textual records
ARCH159007
Description:
Contient notamment : 3 épreuves argentiques à la gélatine de la maquette ; 2 brochures publicitaires de l'hôtel Château Champlain ; 1 certificat d'excellence, catégorie Prix Ro-na/Ordre des architectes du Québec 1987, accompagnée d'une lettre de la Chambre de Commerce de Montréal, 27 avril 1987 ; 1 certificat de membre de l'Association des architectes en pratique privée du Québec, 1985 ; et plusieurs coupures de presse.
Épreuves argentiques à la gélatine, brochures publicitaires,certificat d'excellence et coupures de presse.
Actions:
ARCH159007
Description:
Contient notamment : 3 épreuves argentiques à la gélatine de la maquette ; 2 brochures publicitaires de l'hôtel Château Champlain ; 1 certificat d'excellence, catégorie Prix Ro-na/Ordre des architectes du Québec 1987, accompagnée d'une lettre de la Chambre de Commerce de Montréal, 27 avril 1987 ; 1 certificat de membre de l'Association des architectes en pratique privée du Québec, 1985 ; et plusieurs coupures de presse.
textual records
Arrivals
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Hall cases
24 January 2008 to 23 March 2008
Arrivals
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Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Hall cases
Project
Maison Coloniale
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
1986-1990
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Projet
1986-1990
textual records
DR2012:0012:098:012
Description:
File containing magazine clippings (and multiple photocopies) from an article appearing in the July-August 1976 issue of Artscanada, which makes references to the following projects: - Corridart (predominant); - Le trésor de Trois-Rivières [part of Une histoire...]; - Montréal... plus ou moins?; - Canadian pavillion for Expo 70 in Osaka, Japan. Original folder inscribed in graphite: ARTS CANADA / JULY-AUGUST 1976 (CORRIDART /2)
1976
Press clippings related to Melvin Charney's projects
Actions:
DR2012:0012:098:012
Description:
File containing magazine clippings (and multiple photocopies) from an article appearing in the July-August 1976 issue of Artscanada, which makes references to the following projects: - Corridart (predominant); - Le trésor de Trois-Rivières [part of Une histoire...]; - Montréal... plus ou moins?; - Canadian pavillion for Expo 70 in Osaka, Japan. Original folder inscribed in graphite: ARTS CANADA / JULY-AUGUST 1976 (CORRIDART /2)
textual records
1976
textual records
DR2012:0012:102:015
Description:
File containing documents in English and French, including correspondence, drafts, notes, reference materials, and sketches, related to Melvin Charney's article, "A letter from the underground". Original folder inscribed in graphite: MONTREAL METRO 1964 UNPUBLISHED
1963-1966
Correspondence, drafts, notes, reference materials, and sketches related to article "A letter from the underground"
Actions:
DR2012:0012:102:015
Description:
File containing documents in English and French, including correspondence, drafts, notes, reference materials, and sketches, related to Melvin Charney's article, "A letter from the underground". Original folder inscribed in graphite: MONTREAL METRO 1964 UNPUBLISHED
textual records
1963-1966
PH2018:0005:024
Description:
Photograph by Stefano Graziani of the following work: Charles Rohault de Fleury, design development drawings for a «Galerie de zoologie», Museum national d'historie naturelle, Paris, mid 19th century, from Album Museum national d'historie naturelle, Charles de Rohault de Fleury collection, DR1974:0002:024:001-079, Canadian Centre for Architecture, Montréal Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
2017
Questioning Pictures: Photograph of design development drawings for a «Galerie de zoologie» by Charles Rohault de Fleury, mid 19th century
Actions:
PH2018:0005:024
Description:
Photograph by Stefano Graziani of the following work: Charles Rohault de Fleury, design development drawings for a «Galerie de zoologie», Museum national d'historie naturelle, Paris, mid 19th century, from Album Museum national d'historie naturelle, Charles de Rohault de Fleury collection, DR1974:0002:024:001-079, Canadian Centre for Architecture, Montréal Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Series
Projects
AP041.S1
Description:
This series documents Melvin Charney's artistic, architecture and design projects from 1950 to 2012. It includes material related to his installations, architectural projects, his artworks and photographic projects. This series contains over 70 projects, including Charney's proposal for the Canadian government pavilion for the Japan world exposition, in Osaka, in 1967, his design for the Canadian tribute to human rights, in Ottawa, in 1986-1987, his installation Les maison de la rue Sherbrooke presented during the Corridart in 1976 for the Montréal Summer Olympics and Un dictionnaire presented, amongts others, at the 7th Venice Biennale in 2000. The series drawings and sketches, such as conceptual, design development, presentation and working drawings as well as some his mixed media artworks. It also contains some photographs including photographs of the installations design by Charney, reference photographs, textual documents, such as notes, rapports and proposals, correspondence and reference materials.
1955-2012
Projects
Actions:
AP041.S1
Description:
This series documents Melvin Charney's artistic, architecture and design projects from 1950 to 2012. It includes material related to his installations, architectural projects, his artworks and photographic projects. This series contains over 70 projects, including Charney's proposal for the Canadian government pavilion for the Japan world exposition, in Osaka, in 1967, his design for the Canadian tribute to human rights, in Ottawa, in 1986-1987, his installation Les maison de la rue Sherbrooke presented during the Corridart in 1976 for the Montréal Summer Olympics and Un dictionnaire presented, amongts others, at the 7th Venice Biennale in 2000. The series drawings and sketches, such as conceptual, design development, presentation and working drawings as well as some his mixed media artworks. It also contains some photographs including photographs of the installations design by Charney, reference photographs, textual documents, such as notes, rapports and proposals, correspondence and reference materials.
Series
1955-2012
photographs
Reference slides
ARCH274324
Description:
Reference slides, includes: installations at Expo '70, Osaka Japan; Expo '67 exhibits, Montreal, Quebec; slides labeled, "Art on File," primarily images of works by sculptural and environmental artists; images of works by sculptor Gerhard Class.
1967- ca. 1986
Reference slides
Actions:
ARCH274324
Description:
Reference slides, includes: installations at Expo '70, Osaka Japan; Expo '67 exhibits, Montreal, Quebec; slides labeled, "Art on File," primarily images of works by sculptural and environmental artists; images of works by sculptor Gerhard Class.
photographs
1967- ca. 1986
photographs
Quantity:
2 File
ARCH26640
Description:
07P-1: b/w (18,2 x 23,8 cm); Westmount Armoury, Saint Catherine St facade and west elevation. Photographer; S.J. Hayward, Montreal 07P-02: b/w (18,2 x 23,8 cm); duplicate of above print
Westmount Armoury, Saint Catherine St facade and west elevation
Actions:
ARCH26640
Description:
07P-1: b/w (18,2 x 23,8 cm); Westmount Armoury, Saint Catherine St facade and west elevation. Photographer; S.J. Hayward, Montreal 07P-02: b/w (18,2 x 23,8 cm); duplicate of above print
photographs
Quantity:
2 File
archives
Level of archival description:
Collection
Futurecasting collection
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
2008-2023
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
archives
Level of archival description:
Collection
2008-2023