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The Nature of Landscape offers an inspiring, personal account of a quest into the meaning and background of the term ‘landscape’. The author, a landscape planner and designer currently teaching at Eindhoven University of Technology, researches the origins of landscape in our civilization and describes different points of view that have helped shape our opinions on(...)
The nature of landscape : a personal quest
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The Nature of Landscape offers an inspiring, personal account of a quest into the meaning and background of the term ‘landscape’. The author, a landscape planner and designer currently teaching at Eindhoven University of Technology, researches the origins of landscape in our civilization and describes different points of view that have helped shape our opinions on landscape. For the author, our notion of landscape is focused around the terms 'nature versus culture' and 'native versus foreign'. These counterparts make up his 'mindscape diamond', a modified matrix that not only explains trends in landscape perception and design, but also helps to define developments in land use, architecture, urban planning and environmental art. On a more metaphorical level, the author's abundantly illustrated quest is symbolized by a number of personal impressions, such as the discovery of a stone circle in the desert, a lesson in the peculiarities of the Russian language, a journey along the industrial heritage of the German Ruhrgebiet and a visit to a town where ‘Bavaria comes to Washington’. Offering an unexpected reading experience, these and other descriptions demonstrate how varied ‘landscape’ can be. In a worldwide overview of 30 landscape related artworks and 30 park designs, the author discusses landscape attitudes past and present. In a final chapter, he brings together recent developments in society, architecture and art to make a forecast of landscape trends in the near future. Themes such as man-made nature and reinvented heritage conclude this unusual book on the essence of landscape.
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March 2001, Rotterdam
Landscape Theory
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American(...)
The lonely crowd: a study of the changing American character
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American society. The 1969 abridged and revised edition of the book is now reissued with a new foreword by Todd Gitlin that explains why the book is still relevant to our own era.
Architectural Theory
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In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such(...)
The building in the text : Alberti to Shakespeare and Milton
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In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such words as "plot," "topos," "fabrica," and "stanza," Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos.
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January 1900, University Park
Architectural Theory
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The language of landscape
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Offering examples that range across thousands of years and five continents, Spirn examines urban, rural, and natural landscapes. She discusses the thought of renowned landscape authors--Thomas Jefferson, Frank Lloyd Wright, Frederick Law Olmsted, Lawrence Halprin--and of less well known pioneers, including Australian architect Glenn Murcutt and Danish landscape artist C.(...)
The language of landscape
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Offering examples that range across thousands of years and five continents, Spirn examines urban, rural, and natural landscapes. She discusses the thought of renowned landscape authors--Thomas Jefferson, Frank Lloyd Wright, Frederick Law Olmsted, Lawrence Halprin--and of less well known pioneers, including Australian architect Glenn Murcutt and Danish landscape artist C. Th. Sørensen. She discusses instances of great landscape designers using landscape fluently, masterfully, and sometimes cynically. And, in a probing analysis of the many meanings of landscape, Spirn shows how one person’s ideal landscape may be another’s nightmare, how Utopian landscapes can be dark. There is danger when we lose the connection between a place and our understanding of it, Spirn warns, and she calls for change in the way we shape our environment, based on the notions of nature as a set of ideas and landscape as the expression of action and ideas in place.
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May 2000, New haven
Landscape Theory
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The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration(...)
Dreamworld and catastrophe : the passing of mass utopia in East and West
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The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. The book is in four parts. "Dreamworlds of Democracy" asks whether collective sovereignty can ever be democratic. "Dreamworlds of History" calls for a rethinking of revolution by political and artistic avant-gardes. "Dreamworlds of Mass Culture" explores the affinities between mass culture's socialist and capitalist forms. An "Afterward" places the book in the historical context of the author's collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about.
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January 1900, Cambridge
Architectural Theory
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Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses(...)
Louis I. Kahn : silence and light -- actualité d'une pensée
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Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses implications sur la démarche de l'architecte, le regard qu'il porte sur son action et sa finalité et, par extension, sur le monde.
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September 2000, Lausanne
Architectural Theory
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Art and technics
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With a new introduction by Casey Nelson Blake
Art and technics
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With a new introduction by Casey Nelson Blake
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May 2000, New York
Art Theory
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Haussmann le grand
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Son nom évoque la norme bourgeoise de l'appartement parisien si prisé des agents immobiliers. Mais l'oeuvre d'Haussmann est autrement plus vaste. Durant dix-sept années d'un gigantesque chantier, le préfet de la Seine a fait de Paris la capitale la plus moderne de son temps, traçant la perspective des avenues, aménageant les espaces verts, organisant la distribution de(...)
Haussmann le grand
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Son nom évoque la norme bourgeoise de l'appartement parisien si prisé des agents immobiliers. Mais l'oeuvre d'Haussmann est autrement plus vaste. Durant dix-sept années d'un gigantesque chantier, le préfet de la Seine a fait de Paris la capitale la plus moderne de son temps, traçant la perspective des avenues, aménageant les espaces verts, organisant la distribution de l'eau et du gaz, créant les égouts.
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June 2000, Paris
Urban Theory
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Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian (...)
E-topia : "Urban life, Jim -- but not as we know it"
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Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian circulation and mechanized transportation systems. He proposes strategies for the creation of cities that not only will be sustainable but will make economic, social, and cultural sense in an electronically interconnected and global world. The new settlement patterns of the twenty-first century will be characterized by live/work dwellings, 24-hour pedestrian-scale neighborhoods rich in social relationships, and vigorous local community life, complemented by far-flung configurations of electronic meeting places and decentralized production, marketing, and distribution systems. Neither digiphile nor digiphobe, Mitchell advocates the creation of e-topias--cities that work smarter, not harder.
Urban Theory
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"Sidewalk Critic" collects over 50 of Mumford's writings that were originally published in the New Yorker between 1931 and 1940. These seminal essays focus almost exclusively on the New York metropolitan area, providing an unusual glimpse into one of the formative (...)
Sidewalk critic : Lewis Mumford's writings on New York
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"Sidewalk Critic" collects over 50 of Mumford's writings that were originally published in the New Yorker between 1931 and 1940. These seminal essays focus almost exclusively on the New York metropolitan area, providing an unusual glimpse into one of the formative decades in the city's history. They cover all aspects of New York's architecture, including museums, theaters, bridges, tenements, parks, and recreational areas, and they range from a short musing on a midtown luncheonette to an extended series on Rockefeller Center. This is the first paperbbound edition of the 1998 clothbound edition.
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September 2000, New York
Urban Theory