4023 Results
Form:
photographs
photographs
Actions:
Reference number:
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
People:
Date:
2000
2000
Title:
View of the artist standing inside a modernist apartment by Mies van der Rohe during a whiteout in Chicago, United States
Actions:
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
View of the artist standing inside a modernist apartment by Mies van der Rohe during a whiteout in Chicago, United States
Actions:
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
Form:
photographs
photographs
Date:
2000
2000
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
People:
Date:
1991-2000
1991-2000
Title:
Box of plans for the first phase and documentation from suppliers, Edifício Zaida- Habitação e Comércio, Granada
Actions:
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
Box of plans for the first phase and documentation from suppliers, Edifício Zaida- Habitação e Comércio, Granada
Actions:
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
Form:
drawings, textual records
drawings, textual records
Date:
1991-2000
1991-2000
People:
Form:
articles
articles
Title:
New Documentary
New Documentary
Actions:
Takashi Homma in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Takashi Homma, conversation, oral history, waves, mushrooms
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Takashi Homma, conversation, oral history, waves, mushrooms
Published:
15 May 2023
15 May 2023
Form:
born digital
born digital
Actions:
Reference number:
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
People:
Date:
25 February 1999
25 February 1999
Title:
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (1 of 2)
Actions:
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (1 of 2)
Actions:
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Form:
born digital
born digital
Date:
25 February 1999
25 February 1999
People:
Form:
born digital
born digital
Actions:
Reference number:
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
People:
Date:
26 February 1999
26 February 1999
Title:
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (2 of 2)
Actions:
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (2 of 2)
Actions:
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Form:
born digital
born digital
Date:
26 February 1999
26 February 1999
People:
Level of archival description:
Project
Project
Title:
Energy FREE TREE (2017)
Energy FREE TREE (2017)
Actions:
Reference number:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
People:
Date:
2017-2018
2017-2018
Title:
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2017-2018
2017-2018
People:
Form:
articles
articles
Title:
Work Smart, Not Hard
Work Smart, Not Hard
Actions:
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath, and Victoria Addona discuss construction videos on social media
Published:
3 June 2024
3 June 2024
Title:
Work Smart, Not Hard
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath, and Victoria Addona discuss construction videos on social media
Actions:
Work Smart, Not Hard
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath, and Victoria Addona discuss construction videos on social media
Actions:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
People:
Date:
circa 1985-2015
circa 1985-2015
Title:
Poltramaca [Armchair-Hammock] (1985)
Actions:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
Poltramaca [Armchair-Hammock] (1985)
Actions:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
People:
Date:
circa 1985-2015
circa 1985-2015
Title:
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Ombra ["Shadow" Armchair] (1986)
Actions:
AP207.S1.1986.PR01
Description:
The project series documents "Ombra", an installation presented for the first time at the Expo Arte of Galleria Speciale, in Bari, in 1986. It consists of an overcoat with flexible elements inserted in the lining of the fabric that form a structure to either create a seat for the wearer to sit on it or to stand on its own, if not worn. "So the multiplicity of roles, functions and subjects gives rise to an ambiguity, and a source of anxiety for he who, having conceived, made and “inhabited” it, perceives its more disquieting implications, those of an anomalous shadow, of another self that exists even in our absence." [1] The project series contains a sketch, photographs of the installation at the Galleria Speciale in 1986, a montage of film stills from Pettena's video explaining the installation, and digital versions of the installation film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-1986/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Roger D’Astous fonds
Roger D’Astous fonds
Reference number:
AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
People:
Date:
1893-1998, surtout 1951-1998
1893-1998, surtout 1951-1998
Title:
Roger D’Astous fonds
Actions:
AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
Roger D’Astous fonds
Actions:
AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1893-1998, surtout 1951-1998
1893-1998, surtout 1951-1998
People:
