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Face à la marche en avant du capital, voué à conquérir des territoires toujours plus reculés au dehors comme en dedans de nous-même, des voix s'élèvent et en appellent à prendre en compte les limites. Mais leur nature reste encore à définir : tel est l’objet de ce livre. Les limites sont constitutives de notre être-au-monde, elles lui donnent sa densité et sa saveur. Dans(...)
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Face à la marche en avant du capital, voué à conquérir des territoires toujours plus reculés au dehors comme en dedans de nous-même, des voix s'élèvent et en appellent à prendre en compte les limites. Mais leur nature reste encore à définir : tel est l’objet de ce livre. Les limites sont constitutives de notre être-au-monde, elles lui donnent sa densité et sa saveur. Dans(...)
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Le sens des limites : contre l'abstraction capitaliste
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Face à la marche en avant du capital, voué à conquérir des territoires toujours plus reculés au dehors comme en dedans de nous-même, des voix s'élèvent et en appellent à prendre en compte les limites. Mais leur nature reste encore à définir : tel est l’objet de ce livre. Les limites sont constitutives de notre être-au-monde, elles lui donnent sa densité et sa saveur. Dans chaque moment de la vie quotidienne, nous évoluons dans un lieu précis du vaste monde, situé autour de notre corps et imprégné de nos manières d'être personnelles. Or le capitalisme s'attaque à cette dimension fondamentale, en sapant toujours davantage les possibilités de contact direct avec notre environnement. Alliant philosophie, sociologie et littérature, ce livre tente de déterminer où se situent désormais les résistances à opposer à la dynamique du capital, en redonnant à notre sensibilité une puissance politique.
Le sens des limites : contre l'abstraction capitaliste
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Face à la marche en avant du capital, voué à conquérir des territoires toujours plus reculés au dehors comme en dedans de nous-même, des voix s'élèvent et en appellent à prendre en compte les limites. Mais leur nature reste encore à définir : tel est l’objet de ce livre. Les limites sont constitutives de notre être-au-monde, elles lui donnent sa densité et sa saveur. Dans chaque moment de la vie quotidienne, nous évoluons dans un lieu précis du vaste monde, situé autour de notre corps et imprégné de nos manières d'être personnelles. Or le capitalisme s'attaque à cette dimension fondamentale, en sapant toujours davantage les possibilités de contact direct avec notre environnement. Alliant philosophie, sociologie et littérature, ce livre tente de déterminer où se situent désormais les résistances à opposer à la dynamique du capital, en redonnant à notre sensibilité une puissance politique.
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books
books
Publication:
April 2018
April 2018
Subject:
Critical Theory
Critical Theory
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books
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us(...)
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us(...)
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Agnes Martin & Richard Tuttle: religion of love
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us everything that is good." "You can contact the mind by asking for help." Somewhat uncharacteristically, Martin asked her friend Richard Tuttle to illustrate it. As Tuttle writes in his introduction, "on the one hand, it reconfirms her most classical thought (Beauty is the mystery of life), and, on the other, adds new thought with an urgency only found in a mature artist of her age and persuasion." This beautiful, slim volume constitutes both an important artist's statement and a great collaboration.
Agnes Martin & Richard Tuttle: religion of love
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us everything that is good." "You can contact the mind by asking for help." Somewhat uncharacteristically, Martin asked her friend Richard Tuttle to illustrate it. As Tuttle writes in his introduction, "on the one hand, it reconfirms her most classical thought (Beauty is the mystery of life), and, on the other, adds new thought with an urgency only found in a mature artist of her age and persuasion." This beautiful, slim volume constitutes both an important artist's statement and a great collaboration.
Form:
books
books
Publication:
January 2016
January 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Destination art
Destination art
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental(...)
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental(...)
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Destination art
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental works, sculpture parks, architectural follies, site-specific installations, and entire towns turned over to the display of art, this book chronicles works that have achieved near-mythical status since they were created. Among the artists included are Henri Matisse, Antoni Gaudí, Jean Tinguely, Constantin Brancusi, James Turrell, Richard Serra, Robert Smithson, and Antony Gormley. The book provides visitor information, including hours and admission fees, directions, contact details and websites, and further reading. Fifty art destinations are featured in substantial essays, with accounts of their histories and descriptions of their sites.
