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Ethereum Foundation 2024
Ethereum Foundation 2024
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books
books
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Description:
xix, 520 pages : illustrations ; 27 cm
Description:
xix, 520 pages : illustrations ; 27 cm
Author:
Subject:
Publication:
New York : F. Ungar Pub. Co., 1964.
New York : F. Ungar Pub. Co., 1964.
Title:
The arts in the Middle Ages and the Renaissance / Paul Lacroix.
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Description:
xix, 520 pages : illustrations ; 27 cm
The arts in the Middle Ages and the Renaissance / Paul Lacroix.
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Description:
xix, 520 pages : illustrations ; 27 cm
Form:
books
books
Publication:
New York : F. Ungar Pub. Co., 1964.
New York : F. Ungar Pub. Co., 1964.
Form:
books
books
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Description:
340 pages : illustrations (some color) ; 32 cm
Description:
340 pages : illustrations (some color) ; 32 cm
Subject:
- Kahn, Louis I., 1901-1974 Catalogues raisonnés.,
- Kahn, Louis I., 1901-1974,
- Kahn, Louis I. 1901-1974,
- Kahn, Louis,
- Kahn, Louis I. (1901-1974) Catalogues raisonnés.,
- Kahn, Louis I.,
- Malerei,
- Werkverzeichnis,
- Zeichnung,
- Kahn, Louis I 1901-1974 Catalogues raisonnés,
- Catalogues raisonnés.,
- catalogues raisonnés.
(See more)
Publication:
New York : Rizzoli, 1991.
New York : Rizzoli, 1991.
Title:
The paintings and sketches of Louis I. Kahn / Jan Hochstim ; introduction by Vincent Scully.
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Description:
340 pages : illustrations (some color) ; 32 cm
The paintings and sketches of Louis I. Kahn / Jan Hochstim ; introduction by Vincent Scully.
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Description:
340 pages : illustrations (some color) ; 32 cm
Form:
books
books
Publication:
New York : Rizzoli, 1991.
New York : Rizzoli, 1991.
Subject:
- Kahn, Louis I., 1901-1974 Catalogues raisonnés.,
- Kahn, Louis I., 1901-1974,
- Kahn, Louis I. 1901-1974,
- Kahn, Louis,
- Kahn, Louis I. (1901-1974) Catalogues raisonnés.,
- Kahn, Louis I.,
- Malerei,
- Werkverzeichnis,
- Zeichnung,
- Kahn, Louis I 1901-1974 Catalogues raisonnés,
- Catalogues raisonnés.,
- catalogues raisonnés.
(See more)
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books
books
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Description:
208 pages : illustrations ; 28 cm
Description:
208 pages : illustrations ; 28 cm
Subject:
- Philhellenism.,
- Travelers Greece 18th century.,
- Travelers Greece 19th century.,
- Romanticism.,
- Romanticism in art.,
- Travelers Greece History 18th century.,
- Travelers Greece History 19th century.,
- Philhellénisme.,
- Voyageurs Grèce Histoire 18e siècle.,
- Voyageurs Grèce Histoire 19e siècle.,
- Romantisme.,
- Romantisme dans l'art.,
- Voyageurs Grèce 18e siècle.,
- Voyageurs Grèce 19e siècle.,
- romanticism (form of expression),
- Influence (Literary, artistic, etc.),
- Travel.,
- Travelers.,
- Greece Description and travel.,
- Greece History War of Independence, 1821-1829 Influence.,
- Grèce Histoire 1821-1829 (Guerre de l'Indépendance) Influence.,
- Grèce Descriptions et voyages.,
- Greece.,
- History.
(See more)
Publication:
New Rochelle, N.Y. : Caratzas Brothers, 1981.
New Rochelle, N.Y. : Caratzas Brothers, 1981.
Title:
The rediscovery of Greece : travellers and painters of the romantic era / Fani-Maria Tsigakou ; introduction by Sir Steven Runciman.
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Description:
208 pages : illustrations ; 28 cm
The rediscovery of Greece : travellers and painters of the romantic era / Fani-Maria Tsigakou ; introduction by Sir Steven Runciman.
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Description:
208 pages : illustrations ; 28 cm
Form:
books
books
Publication:
New Rochelle, N.Y. : Caratzas Brothers, 1981.
New Rochelle, N.Y. : Caratzas Brothers, 1981.
Subject:
- Philhellenism.,
- Travelers Greece 18th century.,
- Travelers Greece 19th century.,
- Romanticism.,
- Romanticism in art.,
- Travelers Greece History 18th century.,
- Travelers Greece History 19th century.,
- Philhellénisme.,
- Voyageurs Grèce Histoire 18e siècle.,
- Voyageurs Grèce Histoire 19e siècle.,
- Romantisme.,
- Romantisme dans l'art.,
- Voyageurs Grèce 18e siècle.,
- Voyageurs Grèce 19e siècle.,
- romanticism (form of expression),
- Influence (Literary, artistic, etc.),
- Travel.,
- Travelers.,
- Greece Description and travel.,
- Greece History War of Independence, 1821-1829 Influence.,
- Grèce Histoire 1821-1829 (Guerre de l'Indépendance) Influence.,
- Grèce Descriptions et voyages.,
- Greece.,
- History.
(See more)
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books
books
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Description:
xiii, 190 pages : color illustrations ; 26 cm
Description:
xiii, 190 pages : color illustrations ; 26 cm
Subject:
- Windows in art Exhibitions.,
- Painting, European 19th century Exhibitions.,
- Fenêtres dans l'art Expositions.,
- Peinture européenne 19e siècle Expositions.,
- 20.21 iconographic themes.,
- Painting, European,
- Windows in art,
- Malerei,
- Zeichnung,
- Fenster,
- Blick,
- Kunst,
- Iconografie.,
- Vensters.,
- Schilderijen.,
- Fönster i konsten.,
- Europeisk målarkonst 1800-talet utställningskataloger.,
- Modern konst teman och motiv 1800-talet utställningskataloger.,
- 1800-1899,
- Exhibition catalogs.,
- exhibition catalogs.,
- Tentoonstellingscatalogi (vorm),
- Catalogues d'exposition.
(See more)
Publication:
New York : Metropolitan Museum of Art ; New Haven, Conn. : Yale University Press, ©2011.
New York : Metropolitan Museum of Art ; New Haven, Conn. : Yale University Press, ©2011.
Title:
Rooms with a view : the open window in the 19th century / Sabine Rewald.
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Description:
xiii, 190 pages : color illustrations ; 26 cm
Rooms with a view : the open window in the 19th century / Sabine Rewald.
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Description:
xiii, 190 pages : color illustrations ; 26 cm
Form:
books
books
Publication:
New York : Metropolitan Museum of Art ; New Haven, Conn. : Yale University Press, ©2011.
New York : Metropolitan Museum of Art ; New Haven, Conn. : Yale University Press, ©2011.
Subject:
- Windows in art Exhibitions.,
- Painting, European 19th century Exhibitions.,
- Fenêtres dans l'art Expositions.,
- Peinture européenne 19e siècle Expositions.,
- 20.21 iconographic themes.,
- Painting, European,
- Windows in art,
- Malerei,
- Zeichnung,
- Fenster,
- Blick,
- Kunst,
- Iconografie.,
- Vensters.,
- Schilderijen.,
- Fönster i konsten.,
- Europeisk målarkonst 1800-talet utställningskataloger.,
- Modern konst teman och motiv 1800-talet utställningskataloger.,
- 1800-1899,
- Exhibition catalogs.,
- exhibition catalogs.,
- Tentoonstellingscatalogi (vorm),
- Catalogues d'exposition.
(See more)
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books
books
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Price:
$99.95
(available to order)
Summary:
Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil,(...)
$99.95
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Summary:
Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil,(...)
Title:
Eliot Noyes : a pioneer of design and architecture in the age of American modernism
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$99.95
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Summary:
Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil, Westinghouse and Cummins Engine Company, and was responsible for bringing about a change in the way that these corporations, and others that followed, were to think about design and its impact on business. He enlisted pioneering designers, notably Charles Eames, Paul Rand, Ivan Chermayeff and Tom Geismar, to help him bring about innovative architectural, graphic and industrial design. He was personally responsible for the design of some notable twentieth-century classics, such as IBM’s Selectric typewriter and Mobil Oil’s service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes' family residence in Connecticut. This monograph traces the life of this unique architect, designer and businessman who devoted a great deal of his career to encouraging large American businesses to respect and develop policies that were rich in cultural expression. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.
Eliot Noyes : a pioneer of design and architecture in the age of American modernism
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Price:
$99.95
(available to order)
Summary:
Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil, Westinghouse and Cummins Engine Company, and was responsible for bringing about a change in the way that these corporations, and others that followed, were to think about design and its impact on business. He enlisted pioneering designers, notably Charles Eames, Paul Rand, Ivan Chermayeff and Tom Geismar, to help him bring about innovative architectural, graphic and industrial design. He was personally responsible for the design of some notable twentieth-century classics, such as IBM’s Selectric typewriter and Mobil Oil’s service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes' family residence in Connecticut. This monograph traces the life of this unique architect, designer and businessman who devoted a great deal of his career to encouraging large American businesses to respect and develop policies that were rich in cultural expression. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.
Form:
books
books
Publication:
October 2006, London, New York
October 2006, London, New York
Subject:
Design Monographs
Design Monographs
Form:
audio
audio
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
Title:
Wet-Togetherness [9]-Lubricating : Tabita Rezaire and Aiwen Yin.
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Description:
1 online resource.
Wet-Togetherness [9]-Lubricating : Tabita Rezaire and Aiwen Yin.
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Description:
1 online resource.
Form:
audio
audio
Publication:
[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
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books
books
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Description:
ix, 277 pages : illustrations (some color) ; 29 cm
Description:
ix, 277 pages : illustrations (some color) ; 29 cm
Author:
Subject:
Publication:
New York : Whitney Museum of American Art ; [Montreal] : Montreal Museum of Fine Arts ; New Haven : Yale University Press, ©2011.
New York : Whitney Museum of American Art ; [Montreal] : Montreal Museum of Fine Arts ; New Haven : Yale University Press, ©2011.
Title:
Lyonel Feininger : at the edge of the world / Barbara Haskell ; with essays by John Carlin [and others].
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Description:
ix, 277 pages : illustrations (some color) ; 29 cm
Lyonel Feininger : at the edge of the world / Barbara Haskell ; with essays by John Carlin [and others].
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Description:
ix, 277 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
New York : Whitney Museum of American Art ; [Montreal] : Montreal Museum of Fine Arts ; New Haven : Yale University Press, ©2011.
New York : Whitney Museum of American Art ; [Montreal] : Montreal Museum of Fine Arts ; New Haven : Yale University Press, ©2011.
Form:
books
books
Title:
Accomplished in all departments of art--Hammatt Billings of Boston, 1818-1874 / James F. O'Gorman.
Accomplished in all departments of art--Hammatt Billings of Boston, 1818-1874 / James F. O'Gorman.
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Description:
xi, 291 pages : illustrations ; 25 cm.
Description:
xi, 291 pages : illustrations ; 25 cm.
Subject:
Publication:
Amherst : University of Massachusetts Press, ©1998.
Amherst : University of Massachusetts Press, ©1998.
Title:
Accomplished in all departments of art--Hammatt Billings of Boston, 1818-1874 / James F. O'Gorman.
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Description:
xi, 291 pages : illustrations ; 25 cm.
Accomplished in all departments of art--Hammatt Billings of Boston, 1818-1874 / James F. O'Gorman.
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Description:
xi, 291 pages : illustrations ; 25 cm.
Form:
books
books
Publication:
Amherst : University of Massachusetts Press, ©1998.
Amherst : University of Massachusetts Press, ©1998.
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Price:
$69.00
(available to order)
Summary:
Gabriel Orozco visited the old guest apartments of Prince and Princess de Broglie (the last private owners of Château de Chaumont-sur-Loire) for but a few moments when his gaze was drawn straight to the torn wallpaper remains—so discreet that they were no longer noticed. These faded impressions, modest vestiges, extremely fragile traces of a past now behind us,(...)
$69.00
(available to order)
Summary:
Gabriel Orozco visited the old guest apartments of Prince and Princess de Broglie (the last private owners of Château de Chaumont-sur-Loire) for but a few moments when his gaze was drawn straight to the torn wallpaper remains—so discreet that they were no longer noticed. These faded impressions, modest vestiges, extremely fragile traces of a past now behind us,(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2016
October 2016
Title:
Gabriel Orozco: fleurs fantômes
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Price:
$69.00
(available to order)
Summary:
Gabriel Orozco visited the old guest apartments of Prince and Princess de Broglie (the last private owners of Château de Chaumont-sur-Loire) for but a few moments when his gaze was drawn straight to the torn wallpaper remains—so discreet that they were no longer noticed. These faded impressions, modest vestiges, extremely fragile traces of a past now behind us, immediately captured the imagination of this exceptional artist, who had been invited to “take over the château” as part of a special commission for the Centre-Loire Valley region. In his fascination with the remnants of the old tapestries that once graced the walls of these rooms—closed off and forgotten about since 1938—Orozco devoted hours to studying the palimpsest of the floral tapestries, still hanging on these old walls: photographing them over a considerable amount of time whilst listening to the echoes of ages past. For in these very rooms, now consigned to history, kings and queens from all over Europe once spent time and slept—sometimes for just a few hours—at the turn of last century, invited as guests to sumptuous parties and celebrated hunts. The artist, whose work is inspired by the quest for traces, remnants, marks left by men, has chosen an approach that looks back at the history and memory of the château at Chaumont-sur-Loire. In these fragments of old, timeworn, threadbare tapestries, Gabriel Orozco detected traces of these lives now long gone by: a matrix of a subtle meditation on space and time. The works on display in the “guest bedrooms” of the château evoke the details and the damage of the ancient wallpaper, whose elegant floral motifs have been recreated using a unique, time-consuming process of spraying oil onto canvas. The faltering impression mirrors the feeling of unease that grips visitors as they encounter these works and these blemished walls that are now in plain sight. In this way Orozco reveals not just the designs and colors that had until now faded into the background, but also the emotion suspended in the rooms. Through this poetic promenade, along the walls and complex walkways of the west and south wings of two floors of the château, Orozco invites us to partake in a dialogue with the mystery and the memory of a unique environment that is rendered omnipresent.
Gabriel Orozco: fleurs fantômes
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Price:
$69.00
(available to order)
Summary:
Gabriel Orozco visited the old guest apartments of Prince and Princess de Broglie (the last private owners of Château de Chaumont-sur-Loire) for but a few moments when his gaze was drawn straight to the torn wallpaper remains—so discreet that they were no longer noticed. These faded impressions, modest vestiges, extremely fragile traces of a past now behind us, immediately captured the imagination of this exceptional artist, who had been invited to “take over the château” as part of a special commission for the Centre-Loire Valley region. In his fascination with the remnants of the old tapestries that once graced the walls of these rooms—closed off and forgotten about since 1938—Orozco devoted hours to studying the palimpsest of the floral tapestries, still hanging on these old walls: photographing them over a considerable amount of time whilst listening to the echoes of ages past. For in these very rooms, now consigned to history, kings and queens from all over Europe once spent time and slept—sometimes for just a few hours—at the turn of last century, invited as guests to sumptuous parties and celebrated hunts. The artist, whose work is inspired by the quest for traces, remnants, marks left by men, has chosen an approach that looks back at the history and memory of the château at Chaumont-sur-Loire. In these fragments of old, timeworn, threadbare tapestries, Gabriel Orozco detected traces of these lives now long gone by: a matrix of a subtle meditation on space and time. The works on display in the “guest bedrooms” of the château evoke the details and the damage of the ancient wallpaper, whose elegant floral motifs have been recreated using a unique, time-consuming process of spraying oil onto canvas. The faltering impression mirrors the feeling of unease that grips visitors as they encounter these works and these blemished walls that are now in plain sight. In this way Orozco reveals not just the designs and colors that had until now faded into the background, but also the emotion suspended in the rooms. Through this poetic promenade, along the walls and complex walkways of the west and south wings of two floors of the château, Orozco invites us to partake in a dialogue with the mystery and the memory of a unique environment that is rendered omnipresent.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs