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176 pages : illustrations (some color) ; 30 cm
Description:
176 pages : illustrations (some color) ; 30 cm
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Subject:
- Schinkel, Karl Friedrich, 1781-1841 Exhibitions.,
- Schinkel, Karl Friedrich, 1781-1841,
- Schinkel, Karl Friedrich, 1781-1841 Criticism and interpretation.,
- Schinkel, Karl Friedrich, (1781-1841) Catalogues d'exposition.,
- Neoclassicism (Architecture) Germany Exhibitions.,
- Néoclassicisme (Architecture) Allemagne Expositions.,
- Neoclassicism (Architecture),
- Gebouwen.,
- Architectuurtekeningen.,
- Neoclassicism (Architecture) Germany.,
- Architects Germany 19th century.,
- Néo-classicisme (architecture) Allemagne Catalogues d'exposition.,
- Germany,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
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Publication:
Chicago, Ill. : Art Institute of Chicago ; Tübingen, Germany : Wasmuth, ©1994.
Chicago, Ill. : Art Institute of Chicago ; Tübingen, Germany : Wasmuth, ©1994.
Title:
Karl Friedrich Schinkel, 1781-1841 : the drama of architecture / edited by John Zukowsky ; with essays by Kurt W. Forster [and others].
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176 pages : illustrations (some color) ; 30 cm
Karl Friedrich Schinkel, 1781-1841 : the drama of architecture / edited by John Zukowsky ; with essays by Kurt W. Forster [and others].
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176 pages : illustrations (some color) ; 30 cm
Form:
books
books
Publication:
Chicago, Ill. : Art Institute of Chicago ; Tübingen, Germany : Wasmuth, ©1994.
Chicago, Ill. : Art Institute of Chicago ; Tübingen, Germany : Wasmuth, ©1994.
Subject:
- Schinkel, Karl Friedrich, 1781-1841 Exhibitions.,
- Schinkel, Karl Friedrich, 1781-1841,
- Schinkel, Karl Friedrich, 1781-1841 Criticism and interpretation.,
- Schinkel, Karl Friedrich, (1781-1841) Catalogues d'exposition.,
- Neoclassicism (Architecture) Germany Exhibitions.,
- Néoclassicisme (Architecture) Allemagne Expositions.,
- Neoclassicism (Architecture),
- Gebouwen.,
- Architectuurtekeningen.,
- Neoclassicism (Architecture) Germany.,
- Architects Germany 19th century.,
- Néo-classicisme (architecture) Allemagne Catalogues d'exposition.,
- Germany,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
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video
video
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Description:
1 online resource (1 video file (24 minutes)) : sound, color
Title:
Lutyens : New Delhi / [presented by] Gavin Stamp.
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1 online resource (1 video file (24 minutes)) : sound, color
Lutyens : New Delhi / [presented by] Gavin Stamp.
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Description:
1 online resource (1 video file (24 minutes)) : sound, color
Form:
video
video
Publication:
London, England : Pidgeon Digital, 1981.
London, England : Pidgeon Digital, 1981.
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books
books
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Price:
$28.00
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Summary:
More than 400 years after his death, Andrea Palladio (1508–80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously(...)
$28.00
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Summary:
More than 400 years after his death, Andrea Palladio (1508–80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously(...)
Title:
Palladian design: the good, the bad and the unexpected
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Summary:
More than 400 years after his death, Andrea Palladio (1508–80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously unexplored works that put Palladio in a new social context and brings out unexpected stories about the impact of his legacy on functionality and style. It also questions how a style and an approach to architecture that Palladio intended to be democratic is now associated with wealth.
Palladian design: the good, the bad and the unexpected
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Summary:
More than 400 years after his death, Andrea Palladio (1508–80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously unexplored works that put Palladio in a new social context and brings out unexpected stories about the impact of his legacy on functionality and style. It also questions how a style and an approach to architecture that Palladio intended to be democratic is now associated with wealth.
Form:
books
books
Publication:
November 2015
November 2015
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Description:
[20], 179, [1] p., 81 leaves of plates ill. ; 26 cm.
Description:
[20], 179, [1] p., 81 leaves of plates ill. ; 26 cm.
Subject:
Publication:
London : Printed for W. Mears, at the Lamb without Temple-Bar; J. Wilcox, at the Green Dragon in Little Britain; Tho. Wright, mathematical instrument-maker (to His Majesty) at the Orrery and Globe in Fleet-Street; and by the author, at Palladio's Head, near Exeter-Change in the Strand, 1729.
