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"Dutch architects in booming China" presents more than 80 projects (also on show in the exhibition of the same name) which are lavishly illustrated and described in detail. Together, they present a fascinating and unique picture of Dutch design energy for China. Among them are: the State Television in Beijing (Rem Koolhaas, OMA), Guang Dong Museum in Guangzhou (UN(...)
Contemporary Asian Architecture
December 2005, Amsterdam
Dutch architects in booming China
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"Dutch architects in booming China" presents more than 80 projects (also on show in the exhibition of the same name) which are lavishly illustrated and described in detail. Together, they present a fascinating and unique picture of Dutch design energy for China. Among them are: the State Television in Beijing (Rem Koolhaas, OMA), Guang Dong Museum in Guangzhou (UN Studio), Sleeping Dragon in Hong Kong (Atelier Dutch), Xintian International Kindergarten (NEXT Architects) and Guo Tai Bridge in Tianjin (Verburg Hoogendijk Architecten). The projects are accompanied by four essays, written by China experts. The regional planner Ton Kreukels describes the history of urban development in China. The Shanghai-based architect Kok-Meng Tan discusses Chinese architecture and urbanism at the present moment and takes a look behind the scenes of Chinese architectural practice. Marlies Buurman records the experiences of the more than thirty Dutch offices working in China, and Maarten Kloos gives an introduction to the projects by Dutch architects who are working worldwide.
Contemporary Asian Architecture
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Building Subjects, the fourth issue of Standpunkte Magazine, is a collaboration between the architect De Peter Yi, the art historian Nancy P. Lin, and the graphic design studios Normal and Some All None. The publication revolves around collective housing in China, an architectural challenge expressive of the country's ongoing negotiations between its rich history and(...)
September 2019
Building subjects: collective housing in China
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Building Subjects, the fourth issue of Standpunkte Magazine, is a collaboration between the architect De Peter Yi, the art historian Nancy P. Lin, and the graphic design studios Normal and Some All None. The publication revolves around collective housing in China, an architectural challenge expressive of the country's ongoing negotiations between its rich history and undetermined future. The study combines typological research with the modes of the architectural manifesto by establishing an exchange between cultural-historical observations, the consideration of contemporary socio-economic pressures, and evolving architectural aspirations. Through a close reading of spaces from monumental utopian communes in Beijing to round earthen dwellings in the Fujian province, Building Subjects stages collective housing as a key to residential architecture in China. The publication is simultaneously inward and outward looking, and this duality is also reflected in its meticulously composed layout: documentary photography and detailed axonometric drawings are juxtaposed to establish a correspondence between old and new, between reality and projection.
books
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This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to(...)
De-/signing the urban : techno-genesis and the urban image
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This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to matters which have come to increasingly shift our understanding of architecture and urbanism. The authors offer insight on urban processes and the aesthetic challenge for contemporary design in relation to image, technology and life sciences. Contributions include discussion on : the structure of the network city in terms of temporal manipulations; the virtual emergence and resilience of contemporary urban place in the context of Beijing; the practice of the 'production of space' is detailed with a study of Nowa Huta, Poland, a post communist city and a phenomenological account of habitat and the urban body is presented in relation to Bogotá.
books
December 2006, Rotterdam
Urban Theory
Olympic cities, 2nd edition
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Providing a full overview of the changing relationship between cities and the Olympic events, this substantially revised and enlarged edition builds on the success of its predecessor. Its coverage takes account of important new scholarship as well as adding reflections on the experience of staging Beijing 2008 and Vancouver 2010, the state of preparations for London 2012,(...)
Olympic cities, 2nd edition
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Providing a full overview of the changing relationship between cities and the Olympic events, this substantially revised and enlarged edition builds on the success of its predecessor. Its coverage takes account of important new scholarship as well as adding reflections on the experience of staging Beijing 2008 and Vancouver 2010, the state of preparations for London 2012, and the plans for the Games scheduled for Sochi in 2014 and Rio de Janeiro 2016. The book is divided into three parts that provide overviews of the urban legacy of the four component Olympic festivals; systematic surveys of five key aspects of activity involved in staging the Olympics; and ten chronologically arranged portraits of host cities. As controversy over the growing size and expense of the Olympics continues, this timely assessment of the Games’ development and the complex agendas that host cities attach to the event will be essential reading for urban and sports historians, urban geographers, planners and all concerned with understanding the relationship between cities and culture.
Urban Theory
Modernism in late-Mao China
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This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for(...)
