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books
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Please Listen I Have Something To Tell You About Is What is marks the first large-scale monograph by American artist Chris Johanson that began his career in the 1990s as part of the community of artists who based themselves in the bohemian community of San Franciscos Mission District (including Barry McGee and Margaret Kilgallen). Johansons first pieces were rough-hewn,(...)
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Please Listen I Have Something To Tell You About Is What is marks the first large-scale monograph by American artist Chris Johanson that began his career in the 1990s as part of the community of artists who based themselves in the bohemian community of San Franciscos Mission District (including Barry McGee and Margaret Kilgallen). Johansons first pieces were rough-hewn,(...)
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Please listen I have something to tell you about what is by Chris Johanson
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Please Listen I Have Something To Tell You About Is What is marks the first large-scale monograph by American artist Chris Johanson that began his career in the 1990s as part of the community of artists who based themselves in the bohemian community of San Franciscos Mission District (including Barry McGee and Margaret Kilgallen). Johansons first pieces were rough-hewn, painted on old wood he found in the street. However, over time his works have grown to include a diverse variety of media executed in large-scale installations. Johansons work comments on the age of consumerism as well as modern psychological phenomena such as self-help and psychotherapy. He creates a world where nudist dancers and emotionally centred people exist next to power junkies and corporate automatons, cunningly reflecting the duality of the human condition.
Please listen I have something to tell you about what is by Chris Johanson
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Please Listen I Have Something To Tell You About Is What is marks the first large-scale monograph by American artist Chris Johanson that began his career in the 1990s as part of the community of artists who based themselves in the bohemian community of San Franciscos Mission District (including Barry McGee and Margaret Kilgallen). Johansons first pieces were rough-hewn, painted on old wood he found in the street. However, over time his works have grown to include a diverse variety of media executed in large-scale installations. Johansons work comments on the age of consumerism as well as modern psychological phenomena such as self-help and psychotherapy. He creates a world where nudist dancers and emotionally centred people exist next to power junkies and corporate automatons, cunningly reflecting the duality of the human condition.
Form:
books
books
Publication:
January 2007, Bologna
January 2007, Bologna
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$59.95
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The interplay of electronic textiles and wearable technology, wearables for short, and fashion, design and science is a highly promising and topical subject. Offered here is a compact survey of the theory involved and an explanation of the role technology plays in a fabric or article of clothing. The practical application is explained in detail and numerous illustrations(...)
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The interplay of electronic textiles and wearable technology, wearables for short, and fashion, design and science is a highly promising and topical subject. Offered here is a compact survey of the theory involved and an explanation of the role technology plays in a fabric or article of clothing. The practical application is explained in detail and numerous illustrations(...)
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Fashionable Technology: the intersection of design, science, and technology
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The interplay of electronic textiles and wearable technology, wearables for short, and fashion, design and science is a highly promising and topical subject. Offered here is a compact survey of the theory involved and an explanation of the role technology plays in a fabric or article of clothing. The practical application is explained in detail and numerous illustrations serve as clarification. Over 50 well-known designers, research institutes, companies and artists, among them Philips, Burton, MIT Media Lab, XS Labs, New York University, Hussein Chalayan, Cute Circuit or International Fashion Machines are introduced by means of their latest, often still unpublished, project, and a survey of their work to date. Given for the first time is a list of all the relevant information on research institutes, materials, publications etc. A must for all those wishing to know everything about fashionable technology.
Fashionable Technology: the intersection of design, science, and technology
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The interplay of electronic textiles and wearable technology, wearables for short, and fashion, design and science is a highly promising and topical subject. Offered here is a compact survey of the theory involved and an explanation of the role technology plays in a fabric or article of clothing. The practical application is explained in detail and numerous illustrations serve as clarification. Over 50 well-known designers, research institutes, companies and artists, among them Philips, Burton, MIT Media Lab, XS Labs, New York University, Hussein Chalayan, Cute Circuit or International Fashion Machines are introduced by means of their latest, often still unpublished, project, and a survey of their work to date. Given for the first time is a list of all the relevant information on research institutes, materials, publications etc. A must for all those wishing to know everything about fashionable technology.
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books
books
Publication:
June 2008, New York
June 2008, New York
Subject:
Interior Design
Interior Design
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books
books
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$68.95
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and(...)
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and(...)
Publication:
August 2017
August 2017
Title:
Moscow vanguard art : 1922-1992
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.
Moscow vanguard art : 1922-1992
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.
Form:
books
books
Publication:
August 2017
August 2017
Form:
books
books
Title:
Border crossings issue 143
Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video(...)
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video(...)
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Border crossings issue 143
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$9.95
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video work, to installation. In our interviews, Border Crossings also features the work of New York-based artist, Lisa Yuskavage, who played an influential role in the establishment of a new genre of figuration, as well as feature interviews with six young contemporary artists who all employ paint as their primary artistic medium; Toronto-based artist Patrick Cruz, Brenda Draney who lives in Edmonton, Benjamin Klein from Montreal, Los Angeles-based Sojourner Truth-Parsons, Julie Beugin in Berlin, and John Eisler in Toronto.
Border crossings issue 143
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$9.95
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Summary:
In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video work, to installation. In our interviews, Border Crossings also features the work of New York-based artist, Lisa Yuskavage, who played an influential role in the establishment of a new genre of figuration, as well as feature interviews with six young contemporary artists who all employ paint as their primary artistic medium; Toronto-based artist Patrick Cruz, Brenda Draney who lives in Edmonton, Benjamin Klein from Montreal, Los Angeles-based Sojourner Truth-Parsons, Julie Beugin in Berlin, and John Eisler in Toronto.
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books
books
Publication:
September 2017
September 2017
Subject:
Magazines
Magazines
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books
books
Price:
$182.95
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Summary:
In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader(...)
$182.95
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader(...)
Title:
Landscape into Eco Art: Articulations of nature since the '60s
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet
Landscape into Eco Art: Articulations of nature since the '60s
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$182.95
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Summary:
In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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$60.00
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
Publication:
November 2019
November 2019
Title:
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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$60.00
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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$60.00
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Summary:
In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
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books
books
Publication:
November 2019
November 2019
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books
books
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$78.95
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Summary:
The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps(...)
$78.95
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Summary:
The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps(...)
Title:
Mies van der Rohe: Barcelona-1929
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic. Mies and Lilly Reich were commissioned to design not only the Pavilion but also more than one hundred thousand square feet of German stands spread throughout the Exposition. By examining that work in addition to the Pavilion itself, the contributors present a far-reaching reinterpretation of the whole. They also explore connections with the mass media, highlight the work’s antecedents and meaning in the history of architecture, and analyze the current pavilion, a reconstruction of the original built in 1986.
Mies van der Rohe: Barcelona-1929
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$78.95
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Summary:
The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic. Mies and Lilly Reich were commissioned to design not only the Pavilion but also more than one hundred thousand square feet of German stands spread throughout the Exposition. By examining that work in addition to the Pavilion itself, the contributors present a far-reaching reinterpretation of the whole. They also explore connections with the mass media, highlight the work’s antecedents and meaning in the history of architecture, and analyze the current pavilion, a reconstruction of the original built in 1986.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$45.00
(available to order)
Summary:
At the beginning of the 20th century, an unprecedented volume of information began circulating in the mass media, calling for the development of new visualization tactics to organize it all. The abundance of news and information required new forms of representation that would allow readers to glean a quick understanding of complex circumstances at a glance; the(...)
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At the beginning of the 20th century, an unprecedented volume of information began circulating in the mass media, calling for the development of new visualization tactics to organize it all. The abundance of news and information required new forms of representation that would allow readers to glean a quick understanding of complex circumstances at a glance; the(...)
Publication:
June 2018
June 2018
Title:
Image factories, infographics 1920-1945: Fritz Kahn, Otto Neurath et al.
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At the beginning of the 20th century, an unprecedented volume of information began circulating in the mass media, calling for the development of new visualization tactics to organize it all. The abundance of news and information required new forms of representation that would allow readers to glean a quick understanding of complex circumstances at a glance; the infographic was born. "Image Factories" is dedicated to the pioneering infographics of Austrian physician and illustrator Fritz Kahn (1888–1968) and German philosopher Otto Neurath (1882–1945), who both worked with graphic designers to realize their groundbreaking information visualizations. Presenting historical material and imagery designed between 1920 and 1945 alongside contemporary infographics, with a series of essays by Helena Doudova, Stephanie Jacobs, Patrick Rössler, Bernd Stiegler, Vilém Flusser and Otto Neurath, Image Factories offers a fascinating account of the early development of the infographic.
Image factories, infographics 1920-1945: Fritz Kahn, Otto Neurath et al.
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$45.00
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Summary:
At the beginning of the 20th century, an unprecedented volume of information began circulating in the mass media, calling for the development of new visualization tactics to organize it all. The abundance of news and information required new forms of representation that would allow readers to glean a quick understanding of complex circumstances at a glance; the infographic was born. "Image Factories" is dedicated to the pioneering infographics of Austrian physician and illustrator Fritz Kahn (1888–1968) and German philosopher Otto Neurath (1882–1945), who both worked with graphic designers to realize their groundbreaking information visualizations. Presenting historical material and imagery designed between 1920 and 1945 alongside contemporary infographics, with a series of essays by Helena Doudova, Stephanie Jacobs, Patrick Rössler, Bernd Stiegler, Vilém Flusser and Otto Neurath, Image Factories offers a fascinating account of the early development of the infographic.
Form:
books
books
Publication:
June 2018
June 2018
Form:
books
books
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$64.95
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El Internacional Tapas Bar & Restaurant was conceived as an artistic project carried out between 1984 and 1986 by artist Antoni Miralda (born 1942) and chef Montse Guillén (born 1946) in the Tribeca neighborhood of New York City. One of the first restaurants to introduce Spanish tapas in the United States, El Internacional quickly became a cultural icon and a creative hub(...)
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El Internacional Tapas Bar & Restaurant was conceived as an artistic project carried out between 1984 and 1986 by artist Antoni Miralda (born 1942) and chef Montse Guillén (born 1946) in the Tribeca neighborhood of New York City. One of the first restaurants to introduce Spanish tapas in the United States, El Internacional quickly became a cultural icon and a creative hub(...)
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Miralda's El Internacional (1984-1986)
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El Internacional Tapas Bar & Restaurant was conceived as an artistic project carried out between 1984 and 1986 by artist Antoni Miralda (born 1942) and chef Montse Guillén (born 1946) in the Tribeca neighborhood of New York City. One of the first restaurants to introduce Spanish tapas in the United States, El Internacional quickly became a cultural icon and a creative hub of New York’s downtown in the 1980s. It combined the social ritual of eating with installation and performance art, blurring the boundaries between food, art, design, architecture and mass media. Miralda’s El Internacional (1984–1986) documents the restaurant’s history through the memories of the people who contributed to it. Richly illustrated and featuring some of El Internacional’s most successful recipes, this volume tells the story of a crucial piece of urban history from a city not always able to protect its landmarks.
Miralda's El Internacional (1984-1986)
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El Internacional Tapas Bar & Restaurant was conceived as an artistic project carried out between 1984 and 1986 by artist Antoni Miralda (born 1942) and chef Montse Guillén (born 1946) in the Tribeca neighborhood of New York City. One of the first restaurants to introduce Spanish tapas in the United States, El Internacional quickly became a cultural icon and a creative hub of New York’s downtown in the 1980s. It combined the social ritual of eating with installation and performance art, blurring the boundaries between food, art, design, architecture and mass media. Miralda’s El Internacional (1984–1986) documents the restaurant’s history through the memories of the people who contributed to it. Richly illustrated and featuring some of El Internacional’s most successful recipes, this volume tells the story of a crucial piece of urban history from a city not always able to protect its landmarks.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Food
Food
Form:
books
books
Title:
Space between people
Space between people
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$32.95
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Summary:
If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four(...)
$32.95
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Summary:
If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four(...)
Title:
Space between people
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$32.95
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If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects illustrate the mind-bending possibilities of digital design. In the book s final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.
Space between people
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$32.95
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Summary:
If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects illustrate the mind-bending possibilities of digital design. In the book s final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.
Form:
books
books
Publication:
April 2008, New York
April 2008, New York
Subject:
Architectural Theory
Architectural Theory