London : Printed for W. Mears, at the Lamb without Temple-Bar; J. Wilcox, at the Green Dragon in Little Britain; Tho. Wright, mathematical instrument-maker (to His Majesty) at the Orrery and Globe in Fleet-Street; and by the author, at Palladio's Head, near Exeter-Change in the Strand, 1729.
Title:
A sure guide to builders, or, The principles and practices of architecture, geometrically demonstrated, and made easy, for the use of workmen in general ... / by B. Langley.
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[20], 179, [1] p., 81 leaves of plates ill. ; 26 cm.
A sure guide to builders, or, The principles and practices of architecture, geometrically demonstrated, and made easy, for the use of workmen in general ... / by B. Langley.
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Description:
[20], 179, [1] p., 81 leaves of plates ill. ; 26 cm.
Form:
books
books
Publication:
London : Printed for W. Mears, at the Lamb without Temple-Bar; J. Wilcox, at the Green Dragon in Little Britain; Tho. Wright, mathematical instrument-maker (to His Majesty) at the Orrery and Globe in Fleet-Street; and by the author, at Palladio's Head, near Exeter-Change in the Strand, 1729.
London : Printed for W. Mears, at the Lamb without Temple-Bar; J. Wilcox, at the Green Dragon in Little Britain; Tho. Wright, mathematical instrument-maker (to His Majesty) at the Orrery and Globe in Fleet-Street; and by the author, at Palladio's Head, near Exeter-Change in the Strand, 1729.
Form:
books
books
Price:
$67.50
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Summary:
In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building(...)
$67.50
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Summary:
In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building(...)
Title:
The Palladian Revival : Lord Burlington, his villa and garden at Chiswick
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In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building launched a new taste in architecture which was to spread throughout Britain and North America. This exhibition catalogue traces the establishment of a radical new style in architecture.
The Palladian Revival : Lord Burlington, his villa and garden at Chiswick
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Summary:
In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building launched a new taste in architecture which was to spread throughout Britain and North America. This exhibition catalogue traces the establishment of a radical new style in architecture.
Form:
books
books
Publication:
June 1994, Montréal / New Haven
June 1994, Montréal / New Haven
Subject:
History until 1900
History until 1900
Form:
books
books
Price:
$39.95
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Summary:
In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building(...)
$39.95
(available in store)
Summary:
In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building(...)
Title:
The Palladian revival: Lord Burlington, his villa and garden at Chiswick
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Summary:
In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building launched a new taste in architecture which was to spread throughout Britain and North America. This exhibition catalogue traces the establishment of a radical new style in architecture.
The Palladian revival: Lord Burlington, his villa and garden at Chiswick
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$39.95
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Summary:
In 1726, Lord Burlington, informed by a profound admiration for the architecture of the sixteenth-century Italian, Andrea Palladio, proceeded to raise a free standing "villa" on the outskirts of London. Together with his own town house in Piccadilly, which ten years earlier had undergone major alterations similarly inspired by Palladio, this building launched a new taste in architecture which was to spread throughout Britain and North America. This exhibition catalogue traces the establishment of a radical new style in architecture.
Form:
books
books
Publication:
July 1994, Montréal / New Haven
July 1994, Montréal / New Haven
Subject:
CCA Publications
CCA Publications
Form:
books
books
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$39.95
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Summary:
En 1726, Lord Burlington, fervent admirateur d'Andrea Palladio, architecte italien du XVIe siècle, entrepris de transformer radicalement une modeste demeure du XVIIe siècle donnant sur la Tamise à l'ouest de Londres. Il a voulu édifier une "villa" dans le sens plein du terme. Dix ans auparavant, Lord Burlington avait entièrement rénové son hôtel particulier(...)
$39.95
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Summary:
En 1726, Lord Burlington, fervent admirateur d'Andrea Palladio, architecte italien du XVIe siècle, entrepris de transformer radicalement une modeste demeure du XVIIe siècle donnant sur la Tamise à l'ouest de Londres. Il a voulu édifier une "villa" dans le sens plein du terme. Dix ans auparavant, Lord Burlington avait entièrement rénové son hôtel particulier(...)
