118952 Results
Level of archival description:
Series
Series
Title:
Project records from Mr. Koz
Project records from Mr. Koz
Actions:
Reference number:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
People:
Date:
1996
1996
Title:
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Level of archival description:
Series
Series
Date:
1996
1996
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Actions:
Reference number:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1995-2000
1995-2000
Title:
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Series
Series
Date:
1995-2000
1995-2000
People:
Form:
exhibitions
exhibitions
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Location:
Main galleries
Main galleries
Date:
12 February 1992 to 19 April 1992
12 February 1992 to 19 April 1992
Title:
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Form:
exhibitions
exhibitions
Date:
12 February 1992 to
19 April 1992
12 February 1992 to
19 April 1992
Location:
Main galleries
Main galleries
Form:
events
events
Title:
Learning from... Beirut
Learning from... Beirut
Actions:
Description:
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 March 2010 , 7pm
11 March 2010 , 7pm
Title:
Learning from... Beirut
Actions:
Description:
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Learning from... Beirut
Actions:
Description:
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Form:
events
events
Date:
11 March 2010
7pm
11 March 2010
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
ARCH183716
ARCH183716
People:
Date:
January 1999
January 1999
Form:
textual records
textual records
Date:
January 1999
January 1999
People:
Form:
drawings
Quantity:
51 drawing(s)
drawings
Quantity:
51 drawing(s)
Actions:
Reference number:
ARCH183747
ARCH183747
People:
Date:
1999
1999
Form:
drawings
Quantity:
51 drawing(s)
drawings
Quantity:
51 drawing(s)
Date:
1999
1999
People:
Form:
models
models
Actions:
Reference number:
ARCH183748
ARCH183748
People:
Date:
1999
1999
Form:
models
models
Date:
1999
1999
People:
Form:
textual records
textual records
Form:
textual records
textual records
Date:
1999
1999
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH183750
ARCH183750
People:
Date:
5 July 1999
5 July 1999
Form:
textual records
textual records
Date:
5 July 1999
5 July 1999
People:
Form:
photographs
Quantity:
14 slide(s)
photographs
Quantity:
14 slide(s)
Form:
photographs
Quantity:
14 slide(s)
photographs
Quantity:
14 slide(s)
Date:
1999
1999
People:
