture and traditions, Hardtack uncovers the roots that tie Fortune's native landscape to the conflicts and(...)
Rahim Fortune: Hardtack
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Flour, water, and salt. These are the sole ingredients that make Hardtack: a Civil War-era food long-associated with survivalism, land migration, and its extremely long shelf life. Drawing from this history as a metaphor for the long-enduring nature of Black culture and traditions, Hardtack uncovers the roots that tie Fortune's native landscape to the conflicts and nuances associated with the post-emancipation Americas. In the follow-up to his breakout monograph I can't stand to see you cry, Fortune borrows from the language of vernacular and archival photography to interrogate the historical relationship of his community to photography; rooted in the landscape, Fortune often uses sites of historical and cultural interest as a guide but not a subject, implying the deep ties that bind modern Black communities resiliently to their regions, in the face of both adversity and joy.
Photography monographs
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In ''¡Presente!: the politics of presence'' Diana Taylor asks what it means to be physically and politically present in situations where it seems that nothing can be done. As much an act, a word, an attitude, a theoretical intervention, and a performance pedagogy, Taylor maps ''¡Presente!'' at work in scenarios ranging from conquest, through colonial enactments and(...)
¡Presente!: the politics of presence
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In ''¡Presente!: the politics of presence'' Diana Taylor asks what it means to be physically and politically present in situations where it seems that nothing can be done. As much an act, a word, an attitude, a theoretical intervention, and a performance pedagogy, Taylor maps ''¡Presente!'' at work in scenarios ranging from conquest, through colonial enactments and resistance movements, to present moments of capitalist extractivism and forced migration in the Americas. ''¡Presente!''—present among, with, and to; a walking and talking with others; an ontological and epistemic reflection on presence and subjectivity as participatory and relational, founded on mutual recognition—requires rethinking and unlearning in ways that challenge colonial epistemologies. Showing how knowledge is not something to be harvested but a process of being, knowing, and acting with others, Taylor models a way for scholarship to be present in political struggles.
Critical Theory
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Être locataire du 305 rue de Bellechasse lorsqu’un changement de main enclenche une migration forcée. Voir se vider au compte-goutte ce lieu ayant abrité des ateliers d’artistes et des travailleurs créatifs pendant plusieurs années. Dans la précipitation, vouloir garder des images de ce lieu que j’adore. Réaliser que cette documentation était entamée depuis la minute où(...)
Sandra Larochelle: Habitat. 305 rue de Bellechasse
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Être locataire du 305 rue de Bellechasse lorsqu’un changement de main enclenche une migration forcée. Voir se vider au compte-goutte ce lieu ayant abrité des ateliers d’artistes et des travailleurs créatifs pendant plusieurs années. Dans la précipitation, vouloir garder des images de ce lieu que j’adore. Réaliser que cette documentation était entamée depuis la minute où j’y ai mis les pieds. Offrir à d’autres occupants d’aller à leur rencontre avant leur départ, en ne sachant pas encore ce que ça donnerait. Revenir avec des centaines d’images d’atelier et des réflexions plein la tête. Présenter une série d’images plus près du photoreportage dans le cadre de l’exposition extérieure 305 à l’été 2020. Et maintenant vous proposer ce livre photo, un objet personnel qui incarne mon passage et ma sortie de cette adresse. Ce que j’y ai laissé et ce que j’en garde.
Consignment
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Almost immediately after the invention of photography, Scottish photographers took their clunky cameras on the road to capture the stories of peoples and communities touched by the forces of British imperialism. For the next thirty years, their journeys would take them far from their homes in the Lowlands to the Canadian wilderness and the treaty ports and rivers of(...)
The global flows of early Scottish photography
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Almost immediately after the invention of photography, Scottish photographers took their clunky cameras on the road to capture the stories of peoples and communities touched by the forces of British imperialism. For the next thirty years, their journeys would take them far from their homes in the Lowlands to the Canadian wilderness and the treaty ports and rivers of China. ''The Global Flows of Early Scottish Photography'' is about the interplay between these photographers' ambitions and the needs and desires of the people they met. Anthony Lee tracks the work of several famous innovators of the art form, including D.O. Hill and Robert Adamson in Edinburgh; the Scottish immigrants William Notman and Alexander Henderson in Montreal; John Thomson in Hong Kong; and Lai Afong. Lee reveals their pictures in the context of migration and the social impact wrought by worldwide trade and competing nationalisms.
Photography Collections
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization(...)
Planning on the edge: Vancouver and the challenges of reconciliation, social justice, and sustainability
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization and speculative property development have increased social inequality and housing insecurity since the 1980s in the city and the region. To determine the city’s prospects for overcoming these problems, they look at city planning from all angles, including planning for the Indigenous population, environmental and disaster planning, housing and migration, and transportation and water management. By looking at policies at the local, provincial, and federal levels and taking reconciliation with Indigenous peoples into account, "Planning on the edge" highlights the kinds of policies and practices needed to reorient Vancouver’s development trajectory along a more environmentally sound and equitable path.
Humans and cities
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The architecture of ordinary people represents more than ninety per cent of the world's buildings, including some 800 million homes. Dwellings is about the types and forms of vernacular houses around the world. It documents the form of traditional buildings that are self-built by their owner-occupiers or built by members of a community, recording the means of construction(...)
Dwellings : the vernacular house world wide
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The architecture of ordinary people represents more than ninety per cent of the world's buildings, including some 800 million homes. Dwellings is about the types and forms of vernacular houses around the world. It documents the form of traditional buildings that are self-built by their owner-occupiers or built by members of a community, recording the means of construction and decoration of the house in many different cultures. First published by Phaidon in 1987, "Dwellings", in its new updated, revised and expanded format, takes into account new scholarship in the field, including the author's own fieldwork, and also acknowledges theoretical developments in the areas of cultural geography, gender studies, sociology and anthropology. "Dwellings" is a reference work on domestic buildings and also a useful survey for understanding how different communities cope with issues of climate, migration, mass development, and symbolic and cultural meaning in architecture.
Green Architecture