Modernism in late-Mao China
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This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for foreign trade in Guangzhou and China’s foreign aid projects overseas. The emergence of new architecture in the early 1970s is closely associated with China’s political and diplomatic shift of the time, from a radical emphasis on ideological struggle to a dynamic balance between leftist ideology and pragmatic concerns. In this context, China’s relations with the West quickly improved, culminating with American president Richard Nixon’s visit to China in 1972. The increasing foreign affairs brought new opportunities to Chinese architects who referenced both Western modernism and Chinese architectural traditions to create a new version of Chinese modernism. The book brings dimensions of form, politics and knowledge to the analysis of architecture, to construct an understanding of architectural design as an aesthetic, political and intellectual practice.
Current Exhibitions
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing(...)
Contemporary Asian Architecture
January 1900, Munich / Berlin /London / New York
China's new dawn : an architectural transformation
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing ground for the world's most innovative designers and engineers. Layla Dawson's groundbreaking survey of architectural currents in China lays out not only the historical events that have brought the country to this unique position, but explores the challenges inherent in opening up the country to outside forces and ideas. She examines projects by Chinese and non-Chinese architects, including Zaha Hadid's Soho City masterplan, Rem Koolhaas's CCTV Headquarters, Norman Foster's Shanghai Tower and plans for the Beijing 2008 Olympic Games. As Dawson demonstrates how conflicting architectural philosophies are visible in China's newly rising skyline, she takes an unblinking look at the liabilities China faces by opening itself up to foreign influence.
Contemporary Asian Architecture
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‘Borgata’, ‘favela’, ‘périurbain’, and ‘suburb’ are but a few of the different terms used throughout the world that refer specifically to communities that develop on the periphery of urban centres. "In what’s in a name?" editors Richard Harris and Charlotte Vorms have gathered together experts from around the world in order to provide a truly global framework for the(...)
What's in a name? Talking about urban peripheries
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‘Borgata’, ‘favela’, ‘périurbain’, and ‘suburb’ are but a few of the different terms used throughout the world that refer specifically to communities that develop on the periphery of urban centres. "In what’s in a name?" editors Richard Harris and Charlotte Vorms have gathered together experts from around the world in order to provide a truly global framework for the study of the urban periphery. Rather than view these distinct communities through the lens of the western notion of urban sprawl, the contributors focus on the variety of everyday terms that are used, together with their connotations. This volume explores the local terminology used in cities such as Beijing, Bucharest, Montreal, Mumbai, Rio de Janeiro, Rome, Sofia, as well as more broadly across North America, Australia, Southeast Asia, and elsewhere. What’s in a Name? is the first book in English to pay serious and sustained attention to the naming of the urban periphery worldwide. By exploring the ways in which local individuals speak about the urban periphery Harris and Vorms bridge the assumed divide between the global North and the global South.
Urban Theory
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To photograph avant-garde architecture is its own particular art, requiring careful attention to geometry, composition, lighting, and the ineluctable feel of a created space. In his famous photographs of modern architectural marvels, Marcel Chassot doesn’t merely capture a building’s appearance; he transports us to the space, recreating both its ambience and its grandeur.(...)
Marcel Chassot: architecture and photography. Amazement as visual culture
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To photograph avant-garde architecture is its own particular art, requiring careful attention to geometry, composition, lighting, and the ineluctable feel of a created space. In his famous photographs of modern architectural marvels, Marcel Chassot doesn’t merely capture a building’s appearance; he transports us to the space, recreating both its ambience and its grandeur. This volume assembles buildings designed by the giants of modern architecture—from Frank Gehry’s surrealist twists and stacks to Zaha Hadid’s formal speed and fluidity, from Beijing National Stadium to the Sony Center in Berlin and the World Trade Center Transportation Hub in New York—offering a wealth of scenes from international contemporary architecture. Wolfgang Meisenheimer sheds light on the fundamental principles of Chassot’s photographic worldview and distinguishes between three layers of thought in which the work is rooted: the Euclidean orders, echoes of the modern philosophy of the lived body, and the legacy of Cubism from the beginnings of modern painting. With its felicitous interplay of brilliant architectural photography, exquisite design, and thoughtfully researched essays, this book is a total work of art.
Photography monographs
The Forbidden City
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and(...)
The Forbidden City
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The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and terrible in dynastic China’s legacy. The Forbidden City’s vermilion walls have fueled literary fantasies that have become an intrinsic part of its disputed and documented history. Mao Zedong even considered razing the entire structure to make way for the buildings of a new socialist China. The fictions surrounding the Forbidden City have also had an international reach, and writers like Franz Kafka, Elias Canetti, Jorge Luis Borges, and Mervyn Peake have all succumbed to its myths. The politics it enshrined have provided the vocabulary of power that is used in China to the present day, though it is now better known as a film set or the background of displays of opera, rock, and fashion.
History until 1900, Asia
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian(...)
Architecture unbound: A century of the disruptive avant-garde
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. '''Architecture unbound'' traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.
Contemporary Architecture