Title:
Le Renouveau Palladien : la villa et les jardins de Lord Burlington à Chiswick
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Summary:
En 1726, Lord Burlington, fervent admirateur d'Andrea Palladio, architecte italien du XVIe siècle, entrepris de transformer radicalement une modeste demeure du XVIIe siècle donnant sur la Tamise à l'ouest de Londres. Il a voulu édifier une "villa" dans le sens plein du terme. Dix ans auparavant, Lord Burlington avait entièrement rénové son hôtel particulier à Londres en s'inspirant également de Palladio. Cette résidence, Burlington House, a contribué à lancer, avec Chiswick, un goût nouveau en architecture qui devait par la suite s'étendre à toute l'Angleterre et à l'Amérique du nord. Cette exposition, tout comme le catalogue qui l'accompagne, retrace l'élaboration d'un tout nouveau style architectural.
Le Renouveau Palladien : la villa et les jardins de Lord Burlington à Chiswick
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Summary:
En 1726, Lord Burlington, fervent admirateur d'Andrea Palladio, architecte italien du XVIe siècle, entrepris de transformer radicalement une modeste demeure du XVIIe siècle donnant sur la Tamise à l'ouest de Londres. Il a voulu édifier une "villa" dans le sens plein du terme. Dix ans auparavant, Lord Burlington avait entièrement rénové son hôtel particulier à Londres en s'inspirant également de Palladio. Cette résidence, Burlington House, a contribué à lancer, avec Chiswick, un goût nouveau en architecture qui devait par la suite s'étendre à toute l'Angleterre et à l'Amérique du nord. Cette exposition, tout comme le catalogue qui l'accompagne, retrace l'élaboration d'un tout nouveau style architectural.
Form:
books
books
Publication:
July 1994, Montréal / New Haven
July 1994, Montréal / New Haven
Subject:
CCA Publications
CCA Publications
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graphic materials
graphic materials
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Description:
1 album ([71] leaves) : all ill., 1 plan, ports. ; 53 cm.
Description:
1 album ([71] leaves) : all ill., 1 plan, ports. ; 53 cm.
Subject:
- Agostino, di Giovanni, d. ca. 1347.,
- Alberti, Leon Battista, 1404-1472.,
- Algardi, Alessandro, 1598-1654.,
- Arnolfo, di Cambio, active 13th century.,
- Baglioni, Bartolomeo, 1462-1543.,
- Bartolo, Nanni di, active 1419-1451.,
- Benedetto, da Maiano, 1442-1497.,
- Blasset, Nicolas, 1600-1659.,
- Bosboom, Simon, 1614-1670.,
- Bramante, Donato, 1444?-1514.,
- Brunelleschi, Filippo, 1377-1446.,
- Buontalenti, Bernardo, 1536-1608.,
- Campi, Antonio, 1522 or 23-1587.,
- Coecke van Aelst, Pieter, 1502-1550.,
- Cronaca, 1457-1508.,
- Danckerts, Cornelis, 1561-1634.,
- Delmont, Deodat, 1582-1644.,
- Domenichino, 1581-1641.,
- Dürer, Albrecht, 1471-1528.,
- Evelyn, John, 1620-1706.,
- Faydherbe, Lucas, 1617-1697.,
- Francquart, Jacques, 1577-1651.,
- Gabrieli, Gabriel, 1671-1747.,
- Gaddi, Taddeo, approximately 1300-approximately 1366.,
- Gerbier, Balthazar, Sir, 1592?-1667.,
- Gibbs, James, 1682-1754.,
- Giotto, 1266?-1337.,
- Guercino, 1591-1666.,
- Holl, Elias, 1573-1646.,
- Hondius, Jodocus, 1563-1612.,
- Hopper, Thomas, 1776-1856.,
- Jervas, Charles, approximately 1675-1739.,
- Johnston, Francis, 1761-1829.,
- Jones, Inigo, 1573-1652.,
- Kent, William, 1685-1748.,
- Keyser, Hendrik de, 1565-1621.,
- Langley, Batty, 1696-1751.,
- Lombard, Lambert, 1506-1566.,
- Lotti, Lorenzo, 1490-1541.,
- Marieschi, Michele, 1710-1743.,
- Marucelli, Giovanni Stefano, 1586-1646.,
- Métezeau, Clément, 1581-1652.,
- Michelangelo Buonarroti, 1475-1564.,
- Mylne, Robert W. (Robert William), 1817-1890.,
- Newton, William, 1735-1790.,
- Nicéron, Jean François, 1613-1646.,
- Oppenord, Gilles-Marie, 1672-1742.,
- Orcagna, active 1343-1368.,
- Paine, James, 1717?-1789.,
- Palladio, Andrea, 1508-1580.,
- Perrault, Claude, 1613-1688.,
- Peruzzi, Baldassarre, 1481-1536.,
- Pietro, da Cortona, 1597-1669.,
- Piranesi, Giovanni Battista, 1720-1778.,
- Pisano, Niccolò, 1206?-1280?,
- Pozzo, Andrea, 1642-1709.,
- Primaticcio, Francesco, 1504-1570.,
- Raphael, 1483-1520.,
- Romano, Giulio, 1499-1546.,
- Rustici, Giovanni Francesco, 1474?-1554.,
- Sangallo, Giuliano da, 1445?-1516?,
- Sansovino, Andrea, 1460-1529.,
- Sansovino, Iacopo, 1486-1570.,
- Scamozzi, Vincenzo, 1548-1616.,
- Schijnvoet, Simon, 1653-1727.,
- Simons, Ralph, fl. 1584-1604.,
- Smeaton, John, 1724-1792.,
- Smith, Francis, 1671?-1738.,
- Sogliani, Giovanni Antonio di Francesco, 1492-1544.,
- Stone, Nicholas, 1586-1647.,
- Stone, Nicholas, d. 1647.,
- Titian, approximately 1488-1576.,
- Vauban, Sébastien Le Prestre de, 1633-1707.,
- Verrocchio, Andrea del, 1435?-1488.,
- Vignola, 1507-1573.,
- William, of Wykeham, Bishop of Winchester, 1324-1404.,
- Wren, Christopher, Sir, 1632-1723.,
- Wyatville, Jeffry, Sir, 1766-1840.,
- Yenn, John, 1750-1821.,
- Architects Portraits.,
- Artists Portraits.,
- Architectes Portraits.,
- Artistes Portraits.,
- Belgian architects.,
- Austrian architects.,
- Belgian artists.,
- Dutch architects.,
- Dutch artists.,
- English architects.,
- English landscape architects.,
- French architects.,
- French sculptors.,
- Swiss architects.,
- German printmakers.,
- Irish architects.,
- Irish artists.,
- Italian architects.,
- Italian artists.,
- Italian painters (artists),
- Italian sculptors.,
- Scottish architects.,
- Portraits.,
- Engravings (prints),
- Albums.,
- Scrapbooks.
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Title:
Artist portraits : scrapbook, 1600-1800.
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Description:
1 album ([71] leaves) : all ill., 1 plan, ports. ; 53 cm.
Artist portraits : scrapbook, 1600-1800.
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Description:
1 album ([71] leaves) : all ill., 1 plan, ports. ; 53 cm.
Form:
graphic materials
graphic materials
Subject:
- Agostino, di Giovanni, d. ca. 1347.,
- Alberti, Leon Battista, 1404-1472.,
- Algardi, Alessandro, 1598-1654.,
- Arnolfo, di Cambio, active 13th century.,
- Baglioni, Bartolomeo, 1462-1543.,
- Bartolo, Nanni di, active 1419-1451.,
- Benedetto, da Maiano, 1442-1497.,
- Blasset, Nicolas, 1600-1659.,
- Bosboom, Simon, 1614-1670.,
- Bramante, Donato, 1444?-1514.,
- Brunelleschi, Filippo, 1377-1446.,
- Buontalenti, Bernardo, 1536-1608.,
- Campi, Antonio, 1522 or 23-1587.,
- Coecke van Aelst, Pieter, 1502-1550.,
- Cronaca, 1457-1508.,
- Danckerts, Cornelis, 1561-1634.,
- Delmont, Deodat, 1582-1644.,
- Domenichino, 1581-1641.,
- Dürer, Albrecht, 1471-1528.,
- Evelyn, John, 1620-1706.,
- Faydherbe, Lucas, 1617-1697.,
- Francquart, Jacques, 1577-1651.,
- Gabrieli, Gabriel, 1671-1747.,
- Gaddi, Taddeo, approximately 1300-approximately 1366.,
- Gerbier, Balthazar, Sir, 1592?-1667.,
- Gibbs, James, 1682-1754.,
- Giotto, 1266?-1337.,
- Guercino, 1591-1666.,
- Holl, Elias, 1573-1646.,
- Hondius, Jodocus, 1563-1612.,
- Hopper, Thomas, 1776-1856.,
- Jervas, Charles, approximately 1675-1739.,
- Johnston, Francis, 1761-1829.,
- Jones, Inigo, 1573-1652.,
- Kent, William, 1685-1748.,
- Keyser, Hendrik de, 1565-1621.,
- Langley, Batty, 1696-1751.,
- Lombard, Lambert, 1506-1566.,
- Lotti, Lorenzo, 1490-1541.,
- Marieschi, Michele, 1710-1743.,
- Marucelli, Giovanni Stefano, 1586-1646.,
- Métezeau, Clément, 1581-1652.,
- Michelangelo Buonarroti, 1475-1564.,
- Mylne, Robert W. (Robert William), 1817-1890.,
- Newton, William, 1735-1790.,
- Nicéron, Jean François, 1613-1646.,
- Oppenord, Gilles-Marie, 1672-1742.,
- Orcagna, active 1343-1368.,
- Paine, James, 1717?-1789.,
- Palladio, Andrea, 1508-1580.,
- Perrault, Claude, 1613-1688.,
- Peruzzi, Baldassarre, 1481-1536.,
- Pietro, da Cortona, 1597-1669.,
- Piranesi, Giovanni Battista, 1720-1778.,
- Pisano, Niccolò, 1206?-1280?,
- Pozzo, Andrea, 1642-1709.,
- Primaticcio, Francesco, 1504-1570.,
- Raphael, 1483-1520.,
- Romano, Giulio, 1499-1546.,
- Rustici, Giovanni Francesco, 1474?-1554.,
- Sangallo, Giuliano da, 1445?-1516?,
- Sansovino, Andrea, 1460-1529.,
- Sansovino, Iacopo, 1486-1570.,
- Scamozzi, Vincenzo, 1548-1616.,
- Schijnvoet, Simon, 1653-1727.,
- Simons, Ralph, fl. 1584-1604.,
- Smeaton, John, 1724-1792.,
- Smith, Francis, 1671?-1738.,
- Sogliani, Giovanni Antonio di Francesco, 1492-1544.,
- Stone, Nicholas, 1586-1647.,
- Stone, Nicholas, d. 1647.,
- Titian, approximately 1488-1576.,
- Vauban, Sébastien Le Prestre de, 1633-1707.,
- Verrocchio, Andrea del, 1435?-1488.,
- Vignola, 1507-1573.,
- William, of Wykeham, Bishop of Winchester, 1324-1404.,
- Wren, Christopher, Sir, 1632-1723.,
- Wyatville, Jeffry, Sir, 1766-1840.,
- Yenn, John, 1750-1821.,
- Architects Portraits.,
- Artists Portraits.,
- Architectes Portraits.,
- Artistes Portraits.,
- Belgian architects.,
- Austrian architects.,
- Belgian artists.,
- Dutch architects.,
- Dutch artists.,
- English architects.,
- English landscape architects.,
- French architects.,
- French sculptors.,
- Swiss architects.,
- German printmakers.,
- Irish architects.,
- Irish artists.,
- Italian architects.,
- Italian artists.,
- Italian painters (artists),
- Italian sculptors.,
- Scottish architects.,
- Portraits.,
- Engravings (prints),
- Albums.,
- Scrapbooks.
(See more)
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books
books
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$59.95
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Summary:
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
$59.95
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Summary:
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
Subject:
Architectural Theory
Architectural Theory
Publication:
January 1976, Cambridge, Massachusetts
January 1976, Cambridge, Massachusetts
Title:
The Mathematics of the ideal villa and other essays
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This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
The Mathematics of the ideal villa and other essays
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$59.95
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Summary:
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
Form:
books
books
Publication:
January 1976, Cambridge, Massachusetts
January 1976, Cambridge, Massachusetts
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$28.00
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Summary:
Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the(...)
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Summary:
Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the(...)
Title:
Roman Architecture: Architecture without content 14
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$28.00
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Summary:
Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the sixteenth century, partyly reusing the accumulated knowledge in order to deal with urgent challenges in contemporary Flanders. The oeuvre by Palladio represents on of the most prototypical incarnations, almost literal indeed, of a possible Roman project. His prolific work for the venetian inlandrepresents a tremendous effort to systematise the complexity of an entire territory, from the city proper (i.e. Vicenza), to the countryside proper 9the sprawl still to come).
Roman Architecture: Architecture without content 14
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(available to order)
Summary:
Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the sixteenth century, partyly reusing the accumulated knowledge in order to deal with urgent challenges in contemporary Flanders. The oeuvre by Palladio represents on of the most prototypical incarnations, almost literal indeed, of a possible Roman project. His prolific work for the venetian inlandrepresents a tremendous effort to systematise the complexity of an entire territory, from the city proper (i.e. Vicenza), to the countryside proper 9the sprawl still to come).
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Current Exhibitions
Current Exhibitions
