18227 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
People:
Date:
1946-1996
1946-1996
Title:
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Form:
archives
Level of archival description:
Collection 71
archives
Level of archival description:
Collection 71
Date:
1946-1996
1946-1996
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
People:
Date:
1957-2002
1957-2002
Title:
Mies in America Research Collection
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Mies in America Research Collection
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Form:
archives
Level of archival description:
Collection 172
archives
Level of archival description:
Collection 172
Date:
1957-2002
1957-2002
People:
Form:
exhibitions
exhibitions
Description:
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Location:
Main galleries
Main galleries
Date:
18 April 2002 to 15 September 2002
18 April 2002 to 15 September 2002
Title:
Laboratories: Six Young Architectural Firms in the CCA Galleries
Actions:
Description:
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Laboratories: Six Young Architectural Firms in the CCA Galleries
Actions:
Description:
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Form:
exhibitions
exhibitions
Date:
18 April 2002 to
15 September 2002
18 April 2002 to
15 September 2002
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 November 2010 to 13 November 2010
11 November 2010 to 13 November 2010
Title:
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Form:
events
events
Date:
11 November 2010 to
13 November 2010
11 November 2010 to
13 November 2010
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
photographs
photographs
Title:
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
Reference number:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Form:
photographs
photographs
Reference number:
ARCH259765
Description:
Cette boîte contient des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
ARCH259765
Description:
Cette boîte contient des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
People:
Date:
1920s-1930s
1920s-1930s
Title:
Planches contacts de diverses photographies personnelles et professionnelles
Actions:
ARCH259765
Description:
Cette boîte contient des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
Planches contacts de diverses photographies personnelles et professionnelles
Actions:
ARCH259765
Description:
Cette boîte contient des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
Form:
photographs
photographs
Date:
1920s-1930s
1920s-1930s
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH283880
Description:
Cette boîte contient des copies des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
ARCH283880
Description:
Cette boîte contient des copies des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
People:
Date:
1920s-1930s
1920s-1930s
Title:
Planches contacts de diverses photographies personnelles et professionnelles
Actions:
ARCH283880
Description:
Cette boîte contient des copies des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
Planches contacts de diverses photographies personnelles et professionnelles
Actions:
ARCH283880
Description:
Cette boîte contient des copies des planches contacts de photographies personnelles et professionnelles d'Ernest Cormier, incluant des photographies de l'Université de Montréal, des bas-reliefs pour le Palais des Nations-Unies à New-York, de la résidence Cormier, ainsi que des portaits de Cormier et autres personnes non identifiés, d'architecture, de familles et d'amis et de voyages. Contient six cartables de planches contacts des originaux sur nitrates respectivement identifiés A - N° 1001 à A - N° 1062, B - N° 2000 à B - N° 2061, B - N° 2062 à B - N° 2090 et C - N° 3000 à C - N° 3031, D - N° 4001 à D - N° 4064, D - N°4065 à D - N° 4125, et ACD 6.4 918 / A.1 ADC 6.12 ADC 6, 18.4 ADC 6, 10.
Form:
photographs
photographs
Date:
1920s-1930s
1920s-1930s
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition is an introduction to the work and life of Ernest Isbell Barott, a Montréal architect who practised from 1912 to 1966. The drawings and photographs in the exhibition are largely drawn from the Ernest Isbell Barott Archive at the CCA. Ernest Barott’s career coincided with a period of profound physical and social change in Canada, a time of national and civic(...)
The exhibition is an introduction to the work and life of Ernest Isbell Barott, a Montréal architect who practised from 1912 to 1966. The drawings and photographs in the exhibition are largely drawn from the Ernest Isbell Barott Archive at the CCA. Ernest Barott’s career coincided with a period of profound physical and social change in Canada, a time of national and civic(...)
Location:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Date:
5 June 1985 to 6 September 1985
5 June 1985 to 6 September 1985
Title:
Ernest Isbell Barott, architecte/architect : une introduction/an introduction
Actions:
Description:
The exhibition is an introduction to the work and life of Ernest Isbell Barott, a Montréal architect who practised from 1912 to 1966. The drawings and photographs in the exhibition are largely drawn from the Ernest Isbell Barott Archive at the CCA. Ernest Barott’s career coincided with a period of profound physical and social change in Canada, a time of national and civic(...)
Ernest Isbell Barott, architecte/architect : une introduction/an introduction
Actions:
Description:
The exhibition is an introduction to the work and life of Ernest Isbell Barott, a Montréal architect who practised from 1912 to 1966. The drawings and photographs in the exhibition are largely drawn from the Ernest Isbell Barott Archive at the CCA. Ernest Barott’s career coincided with a period of profound physical and social change in Canada, a time of national and civic(...)
Form:
exhibitions
exhibitions
Date:
5 June 1985 to
6 September 1985
5 June 1985 to
6 September 1985
Location:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Form:
photographs
photographs
Actions:
Reference number:
PH1984:0038:001-045
Description:
- Album PH1984:0038:001-045 comprises twenty-three views of the United States, including: seven views of the Adirondack Mountains in New York; six views of New York City; four views of Washington, D.C.; and two views each of Boston, Massachusetts, Chicago, Illinois, and Philadelphia, Pennsylvania. There are thirteen views of Canada, including six views of Ottawa, Ontario; one view of Toronto, Ontario; three views of Montréal, Québec; and one view each of Québec City and Beauport in Québec. There are eight views of Niagara Falls, including: seven views of the American side and one view of the Canadian side. There is one view of the Niagara River, the Canada - United States border between western New York and southern Ontario.
PH1984:0038:001-045
Description:
- Album PH1984:0038:001-045 comprises twenty-three views of the United States, including: seven views of the Adirondack Mountains in New York; six views of New York City; four views of Washington, D.C.; and two views each of Boston, Massachusetts, Chicago, Illinois, and Philadelphia, Pennsylvania. There are thirteen views of Canada, including six views of Ottawa, Ontario; one view of Toronto, Ontario; three views of Montréal, Québec; and one view each of Québec City and Beauport in Québec. There are eight views of Niagara Falls, including: seven views of the American side and one view of the Canadian side. There is one view of the Niagara River, the Canada - United States border between western New York and southern Ontario.
People:
Subject:
architecture, engineering, military, sculpture, topographic, urban planning
architecture, engineering, military, sculpture, topographic, urban planning
Date:
1863 - ca. 1887
1863 - ca. 1887
Title:
Album of views of urban centres in New York, Washington, D.C., Massachusetts, Illinois, Pennsylvania, Ontario and Québec and scenic views of the Adirondack Mountains, Niagara River and Falls, Rideau Falls and Montmorency Falls, United States and Canada
Actions:
PH1984:0038:001-045
Description:
- Album PH1984:0038:001-045 comprises twenty-three views of the United States, including: seven views of the Adirondack Mountains in New York; six views of New York City; four views of Washington, D.C.; and two views each of Boston, Massachusetts, Chicago, Illinois, and Philadelphia, Pennsylvania. There are thirteen views of Canada, including six views of Ottawa, Ontario; one view of Toronto, Ontario; three views of Montréal, Québec; and one view each of Québec City and Beauport in Québec. There are eight views of Niagara Falls, including: seven views of the American side and one view of the Canadian side. There is one view of the Niagara River, the Canada - United States border between western New York and southern Ontario.
Album of views of urban centres in New York, Washington, D.C., Massachusetts, Illinois, Pennsylvania, Ontario and Québec and scenic views of the Adirondack Mountains, Niagara River and Falls, Rideau Falls and Montmorency Falls, United States and Canada
Actions:
PH1984:0038:001-045
Description:
- Album PH1984:0038:001-045 comprises twenty-three views of the United States, including: seven views of the Adirondack Mountains in New York; six views of New York City; four views of Washington, D.C.; and two views each of Boston, Massachusetts, Chicago, Illinois, and Philadelphia, Pennsylvania. There are thirteen views of Canada, including six views of Ottawa, Ontario; one view of Toronto, Ontario; three views of Montréal, Québec; and one view each of Québec City and Beauport in Québec. There are eight views of Niagara Falls, including: seven views of the American side and one view of the Canadian side. There is one view of the Niagara River, the Canada - United States border between western New York and southern Ontario.
Form:
photographs
photographs
Date:
1863 - ca. 1887
1863 - ca. 1887
People:
Subject:
architecture, engineering, military, sculpture, topographic, urban planning
architecture, engineering, military, sculpture, topographic, urban planning
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Ray Affleck fonds
Ray Affleck fonds
Actions:
Reference number:
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
People:
Date:
1952-1989
1952-1989
Title:
Ray Affleck fonds
Actions:
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Ray Affleck fonds
Actions:
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1952-1989
1952-1989
People:
