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Si les années soixante-dix et la fin du XXe siècle montrent une intense pratique participative en architecture et urbanisme, aucun ouvrage ne l’origine au tournant des XIXe et XXe siècles.Cette « grammaire » jette un regard nouveau sur l’engouement participatif d’aujourd’hui et précise le flou qui entoure le terme de « participation ». Le point de vue des architectes et(...)
Lieux, biens, liens communs: émergence d'une grammaire participative en architecture et urbanisme, 1904-1969
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Si les années soixante-dix et la fin du XXe siècle montrent une intense pratique participative en architecture et urbanisme, aucun ouvrage ne l’origine au tournant des XIXe et XXe siècles.Cette « grammaire » jette un regard nouveau sur l’engouement participatif d’aujourd’hui et précise le flou qui entoure le terme de « participation ». Le point de vue des architectes et des urbanistes enrichit la question de leur rôle social et politique ainsi que le débat sur l’esthétique architecturale.
Urban Theory
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This entirely updated new edition of Urban Design for an Urban Century offers a complete and thorough introduction to urban design, covering the demographic, environmental, economic, and social issues that shape urbanism today.
Urban design for an urban century : shaping more livable, equitable, and resilient cities, second edition
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This entirely updated new edition of Urban Design for an Urban Century offers a complete and thorough introduction to urban design, covering the demographic, environmental, economic, and social issues that shape urbanism today.
Urban Theory
books
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Sixteen essays that illustrate the Michel De Certeau’s work in the elds of history, literary studies and psychoanalysis.
Heterologies: discourse on the other
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Sixteen essays that illustrate the Michel De Certeau’s work in the elds of history, literary studies and psychoanalysis.
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September 1986
Critical Theory
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In the decades following World War Two, and in part in response to the Cold War, governments across Western Europe set out ambitious programmes for social welfare and the redistribution of wealth that aimed to improve the everyday lives of their citizens. Many of these welfare state programmes - housing, schools, new towns, cultural and leisure centres – involved not just(...)
Urban Theory
September 2014
Architecture and the welfare state
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In the decades following World War Two, and in part in response to the Cold War, governments across Western Europe set out ambitious programmes for social welfare and the redistribution of wealth that aimed to improve the everyday lives of their citizens. Many of these welfare state programmes - housing, schools, new towns, cultural and leisure centres – involved not just construction but a new approach to architectural design, in which the welfare objectives of these state-funded programmes were delineated and debated. The impact on architects and architectural design was profound and far-reaching, with welfare state projects moving centre-stage in architectural discourse not just in Europe but worldwide.
Urban Theory
The city is me
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Proposing a new way of understanding the relationship between the city and personal identity, The City is Me argues that there is no longer a distance between the two. The result of extensive research about our notions of the city and the person throughout time, this volume explores the technology, research findings, and new ideas that have made it impossible to sustain(...)
The city is me
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Proposing a new way of understanding the relationship between the city and personal identity, The City is Me argues that there is no longer a distance between the two. The result of extensive research about our notions of the city and the person throughout time, this volume explores the technology, research findings, and new ideas that have made it impossible to sustain conceptions of the city that are based on the criterion of a boundary. Showing how this shift mirrors the decentralization and fragmentation of personal identity in a globalized world, Rosane Araujo confronts the challenge of rethinking urbanism in a way that corresponds to the risk and uncertainty--but also to the possibilities--of today's cities.
Urban Theory
And now the ensemble!!!
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And Now the Ensemble!!! is intended as a challenge to architects, their clients, and commissioning authorities to understand and create urban development as a dynamic and collective work of art and to make dialogue central to design. Design, atmosphere, and usage can make every new building relate to its local surroundings. As a design process, this contextual expansion(...)
And now the ensemble!!!
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And Now the Ensemble!!! is intended as a challenge to architects, their clients, and commissioning authorities to understand and create urban development as a dynamic and collective work of art and to make dialogue central to design. Design, atmosphere, and usage can make every new building relate to its local surroundings. As a design process, this contextual expansion does not simply imitate the urban pattern, but also interprets what is already there, to some extent modernizes it, makes the familiar alien by employing unusual atmospheric imagery, and ultimately transforms the accumulated chaos of soloists into an orchestrated whole.
Design Theory
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In this radical book, architects, historians, and theorists survey the inventive, low cost work being done in obscure places to make architecture into a force for sustainable growth and social justice. The efforts are Utopian not charitable in aim. This new breed of architect-activists is endeavoring to diversify if not reinvent their profession by engaging in an(...)
Where are the utopian visionaries? Architecture of social exchange
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In this radical book, architects, historians, and theorists survey the inventive, low cost work being done in obscure places to make architecture into a force for sustainable growth and social justice. The efforts are Utopian not charitable in aim. This new breed of architect-activists is endeavoring to diversify if not reinvent their profession by engaging in an "exchange" of ideas, techniques, and visions of right living with people almost always relegated to silence and invisibility. The book opens with a range of theoretical essays, each specially commissioned, from "the site of the social" in architecture to John Hejduk's legacy, as well as five ways to change the world with Chris Marker's films. Subsequent essays form a field guide to "exchange" projects from Harlem to Port-au-Prince to Serekunda and Indore, a few still unbuilt, all virtually unknown to students of architecture. Jae Cha, Peter Clegg, Simón Vélez, and famed modernist Balkrishna Doshi demonstrate the benefits of easily found and/or scavenged materials, including bamboo. Other essays present varied alternatives to ghettoizing large groups in bleak housing complexes and urban "deserts" in architecture.
Architectural Theory
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un(...)
Hans Ulrich Obrist : conversations (édition française)
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un paysage de trajectoires, de pensées, de projets, de faits et de récits qui produisent une histoire inédite de l'art et de la culture au tournant du XXe et du XXIe siècle.
Art Theory
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Wood was essential to the survival of the Venetian Republic. To build its great naval and merchant ships, maintain its extensive levee system, construct buildings, fuel industries, and heat homes, Venice needed access to large quantities of oak and beech timber. A Forest on the Sea explores the history of this enterprise and Venice's efforts to extend state control over(...)
A forest on the sea: environmental expertise in Renaissance Venice
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Wood was essential to the survival of the Venetian Republic. To build its great naval and merchant ships, maintain its extensive levee system, construct buildings, fuel industries, and heat homes, Venice needed access to large quantities of oak and beech timber. A Forest on the Sea explores the history of this enterprise and Venice's efforts to extend state control over its natural resources. Karl Appuhn explains how Venice went from an isolated city completely dependent on foreign suppliers for wood to a regional state with a sophisticated system of administering and preserving forests. This publication offers a completely novel perspective on how Renaissance Europeans thought about the natural world. It sheds new light on how cultural conceptions about nature influenced political policies for resource conservation and land management in Venice.
Landscape Theory
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Frédéric Metz explique comment le design influence notre vie quotidienne, souvent à notre insu. Pour mieux en saisir la définition, il présente des exemples concrets puisés dans notre environnement. Ainsi, en regardant de près une banale tasse blanche, on découvre qu'il y a 50 ans un designer réputé a pensé à ajouter en dessous trois petites encoches qui facilitent(...)
Design?: beauté et fonction du passées au cible
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Frédéric Metz explique comment le design influence notre vie quotidienne, souvent à notre insu. Pour mieux en saisir la définition, il présente des exemples concrets puisés dans notre environnement. Ainsi, en regardant de près une banale tasse blanche, on découvre qu'il y a 50 ans un designer réputé a pensé à ajouter en dessous trois petites encoches qui facilitent l'égouttement complet de l'eau à la sortie du lave-vaisselle. Une amélioration à peine perceptible qui montre que le bon design repose fréquemment sur d'infimes détails. Ces petites idées ingénieuses, basées sur de la simple logique, font toute la différence. Or, s'il y a de bons designs, il y a aussi de mauvais designs. Qui n'a pas cherché le bouton de sortie dans un ascenseur alors que la marche à suivre devrait être claire au premier coup d'oil ? Partout des indications contradictoires ou indéchiffrables nous font commettre des erreurs. Que ce soit un mode d'emploi, un panneau de signalisation ou un site web, les directives devraient être simples afin de nous procurer une expérience sans souci plutôt que frustrante. Résolument moderne, le design vise le travail bien fait, indémodable, intemporel, car un emballage attirant, un logo remarquable ou un objet conçu intelligemment ne perdent jamais de leur valeur.
Design Theory