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An inquiry into emergent media's rich lineage, "Devices of Wonder" explores the artful machines humans have used to augment visual perception. The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in "Devices of Wonder" are android automata, lunar landscapes, perspective(...)
$62.00
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Summary:
An inquiry into emergent media's rich lineage, "Devices of Wonder" explores the artful machines humans have used to augment visual perception. The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in "Devices of Wonder" are android automata, lunar landscapes, perspective(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
November 2001, Los Angeles
November 2001, Los Angeles
Title:
Devices of wonder from the world in a box to images on a screen
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An inquiry into emergent media's rich lineage, "Devices of Wonder" explores the artful machines humans have used to augment visual perception. The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in "Devices of Wonder" are android automata, lunar landscapes, perspective theaters, vues d'optique, microscopes, magnetic games, magic lanterns, camera obscuras, boxes by Joseph Cornell, Lucas Samaras's Mirrored Room, Suzanne Anker's Zoosemiotics, Mark Tilden's UniBug 3.1, panoramic works by Jeff Wall and Giovanni Lusieri, paintings by Jean-Baptiste Chardin and Joseph Wright of Derby, projections by Diana Thater and James Turrell, and a pop-up book by Kara Walker. Barbara Stafford's introduction weaves these fascinating artifacts into a provocative narrative analyzing the complex links between old and new media. Her wide-ranging investigation is complemented by thirty-one short essays in which Frances Terpak tracks the often surprising connections among individual items. Like the cabinet of curiosities, "Devices of Wonder" functions as an analogical instrument, reframing the beautiful "eye machines" that continue to mediate our encounters with the world. This book is published in conjunction with an exhibition at the Getty from November 13, 2001, through February 6, 2002.
Devices of wonder from the world in a box to images on a screen
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An inquiry into emergent media's rich lineage, "Devices of Wonder" explores the artful machines humans have used to augment visual perception. The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in "Devices of Wonder" are android automata, lunar landscapes, perspective theaters, vues d'optique, microscopes, magnetic games, magic lanterns, camera obscuras, boxes by Joseph Cornell, Lucas Samaras's Mirrored Room, Suzanne Anker's Zoosemiotics, Mark Tilden's UniBug 3.1, panoramic works by Jeff Wall and Giovanni Lusieri, paintings by Jean-Baptiste Chardin and Joseph Wright of Derby, projections by Diana Thater and James Turrell, and a pop-up book by Kara Walker. Barbara Stafford's introduction weaves these fascinating artifacts into a provocative narrative analyzing the complex links between old and new media. Her wide-ranging investigation is complemented by thirty-one short essays in which Frances Terpak tracks the often surprising connections among individual items. Like the cabinet of curiosities, "Devices of Wonder" functions as an analogical instrument, reframing the beautiful "eye machines" that continue to mediate our encounters with the world. This book is published in conjunction with an exhibition at the Getty from November 13, 2001, through February 6, 2002.
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books
books
Publication:
November 2001, Los Angeles
November 2001, Los Angeles
Subject:
Architectural Theory
Architectural Theory
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books
books
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$19.95
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Publication du Festival international de jardins / Jardins de métis. Publication for the Métis Garden Festival from 2000, this book details the various installations at the site.
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Publication du Festival international de jardins / Jardins de métis. Publication for the Métis Garden Festival from 2000, this book details the various installations at the site.
Title:
Chambres vertes / garden rooms
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Publication du Festival international de jardins / Jardins de métis. Publication for the Métis Garden Festival from 2000, this book details the various installations at the site.
Chambres vertes / garden rooms
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Publication du Festival international de jardins / Jardins de métis. Publication for the Métis Garden Festival from 2000, this book details the various installations at the site.
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books
books
Publication:
June 2001, Montréal
June 2001, Montréal
Subject:
Architecture du Québec
Architecture du Québec
Form:
books
books
Title:
LOT/EK urban scan
LOT/EK urban scan
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In(...)
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2002, New York
February 2002, New York
Title:
LOT/EK urban scan
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In the process, they question our relation to the industrial environment and the artificiality of the urban landscape. LOT/EK: Urban Scan, the first and only monograph on the firm, is organized categorically and alphabetically. Twenty-three projects are presented in detail, including American Diner (a restaurant in a container), the InspiroTrainer (created for the Museum of Modern Art), Mixer (a cement mixer-cum-video immersion unit), the Meltzer Gallery, the Boon boutique, the MDU (Mobule Dwelling Unit), and the Goree Memorial and Museum. It also includes more than 1,000 photographs of infrastructural objects--everything from air conditioners to water tanks--that serve as the raw material and inspiration for this creative practice. Ada Tolla and Giuseppe Lignano, LOT/EK's founding partners, are natives of Naples, Italy. They opened their New York studio after graduating from Columbia University.
LOT/EK urban scan
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The New York-based architectural firm LOT/EK (pronounced "low-tech") has made a distinctive mark on the architectural landscape through a series of seemingly whimsical projects that make a point of using prefabricated industrial materials in unexpected ways. In their hands, a shipping container can be transformed into a mobile working unit, a museum, or a restaurant. In the process, they question our relation to the industrial environment and the artificiality of the urban landscape. LOT/EK: Urban Scan, the first and only monograph on the firm, is organized categorically and alphabetically. Twenty-three projects are presented in detail, including American Diner (a restaurant in a container), the InspiroTrainer (created for the Museum of Modern Art), Mixer (a cement mixer-cum-video immersion unit), the Meltzer Gallery, the Boon boutique, the MDU (Mobule Dwelling Unit), and the Goree Memorial and Museum. It also includes more than 1,000 photographs of infrastructural objects--everything from air conditioners to water tanks--that serve as the raw material and inspiration for this creative practice. Ada Tolla and Giuseppe Lignano, LOT/EK's founding partners, are natives of Naples, Italy. They opened their New York studio after graduating from Columbia University.
Form:
books
books
Publication:
February 2002, New York
February 2002, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$29.95
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Summary:
The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces.(...)
$29.95
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Summary:
The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces.(...)
Title:
Survival city : adventures among the ruins of atomic America
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces. In this fascinating--and at turns frightening and comical--travelogue to the hidden battlefields of the Cold War, Tom Vanderbilt travels the Interstate (itself a product of the Cold War) to uncover the sites of Cold War architecture and reflect on their lasting heritage. In the process, Vanderbilt shows us what the Cold War landscape looked like, how architecture tried to adapt to the threat of mass destruction, how cities coped with the knowledge that they were nuclear targets, and finally what remains of the Cold War theater today, both its visible and invisible legacies. Ultimately, Vanderbilt gives us a deep look into our cultural soul, the dreams and fears that drove us for the last half of the 20th century.
Survival city : adventures among the ruins of atomic America
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$29.95
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Summary:
The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces. In this fascinating--and at turns frightening and comical--travelogue to the hidden battlefields of the Cold War, Tom Vanderbilt travels the Interstate (itself a product of the Cold War) to uncover the sites of Cold War architecture and reflect on their lasting heritage. In the process, Vanderbilt shows us what the Cold War landscape looked like, how architecture tried to adapt to the threat of mass destruction, how cities coped with the knowledge that they were nuclear targets, and finally what remains of the Cold War theater today, both its visible and invisible legacies. Ultimately, Vanderbilt gives us a deep look into our cultural soul, the dreams and fears that drove us for the last half of the 20th century.
Form:
books
books
Publication:
March 2002, New York
March 2002, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$44.00
(available in store)
Summary:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958(...)
$44.00
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Summary:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
November 2001, New York
November 2001, New York
Title:
Frank Lloyd Wright + Lewis Mumford : thirty years of correspondence
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$44.00
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Summary:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958 covered a wide range of topics, including Wright's position in the history of American architecture and contemporary practice, their friends and rivals, the invention and spread of the International Style, and political events in Europe and the US. A fallout over isolationist politics in the early 1940s led to a 10-year gap in their exchange, and when it resumed the two were on an entirely different footing: Wright, the elder dean of American architecture at the height of his creative powers, and Mumford, an established critic in late middle age deeply committed to rebuilding a humanist outlook in the aftermath of World War II. Frank Lloyd Wright & Lewis Mumford offers an intimate look inside the minds and hearts of these two cultural giants, deepening our understanding of the men and the society they helped shape.
Frank Lloyd Wright + Lewis Mumford : thirty years of correspondence
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Summary:
What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958 covered a wide range of topics, including Wright's position in the history of American architecture and contemporary practice, their friends and rivals, the invention and spread of the International Style, and political events in Europe and the US. A fallout over isolationist politics in the early 1940s led to a 10-year gap in their exchange, and when it resumed the two were on an entirely different footing: Wright, the elder dean of American architecture at the height of his creative powers, and Mumford, an established critic in late middle age deeply committed to rebuilding a humanist outlook in the aftermath of World War II. Frank Lloyd Wright & Lewis Mumford offers an intimate look inside the minds and hearts of these two cultural giants, deepening our understanding of the men and the society they helped shape.
Form:
books
books
Publication:
November 2001, New York
November 2001, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$66.00
(available to order)
Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their(...)
$66.00
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Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2002, New York
January 2002, New York
Title:
Paul Rudolph : the Florida houses
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$66.00
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Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance. Like the locally inspired desert houses of another modern master, Albert Frey, Rudolph's Florida houses represent a distillation and reinterpretation of traditional architectural ideas developed to a high pitch of stylistic refinement. "Paul Rudolph: The Florida Houses" reveals all of Rudolph's early residential work. Along with Rudolph's personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and text by Joseph King and Christopher Domin, this new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph's work.
Paul Rudolph : the Florida houses
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$66.00
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Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance. Like the locally inspired desert houses of another modern master, Albert Frey, Rudolph's Florida houses represent a distillation and reinterpretation of traditional architectural ideas developed to a high pitch of stylistic refinement. "Paul Rudolph: The Florida Houses" reveals all of Rudolph's early residential work. Along with Rudolph's personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and text by Joseph King and Christopher Domin, this new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph's work.
Form:
books
books
Publication:
January 2002, New York
January 2002, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$36.95
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Summary:
This engaging publication, written by prominent scholars of contemporary architecture and design, is the first to focus on the collaborative design process for Windshield, as revealed by the extensive Brown/Neutra correspondence, as well as on its role in modern American architecture. J. Carter Brown has contributed personal recollections about growing up in(...)
$36.95
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Summary:
This engaging publication, written by prominent scholars of contemporary architecture and design, is the first to focus on the collaborative design process for Windshield, as revealed by the extensive Brown/Neutra correspondence, as well as on its role in modern American architecture. J. Carter Brown has contributed personal recollections about growing up in(...)
Title:
Richard Neutra's Windshield House
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This engaging publication, written by prominent scholars of contemporary architecture and design, is the first to focus on the collaborative design process for Windshield, as revealed by the extensive Brown/Neutra correspondence, as well as on its role in modern American architecture. J. Carter Brown has contributed personal recollections about growing up in Windshield. This book will accompany an exhibition that opens at the Harvard University Art Museums in November 2001, and will then travel to the RISD Museum, the Octagon Museum of the American Architectural Foundation, and the Armand Hammer Museum at UCLA.
Richard Neutra's Windshield House
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$36.95
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This engaging publication, written by prominent scholars of contemporary architecture and design, is the first to focus on the collaborative design process for Windshield, as revealed by the extensive Brown/Neutra correspondence, as well as on its role in modern American architecture. J. Carter Brown has contributed personal recollections about growing up in Windshield. This book will accompany an exhibition that opens at the Harvard University Art Museums in November 2001, and will then travel to the RISD Museum, the Octagon Museum of the American Architectural Foundation, and the Armand Hammer Museum at UCLA.
Form:
books
books
Publication:
November 2001, New Haven
November 2001, New Haven
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$71.95
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Summary:
Frederick J. Kiesler - architect, sculptor, painter, designer, set designer and art historian. Kiesler was tireless in his pursuit of a radical new concept of interior spaces: his dream was a polydimensional living space, an organic continuum in which colour, form(...)
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Frederick J. Kiesler - architect, sculptor, painter, designer, set designer and art historian. Kiesler was tireless in his pursuit of a radical new concept of interior spaces: his dream was a polydimensional living space, an organic continuum in which colour, form(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, Vienna
January 1900, Vienna
Title:
Frederick J. Kiesler : endless space
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$71.95
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Frederick J. Kiesler - architect, sculptor, painter, designer, set designer and art historian. Kiesler was tireless in his pursuit of a radical new concept of interior spaces: his dream was a polydimensional living space, an organic continuum in which colour, form and light, combined with magical and mythical themes, would create a unique cosmos. His so-called Endless House stayed with him all his life; although it was never realised it still fascinated and influenced other architects and artists more than many 'real' 20th century buildings. The publication "Endless Space" has been produced in cooperation with the Austrian Frederick and Lillian Kiesler Private Foundation.
Frederick J. Kiesler : endless space
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Frederick J. Kiesler - architect, sculptor, painter, designer, set designer and art historian. Kiesler was tireless in his pursuit of a radical new concept of interior spaces: his dream was a polydimensional living space, an organic continuum in which colour, form and light, combined with magical and mythical themes, would create a unique cosmos. His so-called Endless House stayed with him all his life; although it was never realised it still fascinated and influenced other architects and artists more than many 'real' 20th century buildings. The publication "Endless Space" has been produced in cooperation with the Austrian Frederick and Lillian Kiesler Private Foundation.
Form:
books
books
Publication:
January 1900, Vienna
January 1900, Vienna
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$60.00
(available to order)
Summary:
The depiction of architecture through language: few contemporary architects have pursued this issue so pointedly and steadfastly as Wolf D. "Prix of the Vienna studio Coop Himmelb(l)au. Texts play a prominent role in the award-winning architectural office's creative output. Get off of my cloud" gathers together the first representative selection of writings including(...)
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Summary:
The depiction of architecture through language: few contemporary architects have pursued this issue so pointedly and steadfastly as Wolf D. "Prix of the Vienna studio Coop Himmelb(l)au. Texts play a prominent role in the award-winning architectural office's creative output. Get off of my cloud" gathers together the first representative selection of writings including(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, Ostfildern-Ruit
January 1900, Ostfildern-Ruit
Title:
Get off of my cloud : Wolf D. Prix - CoopHimmelb(l)au - texts 1968-2005
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$60.00
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The depiction of architecture through language: few contemporary architects have pursued this issue so pointedly and steadfastly as Wolf D. "Prix of the Vienna studio Coop Himmelb(l)au. Texts play a prominent role in the award-winning architectural office's creative output. Get off of my cloud" gathers together the first representative selection of writings including programmatic contributions, aphorisms, interviews, polemics, speeches, and lectures. The texts, written in the time from 1968 to 2005, open a multitude of insights into the theoretical and artistic content of the expansive work of Coop Himmelb(l)au. They likewise illuminate the work of other architects and pose provocative questions for architecture, art, and politics.
Get off of my cloud : Wolf D. Prix - CoopHimmelb(l)au - texts 1968-2005
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The depiction of architecture through language: few contemporary architects have pursued this issue so pointedly and steadfastly as Wolf D. "Prix of the Vienna studio Coop Himmelb(l)au. Texts play a prominent role in the award-winning architectural office's creative output. Get off of my cloud" gathers together the first representative selection of writings including programmatic contributions, aphorisms, interviews, polemics, speeches, and lectures. The texts, written in the time from 1968 to 2005, open a multitude of insights into the theoretical and artistic content of the expansive work of Coop Himmelb(l)au. They likewise illuminate the work of other architects and pose provocative questions for architecture, art, and politics.
Form:
books
books
Publication:
January 1900, Ostfildern-Ruit
January 1900, Ostfildern-Ruit
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$30.00
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Summary:
Stéphane Bertrand a organisé les trois derniers étés trois événements sur les terrains vagues. 37 artistes : architectes, architectes-paysagistes et artistes en arts visuels ont contribué à House boat/Occupations symbiotiques, 2002, Ravaudage urbain, 2003 et Cohabitations : commune mesure ?, 2004 dont nous retrouvons les œuvres dans cette publication. Les textes de(...)
$30.00
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Stéphane Bertrand a organisé les trois derniers étés trois événements sur les terrains vagues. 37 artistes : architectes, architectes-paysagistes et artistes en arts visuels ont contribué à House boat/Occupations symbiotiques, 2002, Ravaudage urbain, 2003 et Cohabitations : commune mesure ?, 2004 dont nous retrouvons les œuvres dans cette publication. Les textes de(...)
Title:
Reconnaître le terrain : 19 inflexions au terrain vague
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Stéphane Bertrand a organisé les trois derniers étés trois événements sur les terrains vagues. 37 artistes : architectes, architectes-paysagistes et artistes en arts visuels ont contribué à House boat/Occupations symbiotiques, 2002, Ravaudage urbain, 2003 et Cohabitations : commune mesure ?, 2004 dont nous retrouvons les œuvres dans cette publication. Les textes de Stéphane Bertrand, Hubert Beringer, Amélie Giguère, Luc Lévesque, Guy Sioui Durand, Maurice Amiel, Rober Blanchette et Jean-Maxime Dufresne nous éclairent sur le rôle et la fonction des terrains laissés vacants au cœur de nos villes modernes et sur-organisées.
Reconnaître le terrain : 19 inflexions au terrain vague
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Stéphane Bertrand a organisé les trois derniers étés trois événements sur les terrains vagues. 37 artistes : architectes, architectes-paysagistes et artistes en arts visuels ont contribué à House boat/Occupations symbiotiques, 2002, Ravaudage urbain, 2003 et Cohabitations : commune mesure ?, 2004 dont nous retrouvons les œuvres dans cette publication. Les textes de Stéphane Bertrand, Hubert Beringer, Amélie Giguère, Luc Lévesque, Guy Sioui Durand, Maurice Amiel, Rober Blanchette et Jean-Maxime Dufresne nous éclairent sur le rôle et la fonction des terrains laissés vacants au cœur de nos villes modernes et sur-organisées.
Form:
books
books
Publication:
October 2005, Gatineau
October 2005, Gatineau
Subject:
Architecture de Montréal
Architecture de Montréal
