textual records
Listes des membres, procès-verbaux, correspondance relatifs à diverses associations professionnelles
ARCH258397
Description:
Listes des membres, procès-verbaux, correspondance, bulletins relatifs au Royal Architectural Institute of Canada. Comprend aussi des rapports des documents, et des publications des Corporations des Ingénieurs professionnels de Québec, Pen and Pencil Club, Le Cercle Universitaire de Montréal, La Chambre de construction, Engineering Institute of Canada, et Le Devoir (14 septembre 1956).
1931-1959
Listes des membres, procès-verbaux, correspondance relatifs à diverses associations professionnelles
Actions:
ARCH258397
Description:
Listes des membres, procès-verbaux, correspondance, bulletins relatifs au Royal Architectural Institute of Canada. Comprend aussi des rapports des documents, et des publications des Corporations des Ingénieurs professionnels de Québec, Pen and Pencil Club, Le Cercle Universitaire de Montréal, La Chambre de construction, Engineering Institute of Canada, et Le Devoir (14 septembre 1956).
textual records
1931-1959
Project
AP060.S3.D121
Description:
En 1976, la ville de Montréal devenait l'hôte des Jeux de la XXIe Olympiade, accueillant ainsi plus d'un millier d'athlètes provenant des quatre coins du monde. Le présent dossier documente le projet des Pyramides olympiques, aussi connu sous le nom de Village olympique, qui a servi à loger les athlètes durant les compétitions. Développé par René Lépine et Joseph Zappia pour la Régie des installations olympiques, le projet a été réalisé par la firme d'architecture D'Astous & Durand entre 1974 et 1976. Le dossier contient principalement des dessins, mais aussi des reprographies, des documents photographiques, quelques documents textuels, une maquette et une reliure à anneaux contenant de très nombreux plans.
1958, 1974-1976
Pyramides olympiques (Village olympique)
Actions:
AP060.S3.D121
Description:
En 1976, la ville de Montréal devenait l'hôte des Jeux de la XXIe Olympiade, accueillant ainsi plus d'un millier d'athlètes provenant des quatre coins du monde. Le présent dossier documente le projet des Pyramides olympiques, aussi connu sous le nom de Village olympique, qui a servi à loger les athlètes durant les compétitions. Développé par René Lépine et Joseph Zappia pour la Régie des installations olympiques, le projet a été réalisé par la firme d'architecture D'Astous & Durand entre 1974 et 1976. Le dossier contient principalement des dessins, mais aussi des reprographies, des documents photographiques, quelques documents textuels, une maquette et une reliure à anneaux contenant de très nombreux plans.
Project
1958, 1974-1976
Project
Une histoire
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
1975-1978
Une histoire
Actions:
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
Project
1975-1978
textual records
DR2012:0012:103:022
Description:
File containing documents in English, including notes and reference materials related to Melvin Charney's activities at the University of Montreal. Original folder inscribed in graphite: WORK NOTES 1980-1989
1979-1989
Notes and reference material fo teaching
Actions:
DR2012:0012:103:022
Description:
File containing documents in English, including notes and reference materials related to Melvin Charney's activities at the University of Montreal. Original folder inscribed in graphite: WORK NOTES 1980-1989
textual records
1979-1989
textual records
DR2012:0012:103:013
Description:
File containing documents in English and French, including two copies of the program for the 82nd annual spring exhibition at the Musée des Beaux-arts de Montréal. Melvin Charney's piece, Mr. Smith's icon, is listed for sale in the program. Original folder inscribed in graphite: 09.04.-09.05.1965 MMFA-82ieme SALON ANNUEL DU PRINTEMPS
1965
Program for the 82nd annual spring exhibition
Actions:
DR2012:0012:103:013
Description:
File containing documents in English and French, including two copies of the program for the 82nd annual spring exhibition at the Musée des Beaux-arts de Montréal. Melvin Charney's piece, Mr. Smith's icon, is listed for sale in the program. Original folder inscribed in graphite: 09.04.-09.05.1965 MMFA-82ieme SALON ANNUEL DU PRINTEMPS
textual records
1965
textual records
ARCH258800
Description:
Correspondance, incluant des devis, des coupures de presse, des plans, des notes d'honoraires, des calculs relatifs à la programme de construction, « Centre des étudiants » (Ludger Venne, architecte), « Institut de cardiologie » (Jacques Morin, architecte), « École de médicine » et « Hôpital ». Comprend aussi des négatifs de l'Université de Montréal et de l'École Polytechnique (NF-107 à 119).
1955-1962
Correspondance, devis, coupures de presse et notes relatif au Centre des étudiants et à l'Institut de cardiologie
Actions:
ARCH258800
Description:
Correspondance, incluant des devis, des coupures de presse, des plans, des notes d'honoraires, des calculs relatifs à la programme de construction, « Centre des étudiants » (Ludger Venne, architecte), « Institut de cardiologie » (Jacques Morin, architecte), « École de médicine » et « Hôpital ». Comprend aussi des négatifs de l'Université de Montréal et de l'École Polytechnique (NF-107 à 119).
textual records
1955-1962
textual records
ARCH258336
Description:
Correspondance et rapports de diverses associations, incluant l'institut Royal d'Architecture de Canada, l'Ordre des architectes du Québec, le Prix Préfontaine, University of Calgary, et de la correspondance avec le Musée des Beaux-arts de Montréal au sujet de l'exposition « Prize Award Winners 1908-1965 » qui inclus l'aquarelle de Cormier « Fontaine du Jardin Borghèse à Rome ».
1967-1977
Correspondance et rapports de diverses associations
Actions:
ARCH258336
Description:
Correspondance et rapports de diverses associations, incluant l'institut Royal d'Architecture de Canada, l'Ordre des architectes du Québec, le Prix Préfontaine, University of Calgary, et de la correspondance avec le Musée des Beaux-arts de Montréal au sujet de l'exposition « Prize Award Winners 1908-1965 » qui inclus l'aquarelle de Cormier « Fontaine du Jardin Borghèse à Rome ».
textual records
1967-1977
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
24 September 2015 to 22 May 2016
Corner, Block, Neighbourhood, Cities. Álvaro Siza in Berlin and The Hague
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Description:
Wohnhaus Schlesisches Tor—also known as Bonjour Tristesse—in Berlin and Punt en Komma in The Hague are Álvaro Siza’s first built works outside his native Portugal. The two projects resemble one another in size, scale, program, and ambition: both were built in the 1980s, both are results of a distinct attitude towards the city, and both were social housing projects(...)
Octagonal gallery Keyword(s):
Álvaro Siza, Punt en Komma, The Hague, Bonjour Tristesse, Berlin
textual records
DR2012:0012:111:018
Description:
File containing documents in French, including correspondence, invoices, and notes related to the Faubourg St-Laurent project. Original folder inscribed in graphite: VILLE DE MONTREAL: FAUBOURG ST. LAURENT
1989-1990
Correspondence, invoices, and notes, Faubourg St-Laurent
Actions:
DR2012:0012:111:018
Description:
File containing documents in French, including correspondence, invoices, and notes related to the Faubourg St-Laurent project. Original folder inscribed in graphite: VILLE DE MONTREAL: FAUBOURG ST. LAURENT
textual records
1989-1990
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Octagonal gallery
13 June 2008 to 5 October 2008
Will Alsop: OCAD, An Urban Manifesto
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Description:
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Octagonal gallery