Destination art
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental works, sculpture parks, architectural follies, site-specific installations, and entire towns turned over to the display of art, this book chronicles works that have achieved near-mythical status since they were created. Among the artists included are Henri Matisse, Antoni Gaudí, Jean Tinguely, Constantin Brancusi, James Turrell, Richard Serra, Robert Smithson, and Antony Gormley. The book provides visitor information, including hours and admission fees, directions, contact details and websites, and further reading. Fifty art destinations are featured in substantial essays, with accounts of their histories and descriptions of their sites.
Form:
books
books
Publication:
January 1900, Berkeley / Los Angeles
January 1900, Berkeley / Los Angeles
Subject:
Land Art
Land Art
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books
books
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British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and(...)
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British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and(...)
Title:
Jem Southam: Rockfalls and ponds
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British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and attempts at landscaping. At other times, the transformations seem less steered by humankind, but still suggest a delicate balance between nature and man, decay and renewal. Southam uses a large-format camera, which produces 8 x 10 inch negatives, in order to attain an extreme degree of detail. While the enlarged prints reveal a captivating wealth of information, smaller "contact prints"—made by placing the negative directly onto the photographic paper—achieve a contrasting intimacy; both affirm Southam's acute sensitivity to place, superbly represented by this handsomely bound monograph.
Jem Southam: Rockfalls and ponds
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British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and attempts at landscaping. At other times, the transformations seem less steered by humankind, but still suggest a delicate balance between nature and man, decay and renewal. Southam uses a large-format camera, which produces 8 x 10 inch negatives, in order to attain an extreme degree of detail. While the enlarged prints reveal a captivating wealth of information, smaller "contact prints"—made by placing the negative directly onto the photographic paper—achieve a contrasting intimacy; both affirm Southam's acute sensitivity to place, superbly represented by this handsomely bound monograph.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$75.00
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This book provides analysis of both the technical and the aesthetic importance of details in modern timber architecture. Featuring the work of renowned architects from around the world, the book features 50 of the most influential timber designs for both residential and commercial architecture. Each project is presented with color photographs, site plans, and sections and(...)
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This book provides analysis of both the technical and the aesthetic importance of details in modern timber architecture. Featuring the work of renowned architects from around the world, the book features 50 of the most influential timber designs for both residential and commercial architecture. Each project is presented with color photographs, site plans, and sections and(...)
Title:
Detail in contemorary timber architecture
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This book provides analysis of both the technical and the aesthetic importance of details in modern timber architecture. Featuring the work of renowned architects from around the world, the book features 50 of the most influential timber designs for both residential and commercial architecture. Each project is presented with color photographs, site plans, and sections and elevations, as well as numerous construction details. There is also descriptive text, detailed captions, and in-depth information for each project, including the location, client, architectural project team, main consultants, and contractors. All of the drawings are styled consistently and presented at standard architectural scales to allow for easy comparison. A free CD-ROM contains all drawings in both EPS and DWG (generic CAD) formats. An index includes the contact details for each featured architect. This is an excellent reference work for practicing architects as well as architecture and design students.
Detail in contemorary timber architecture
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This book provides analysis of both the technical and the aesthetic importance of details in modern timber architecture. Featuring the work of renowned architects from around the world, the book features 50 of the most influential timber designs for both residential and commercial architecture. Each project is presented with color photographs, site plans, and sections and elevations, as well as numerous construction details. There is also descriptive text, detailed captions, and in-depth information for each project, including the location, client, architectural project team, main consultants, and contractors. All of the drawings are styled consistently and presented at standard architectural scales to allow for easy comparison. A free CD-ROM contains all drawings in both EPS and DWG (generic CAD) formats. An index includes the contact details for each featured architect. This is an excellent reference work for practicing architects as well as architecture and design students.
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books
books
Publication:
August 2015
August 2015
Subject:
Timber Construction
Timber Construction
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books
books
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Description:
308 pages : illustrations (some color), portraits ; 28 cm
Description:
308 pages : illustrations (some color), portraits ; 28 cm
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Publication:
Rotterdam, The Netherlands : Museum Boijmans Van Beuningen, [2019], Brugge, [Belgium] : Drukkerij Die Keure, ©2019
Rotterdam, The Netherlands : Museum Boijmans Van Beuningen, [2019], Brugge, [Belgium] : Drukkerij Die Keure, ©2019
Title:
Netherlands-Bauhaus : pioneers of a new world / editorial supervision, Mienke Simon Thomas and Yvonne Brentjens ; authors, Herman van Bergeijk [and twenty others].
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308 pages : illustrations (some color), portraits ; 28 cm
Netherlands-Bauhaus : pioneers of a new world / editorial supervision, Mienke Simon Thomas and Yvonne Brentjens ; authors, Herman van Bergeijk [and twenty others].
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308 pages : illustrations (some color), portraits ; 28 cm
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books
books
Publication:
Rotterdam, The Netherlands : Museum Boijmans Van Beuningen, [2019], Brugge, [Belgium] : Drukkerij Die Keure, ©2019
Rotterdam, The Netherlands : Museum Boijmans Van Beuningen, [2019], Brugge, [Belgium] : Drukkerij Die Keure, ©2019
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Title:
Larry Sultan: The swimmers
Larry Sultan: The swimmers
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical,(...)
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical,(...)
Title:
Larry Sultan: The swimmers
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical, sensual, immersive, and painterly. The resulting work is saturated with colour and inflected by the unpredictable forms and chance abstractions which emerge through the distorted refractions of the water as a second lens. Often beautiful and regularly unsettling in their ambiguity, the series builds to create a feeling of sensory immersion alive with the fluid and uncertain atmospheres to which Sultan was drawn. This collection presents all the pictures from the series Sultan himself chose and exhibited, and expands to include additional images he marked on contact sheets as well as further selections from his archive which he likely never even reviewed.
Larry Sultan: The swimmers
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical, sensual, immersive, and painterly. The resulting work is saturated with colour and inflected by the unpredictable forms and chance abstractions which emerge through the distorted refractions of the water as a second lens. Often beautiful and regularly unsettling in their ambiguity, the series builds to create a feeling of sensory immersion alive with the fluid and uncertain atmospheres to which Sultan was drawn. This collection presents all the pictures from the series Sultan himself chose and exhibited, and expands to include additional images he marked on contact sheets as well as further selections from his archive which he likely never even reviewed.
Form:
books
books
Publication:
May 2023
May 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$70.00
(available to order)
Summary:
The Kanien’kéha language has been written since the 1600s, and these dictionary entries include citations from published, archival, and informal writings from the seventeenth century onwards. These citations are a legacy of the substantial documents of missionary scholars and several informal vocabulary lists written by Kanien’kéha speakers, among others. The introduction(...)
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The Kanien’kéha language has been written since the 1600s, and these dictionary entries include citations from published, archival, and informal writings from the seventeenth century onwards. These citations are a legacy of the substantial documents of missionary scholars and several informal vocabulary lists written by Kanien’kéha speakers, among others. The introduction(...)
Title:
A dictionary of Kanien'kéha (Mohawk) with connections to the past
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$70.00
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The Kanien’kéha language has been written since the 1600s, and these dictionary entries include citations from published, archival, and informal writings from the seventeenth century onwards. These citations are a legacy of the substantial documents of missionary scholars and several informal vocabulary lists written by Kanien’kéha speakers, among others. The introduction to the dictionary provides a description of the organization and orthography of the historical works so that they can be used in the future by those studying and learning the language. "A dictionary of Kanien’kéha (Mohawk) with connections to the past" allows scholars and students to learn the meaning, composition, and etymology of words in a language known for its particularly complex word structure. The organization of the entries, according to noun and verb roots, highlights the remarkable potential and adaptability of the language to express traditional concepts, as well as innovations that have resulted from contact with other customs and languages that have become part of the contemporary culture of the Kanien’kehá:ka.
A dictionary of Kanien'kéha (Mohawk) with connections to the past
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$70.00
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The Kanien’kéha language has been written since the 1600s, and these dictionary entries include citations from published, archival, and informal writings from the seventeenth century onwards. These citations are a legacy of the substantial documents of missionary scholars and several informal vocabulary lists written by Kanien’kéha speakers, among others. The introduction to the dictionary provides a description of the organization and orthography of the historical works so that they can be used in the future by those studying and learning the language. "A dictionary of Kanien’kéha (Mohawk) with connections to the past" allows scholars and students to learn the meaning, composition, and etymology of words in a language known for its particularly complex word structure. The organization of the entries, according to noun and verb roots, highlights the remarkable potential and adaptability of the language to express traditional concepts, as well as innovations that have resulted from contact with other customs and languages that have become part of the contemporary culture of the Kanien’kehá:ka.
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books
books
Publication:
July 2024
July 2024
Subject:
indigenous
indigenous
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books
books
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$98.50
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Summary:
The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2003, Bielefeld, Germany
June 2003, Bielefeld, Germany
Title:
Tadashi Kawamata : bridge and archives
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
Tadashi Kawamata : bridge and archives
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
Form:
books
books
Publication:
June 2003, Bielefeld, Germany
June 2003, Bielefeld, Germany
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$37.95
(available to order)
Summary:
Loin d'être une simple évaluation des effets sociaux de l'aménagement, la réception sociale de l'urbanisme ne peut être intelligible qu'inscrite dans les rapports entre les conditions de production de l'espace et sa recomposition sociale. L'appropriation de l'espace par les individus révèle en dernière instance le processus de recomposition sociale spécifique et(...)
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Loin d'être une simple évaluation des effets sociaux de l'aménagement, la réception sociale de l'urbanisme ne peut être intelligible qu'inscrite dans les rapports entre les conditions de production de l'espace et sa recomposition sociale. L'appropriation de l'espace par les individus révèle en dernière instance le processus de recomposition sociale spécifique et(...)
Title:
La réception sociale de l'urbanisme
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Loin d'être une simple évaluation des effets sociaux de l'aménagement, la réception sociale de l'urbanisme ne peut être intelligible qu'inscrite dans les rapports entre les conditions de production de l'espace et sa recomposition sociale. L'appropriation de l'espace par les individus révèle en dernière instance le processus de recomposition sociale spécifique et subséquent à une opération d'aménagement. Au contact de la nouvelle organisation urbaine, les individus transforment leur façon de se comporter dans l'espace urbain, en même temps qu'ils font évoluer les représentations et les valeurs accrochées aux lieux. Se superpose ainsi à l'espace conçu un système complexe d'usages et de significations qui résulte des opérations de rectification, d'ajustement et de réinterprétation des dispositions spatiales par la population. Ainsi, mieux cerner la demande sociale en matière d'urbanisme suppose un renversement de perspective ; un changement de posture de la part des professionnels de l'urbanisme et de leurs mandants qui permettrait de percevoir les effets proprement sociaux de l'instrumentalisation de l'espace.
La réception sociale de l'urbanisme
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Loin d'être une simple évaluation des effets sociaux de l'aménagement, la réception sociale de l'urbanisme ne peut être intelligible qu'inscrite dans les rapports entre les conditions de production de l'espace et sa recomposition sociale. L'appropriation de l'espace par les individus révèle en dernière instance le processus de recomposition sociale spécifique et subséquent à une opération d'aménagement. Au contact de la nouvelle organisation urbaine, les individus transforment leur façon de se comporter dans l'espace urbain, en même temps qu'ils font évoluer les représentations et les valeurs accrochées aux lieux. Se superpose ainsi à l'espace conçu un système complexe d'usages et de significations qui résulte des opérations de rectification, d'ajustement et de réinterprétation des dispositions spatiales par la population. Ainsi, mieux cerner la demande sociale en matière d'urbanisme suppose un renversement de perspective ; un changement de posture de la part des professionnels de l'urbanisme et de leurs mandants qui permettrait de percevoir les effets proprement sociaux de l'instrumentalisation de l'espace.
Form:
books
books
Publication:
January 2008, Paris
January 2008, Paris
Subject:
Urban Theory
Urban Theory
