4078 Results
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Reference number:
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
People:
Date:
1990
1990
Title:
Praemium Imperiale press conference
Actions:
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
Praemium Imperiale press conference
Actions:
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
Date:
1990
1990
People:
Form:
events
events
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Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Date:
24 April 2014 , 6pm
24 April 2014 , 6pm
Title:
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Form:
events
events
Date:
24 April 2014
6pm
24 April 2014
6pm
Level of archival description:
Sub-series
Sub-series
Title:
Virtools files
Virtools files
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Reference number:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
People:
Date:
1995-2013
1995-2013
Title:
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Level of archival description:
Subseries
Subseries
Date:
1995-2013
1995-2013
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
People:
Date:
2014-2015
2014-2015
Title:
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2014-2015
2014-2015
People:
Form:
textual records, born digital
textual records, born digital
Title:
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
Actions:
Reference number:
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
People:
Date:
2002-2003
2002-2003
Title:
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
Actions:
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
Actions:
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
Form:
textual records, born digital
textual records, born digital
Date:
2002-2003
2002-2003
People:
Actions:
Reference number:
PHCON2003:0005:065
PHCON2003:0005:065
People:
Date:
recorded 1972, transferred 20 April 1992
recorded 1972, transferred 20 April 1992
Date:
recorded 1972, transferred 20 April 1992
recorded 1972, transferred 20 April 1992
People:
Form:
articles
articles
Title:
New Documentary
New Documentary
Actions:
Takashi Homma in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Takashi Homma, conversation, oral history, waves, mushrooms
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Takashi Homma, conversation, oral history, waves, mushrooms
Published:
15 May 2023
15 May 2023
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bauhaus in America fonds
Bauhaus in America fonds
Actions:
Reference number:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
People:
Date:
circa 1930 - 2011
circa 1930 - 2011
Title:
Bauhaus in America fonds
Actions:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Bauhaus in America fonds
Actions:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1930 - 2011
circa 1930 - 2011
People:
Level of archival description:
Project
Project
Title:
Energy FREE TREE (2017)
Energy FREE TREE (2017)
Actions:
Reference number:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
People:
Date:
2017-2018
2017-2018
Title:
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2017-2018
2017-2018
People:
Form:
articles
articles
Title:
Work Smart, Not Hard
Work Smart, Not Hard
Actions:
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath, and Victoria Addona discuss construction videos on social media
Published:
3 June 2024
3 June 2024
Title:
Work Smart, Not Hard
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath, and Victoria Addona discuss construction videos on social media
Actions:
Work Smart, Not Hard
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath, and Victoria Addona discuss construction videos on social media
Actions:
